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Movies & TV

Alan Jackson’s Star-Studded Farewell Concert to Be Filmed for ‘The Last Show’ NBC Special

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Magic: The Gathering Unveils New ‘Marvel Super Heroes’ Card; Game Designers Reveal Plan for Balancing Tie-In Sets With Internal IP Amid TV, Film Adaptations (EXCLUSIVE)

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Patricia Heaton Sets Legal Drama Pilot ‘Public Interest’ With Patricia Heaton and More (EXCLUSIVE)

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Google Launches ‘Search Profiles’ for Creators and Companies, as AI Summaries Have Caused Steep Traffic Referral Drop-Off

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MrBeast on That ‘Survivor’ Crossover and Wanting a ‘Beast Games’ Movie: ‘If Amazon’s Down, I’ve Got Some Crazy Ideas’

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‘The Burial’ Writer and Tony Award Winner Doug Wright Signs With Anonymous Content (EXCLUSIVE)

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Rich Eisen’s ’This Was SportsCenter: Stories From the Set’ Gets Behind the Highlights of ESPN’s Flagship Show (EXCLUSIVE)

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Marjane Satrapi, ‘Persepolis’ Author and Director, Dead at 56

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‘Devil May Cry’ Renewed for Third and Final Season at Netflix

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Keith David Has Portrayed Some Unforgettable Characters, and He’s Not Even Close to Being Done: ‘I’m 47 Years Into This, and I Still Get to Do It’

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‘Pluribus’ Star Rhea Seehorn Breaks Down Filming the ‘Night of Hell’ Pilot: ‘The Hardest Thing I’ve Ever Done in My Life’

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‘All Her Fault’ Team Sets Peacock Mystery Series ‘The Break-In’ Based on Katherine Faulkner Novel

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Fantasia Fest 2026 to World Premiere ‘Cape Fear’ Series Finale (Exclusive)

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A Wheelchair User Directed the Film He Always Wanted to See: ‘Stand Up’

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Prince Estate to Release ‘Timeless,’ a Rarities Album Spanning the Artist’s Entire Career

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Piers Morgan Says SXSW London ‘Could Have Stood Up’ More for Cenk Uygur After He Was Banned From Entering U.K.: ‘I’m a Bit Disappointed’

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WGA Slams Scott Pelley’s Firing and CBS News’ ‘Cruel and Needless Layoffs’: ‘A Profound Contempt for the Journalism Profession’

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Olivia Rodrigo Was ‘Enraged’ at Trump’s White House for Using Her Song to Promote ICE: ‘What They’re Doing Is Awful, Barbaric and Cruel’

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Helen Mirren, Russell Crowe, Scott Eastwood Set for Italy’s Taormina Film Festival That Unveils Lineup Mixing Crowdpleasers, More Esoteric Movies

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‘Savage House’ Review: Putridly Funny Black Comedy Revels in Claire Foy and Richard E. Grant’s Decay

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‘Scary Movie’ Review: The Sixth ‘Scary Movie’ Has a Few Choice Gags, but Mostly It’s So Meta It’s Meh

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‘I’m the Craziest Bitch You Ever Met’: Sharon Stone and Keke Palmer on Why ‘Euphoria’ Should Be Shown in High Schools, Men’s Rights and AI’s Lack of Originality

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Snap Acquires AR Firm Illumix in Bid to Boost Augmented Reality Efforts (EXCLUSIVE)

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Investing in Mental Health Will Create a More Sustainable and Profitable Music Industry (Guest Column)

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Barack Obama Joins Malcom Gladwell on Podcast Series About Reconstruction Era’s ‘Unfinished Promise’

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Meet a Female Trucker and a Metal Snake Winding Through the Gobi Desert in ‘Colors of White Rock’

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VFX House DNEG, Spain’s SETT Supercharge Canary Islands’ Anima Kitchent With a Multi-Million Investment

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Madrid ECAM Forum Chiefs on Lineup, With 2026 Palme d’Or Winner Federico Luis, and Next Indie Gems to Track: ‘Everybody Is Looking at Spain’

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Bob Odenkirk Is Sadly Pulling Out of Freedom 250. But David Cross Will Be Taking His Place.

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Thierry Fremaux Reflects on Cannes 2026, Hollywood ‘Restructuring,’ ‘Club Kid’ Thriving, Netflix’s Possible Comeback and the Bolloré Controversy

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Marjane Satrapi, ‘Persepolis’ Director, Dies at 56

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Marjane Satrapi, French-Iranian Director of Oscar-Nominated ‘Persepolis,’ Dies at 56

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Film Academy’s Governors Awards: 100 People, Collaborators or Organizations Worthy of Honorary, Thalberg or Hersholt Awards

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Neon’s Tom Quinn Hails ‘Obsession’ and ‘Backrooms’: ‘I Don’t See This as YouTube or Otherwise, I See This as Cinema’

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Jason Zhang Signs With Universal Music Greater China; UMG Also Invests in Thai Distributor Solution One

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Ted Danson Says ‘I Want to Apologize for the Rest of My Life’ for Blackface Roast of Whoopi Goldberg: ‘So Arrogant and Stupid’

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M-Appeal Seals Cannes Deals on ‘Downtown,’ ‘The Garden We Dreamed,’ ‘Truly Naked’ (EXCLUSIVE)

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‘Obsession,’ ‘Teenage Sex and Death at Camp Miasma’ Lead BIFAN’s International Competition Selection

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Channing Tatum, Gemma Chan Sundance Winner ‘Josephine’ Lands Indian Subcontinent Rights With Fragrant Nature Film Creations (EXCLUSIVE)

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Tribeca Kicks Off With Earth, Wind & Fire Documentary and Robert De Niro Dissing Trump as ‘Immoral, Cruel and Corrupt’

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‘Backrooms’ Director Kane Parsons Says Using AI ‘Defeats the Purpose’ of Filmmaking: ‘I Get No Enjoyment From Using Those Tools’

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What the Backlash to Artists Booking or Backing Out of ‘Freedom 250′ Tells Us About the Fickleness of Fan Bases: Bret Michaels’ Guitarist Speaks Up

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Doja Cat Slams Elon Musk as a ‘Barrel Chested Ewok’ While Requesting Changes to X: ‘You Look Like You Eat Sand’

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‘Love Island USA’ Contestant Who Was Expelled for Using the N-Word Apologizes: ‘There Is No Excuse’

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‘Earth, Wind & Fire (To Be Celestial vs That’s the Weight of the World)’ Review: The Tribeca Festival Kicks Off with Questlove’s Indelible Portrait of the Great but Underrated EWF

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Boots Riley Guesses Martin Scorsese Got ‘A Gang of Money’ for AI Partnership and ‘Doesn’t Give a F—‘

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Tony Dokoupil Honors Scott Pelley After ’60 Minutes’ Firing: ‘A Journalist Who Valued Truth at All Costs’

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‘Mapogo: The Lion Throne’ Vertical Documentary Series Set at FlareFlow

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Quentin Tarantino Says Post-Pandemic Movies Are Riddled by “Flaws, Miscast Performers or Just Plain Stupid Sh**”

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TikTok Teams With Sundance Institute for Four-Week Microseries Writing Workshop

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