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Konstantina Kotzamani’s Debut Feature ‘Titanic Ocean’ Weaves Greek Myth Into Mermaid School at Cannes Un Certain Regard
Brazil’s ‘I’m Still Here’ Oscar Nominee Fernanda Torres Joins Willem Dafoe in Barbara Paz’s Dystopian Pic, ‘Cuddle’ (EXCLUSIVE)
Brazilian Helmer Laís Santos Araújo Expands Berlinale-Winning Short ‘Infantaria’ Into Feature, Backed by Cannes Residency, CNC Grant
‘Low Expectations’ Review: Eivind Landsvik’s Tender, Joachim Trier-Adjacent Drama Wisely Suggests Embracing Stillness is Tougher Than It Looks
France’s Lilith Films Boards Paulina García-Led Chilean Pic ‘A Woman Wants to Die’ at Cannes (EXCLUSIVE)
‘Six Months in a Pink and Blue Building’ Deepens Mexican Bruno Santamaría Razo’s Exploration of Secrets, Memory and Childhood