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Movies & TV

‘One Battle After Another,’ ‘Frankenstein’ and ‘Avatar: Fire And Ash’ Among the Winners at MacGuffin Awards

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John Stamos Delivers Emotional Speech About Fatherhood at Creative Coalition Awards

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Courteney Cox Remembers ‘Scream’ Co-Star Hayden Panettiere: ‘She’s a Really Wonderful Actor’

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‘Diary of a Mad Old Man’ Review: Wayne Wang and Fan Bingbing Unintentionally Find the Boredom in Sex and Death

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Christian Bale Opens 11,000-Square-Foot Foster Care Facility in Palmdale: ‘Turn Their Heartbreak and Their Pain into Love’

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‘Crystal Lake’ Trailer: Linda Cardellini Stars in Peacock’s Spooky ‘Friday the 13th’ Prequel Series

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Chris Rock Says Scott Rudin’s ‘Hard Coaching’ Made Him a Better Filmmaker: Some Creatives Don’t ‘Respond to a Hug’

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Emmys Presenters: Matthew McConaughey, Shailene Woodley and ‘Baywatch’ Reboot Stars Join Lineup

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Toronto: Seth Rogen Shares Secret to Hollywood Success:  “I Was Lucky Coming Up”

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Seth Rogen Tells TIFF the Best Advice He’s Ever Received: ‘Less Semen, More Emotion!’

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Teary-Eyed Kaley Cuoco Recalls Death of Her ‘8 Simple Rules’ TV Dad John Ritter: ‘One of the Worst Days of My Life’

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Hollywood Ventures Group, Canada’s Big Picture Cinema Group, and Morocco’s Pink Sheep Team on Casablanca-Set Thriller ‘The Final Bet’ (EXCLUSIVE)

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Nike Unveils Alex Eala T-Shirt Inspired by Tennis Phenom’s Filipino Heritage

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Box Office: ‘Practical Magic 2’ Fizzles With $30 Million Debut

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‘Severance’ Producer Nicholas Weinstock Boards Indian Fantasy-Horror ‘Tongue’ Starring Sayani Gupta (EXCLUSIVE)

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‘Union Town’ Review: Barbara Kopple’s Labor Rights Documentary Is Both Aptly Angry and Optimistically Community-Minded

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‘Angh’ Cinematographer on How He Captured the Film’s Challenging Nighttime Sequences

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TNT’s Iraq War Drama ‘High Value Target: The Hunt for Saddam’ Is Dull and Deeply Disturbing: TV Review

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Ali Asgari Doesn’t Believe in a Bright Future After Iran’s January Massacre – Just ‘A Bit of Light’

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Kaelen Ohm Talks Bringing Inner Extreme Skier to Film Roles: “I Want to Find the Steeper Hill to Go Down”

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TIFF 2026: 20 International Titles to Track, From Feng-I Fiona Roan’s Shuhua Starrer to a Taxidermy Musical and a John Madden Parkinson’s Rom-Com

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‘Your Mother Your Mother Your Mother’ Star Adia On Film Debut Opposite Mahershala Ali, Getting Certified as a Doula: ‘Birth Work Fills My Soul’

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‘How We Stand’ Director on Recasting 1950s American Indians Relocation Legacy: “It’s Such an Epic Story”

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Netflix’s ‘Scooby-Doo: Origins’ Wraps Production Ahead of 2027 Release

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Israel, Palestine and the Films No One Will Buy

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Melissa Rivers on Her Glorious Return to the Emmys Carpet, Remembering Her Mom Joan and Why ‘It’s Been Really Hard’ to Watch ‘Hacks’

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‘Much Ado About Nothing’ Gets Modern War-Zone Update From Lakeem Rose (EXCLUSIVE)

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‘Back in Black’ Director on Lovable Serial Killer Doing “Bad Things for the Right Reasons” in Christopher Walken-Starrer

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Fina Strazza to Star in, Produce Romantic Drama ‘Any Way You Want Me’ (Exclusive)

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Toronto: Irene Dionisio’s ‘IDDA’ Lands at FilmClub Distribuzione for Italy (Exclusive)

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Variety and Chanel’s Women in Film Dinner: Ayo Edebiri, Lily-Rose Depp, Michelle Yeoh, Courteney Cox and More Light Up TIFF

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‘The Stunt Driver’ Review: Jay Baruchel Takes a Leap into Tepid Biopic Territory

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‘Words Are Weapons’: Michaël R. Roskam on Turning a WWII Fake-Newspaper Prank Into a Heist Movie

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Willy Chavarria on His Don Julio Creative Director Role, the Fashion-Entertainment Crossover and Expanding His Brand ‘Into a Full Creative Studio’

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‘Girl Group’ Review: Rebel Wilson’s Bawdy Pop Comedy Is All Fizz and Little Substance

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Tom Nicoll Looks Beyond Male Influencer Culture in TIFF Title ‘Salvation’: ‘I Don’t Think Anyone’s Ever Been Insulted Into Changing Their Mind’

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Yoon Dan-bi’s Toronto and San Sebastian Film ‘The World Before’ Gives Its Camera a Soul and Its Island a Voice

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‘Masc’ Review: A Sensitive Character Study Where Identity is Found in Imitation and Observation

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Shuhua’s Acting Debut and Breaking Free From the ‘American Girl’ Label: Director Feng-i Fiona Roan on Toronto Title ‘Happily Ever After’

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Cannes Prize-Winning Nepal Oscar Entry ‘Elephants in the Fog’ Sells Wide for Best Friend Forever (EXCLUSIVE)

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TIFF Platform Competition Film ‘Idda’ Portrays Female Friendship, Grief and Memory Set on Sicily’s Mount Etna

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‘Up Against It’ Review: Antonio Banderas Stars in a British Family Dramedy That Ignores Its Own Conundrums

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Inside ‘NAZA,’ the Bombshell Exposé on IDF’s War in Gaza

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‘Look Back’ Breakouts Furi Nanase and Rokka Okada on Growing Up on a Hirokazu Koreeda Set

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Trans Pregnancy Drama ‘Aman’ Boards Parallax Films for Global Sales Ahead of Toronto and London Premieres (EXCLUSIVE)

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Oscars: Philippines Selects Rafael Manuel’s ‘Filipiñana’ for International Feature Race

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Toronto Awards Analysis: ‘I Play Rocky’ Channels Namesake, Could Follow in Its Oscar Footsteps

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FCC Chairman Slams James Talarico as Running a ‘Hoax’ With Jimmy Kimmel Interview, Which ABC Punted to YouTube, to Get ‘Clicks and Donations’

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Chris Rock’s Hollywood Send-Up ‘Misty Green’ Hits TIFF With Rosalind Eleazar’s Knockout Lead Performance

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Mahershala Ali Finally Made His ‘Blade’ Film With ‘Your Mother Your Mother Your Mother’

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