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Fri Aug 7
Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes Doc ‘You Can See Everything’ Detonates the Oscar Race — and Has A24 Chasing a 90-Year Record
8m
V
Betty Gilpin Jabs at Sam Altman During ‘Manic Poem’ Acceptance Speech at the Emmys
19m
V
Film Industry Leaders Demand Structural Fix for Gender Gap at Lumiere Summit
32m
V
BBC News Anchor Maryam Moshiri Reveals Blood Cancer Diagnosis
2h
V
Tokyo Film Festival Adds New Initiatives, Kashiko Kawakita Award to Honor Women in Cinema
2h
T
‘Primetime,’ Chris Rock’s ‘Misty Green’ and Latest Paul Thomas Anderson Movie Join London Film Festival Lineup
2h
T
Ellen Burstyn Cries as She Gets Venice Golden Lion for Lifetime Achievement: ‘It’s One Thing to Win an Oscar, Tony or Emmy — All of Which I’ve Won. But This Is a Lot’
3h
V
‘Imperium’ Review: Sergei Loznitsa Brings Together Nearly Three Hours of Italian Footage From the Early 1970s Covering the Vastness of the USSR
4h
V
Festival Leaders Confront Growing Political Pressure at Lumiere Summit: ‘We Don’t Judge Artists by Their Passport’
4h
V
‘Plaza Catedral’ Director Abner Benaim, Chile’s Daniela Vega and Alfredo Castro Board Fiction Series ‘School of the Americas’ (EXCLUSIVE)
4h
V
Studio TF1 Smashes Doc Records With ‘Leon Marchand: Beyond Gold,’ Rolls Out ‘Surface’
4h
V
Laura Poitras Shares the Urgent Vision Behind Her ICE Documentary ‘They’re Here’: “What’s Happening in the United States Is a Nightmare”
5h
T
‘Sumo: Spirit Weighs Nothing’ Review: A Handsome Ode to an Oft-Disrespected Sport
5h
V
Belgian Royalty Series ‘King of Hearts’ Secures Key VRT Backing (EXCLUSIVE)
5h
V
The Next James Bond Has Been Picked, Says Gary Oldman, Whose ‘Fingers Are Crossed’ for ‘Slow Horses’ Co-Star Jack Lowden
5h
V
Tom Rothman on Sony’s ‘Spider-Man: Brand New Day’ Blockbuster Success, Being Outbid for ‘Obsession’ and More
5h
V
‘SNL U.K.’ Adds Freddie Meredith to Cast
6h
V
Pamela Anderson Speaks Out on Overcoming Hepatitis C in Powerful Speech at amfAR Venice: ‘I’m Not a Victim. I’m a Victor’
6h
V
Ira Sachs, Jordan Firstman and Diego Luna Among San Sebastian’s Film Talks Lineup
6h
T
Ellen Burstyn on Being “Recognized” by Marilyn Monroe, Changing Roles for Women With ‘Alice Doesn’t Live Here Anymore’
6h
T
Gary Oldman Says a James Bond Has Been Picked — and He’s Hoping It’s Jack Lowden
6h
T
Female-Driven, Premium Period Dramas Spearhead Latest French Fiction Revolution
6h
V
Screen Industries Adopt Five Thematic Declarations at Lumiere Summit, Setting Terms on AI, Piracy, Gender, Education and the Environment
7h
V
Sabu’s ‘Arrested Memory’ Turns a Kidnapping Thriller Into an Amnesiac Cop Comedy
7h
T
France Launches Global Initiatives to Support Independent Cinema and Establish Framework for Alliance of State Film Commissions: Lumiere Summit
7h
V
Emmanuel Macron Calls for Global Initiatives to Protect Film and Warns About Dangers of Social Media as Lumiere Summit Opens
7h
V
Toho Europe, Indonesia Film Fund, Cinepolis Pact Among Deals Unveiled at Lumiere Summit
7h
V
Regal Cinemas, IFTA, CNC Launch Pilot to Test Whether Smarter Programming Can Reverse Falling Theater Admissions
7h
V
Heritage Foundation ALIPH Targets Ukraine, Syria and Indonesia in New Film Rescue Program
7h
V
France and Korea Launch $1.16 Billion Screen Industry Financing Partnership at Lumiere Summit
7h
V
France TV Distribution Unveils Female-Led Actioners in Le Havre Lineup
7h
V
Louis Garrel on Being Nanni Moretti’s Alter Ego and Doing Sex Scenes With Jasmine Trinca in ‘It Will Happen Tonight’: ‘You Have to Feel a Real Connection’
7h
V
Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes Doc ‘You Can See Everything’: First Reactions
8h
T
France’s Halley Production Boards Thriller ‘Carro Seco,’ About Killer Who Targets Unscrupulous Barcelona Real Estate Speculators (EXCLUSIVE)
8h
V
‘Strawberry and Chocolate’ Star Jorge Perugorría and Brazil’s Thiago Lacerda Lead Havana-Set ‘Hotel Nacional’ (EXCLUSIVE)
8h
V
‘The Inbetweeners’ Original Lead Cast Confirmed for Netflix Reunion Movie as Production Kicks Off in U.K.
8h
V
‘The Inbetweeners 3’ Movie Is a Go at Netflix With Original Lead Cast
8h
T
‘You Can See Everything’ Review: Nathan Fielder’s Documentary About Elizabeth Holmes Is a Shameless, Fascinating, Reality-TV-Eats-Its-Tale Look at Entitled Duplicity
9h
V
‘Ground Floor’ Is a Political Parable Full of Apathy, Absurdity – and Mold (Exclusive Clip and Chat)
9h
T
Rob Reiner Wins Posthumous Emmy for ‘The Bear’ Guest Role
9h
R
‘Into the Breach’ Review: Star-Studded British Theater Doc Needs More Time to Serve Its Sprawling Subject Matter
10h
V
Arte France’s ‘Tax Me (If You Can)’ Sells to Multiple Territories: ‘Getting Rich People to Talk About Money Was Tough,’ Says Director (EXCLUSIVE)
10h
V
Nathan Fielder Focuses on Elizabeth Holmes in ‘You Can See Everything’ Documentary Trailer
10h
R
Lav Diaz on the Hunt for Truth in ‘An Entry Into the Sadness of a Portuguese Woman,’ Third Chapter of His Acclaimed Hermes Trilogy (EXCLUSIVE)
10h
V
Gaza Cinema Academy Launches at Venice Film Festival
10h
V
French Drama Series ‘The Red and the Black’: Passion, Power, Political Intrigue and Victor Belmondo’s Anti-Romantic Hero
10h
V
Tsai Ming-liang on Venice and San Sebastian Title ‘Dust,’ Slowness as Rebellion and Life With Lee Kang-sheng
11h
V
Sri Sri Ravi Shankar’s WFAC, Creativeland Take ‘Krishnavataram’ Global (EXCLUSIVE)
11h
V
AI Filmmaking’s Future Debated by Alibaba, Sonilo, PROMPTR Executives at TapNow and Dogme23’s Venice Production Bridge Panel
11h
V
Kore-eda Hirokazu on Adapting Fujimoto Tatsuki’s Manga for Venice Competition Film ‘Look Back’
11h
V
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