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Movies & TV

‘Balcanica’: When Music Is Outlawed in Afghanistan, a Conductor and His Son Must Leave All Behind (Exclusive Venice Trailer)

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Maggie Gyllenhaal Says She Tried Using AI to Turn Dakota Johnson Into Marilyn Monroe for Short ‘Flesh Impact’ — Then Scrapped It: ‘Fundamentally Did Not Work’

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Bendita Film Sales Snags Norma Vila’s Sitges Competition Title ‘Carapace’ (EXCLUSIVE)

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‘My Undesirable Friends: Part II – Exile’ Review: An Enormous, Riveting Documentary Sequel Following Reporters on the Run

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Manisha Koirala Attached to Star in ‘Cowgirls & Indians,’ Set for November Texas Shoot (EXCLUSIVE)

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Busan Market Unveils Doc Square, Launches Impact Asia as Yim Siwan Named Festival Closing Ceremony Host

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Magdalena Koleśnik and Kay Greidanus to Lead Finn Szumlas’ Debut Feature ‘Stairway to Earth’ as Production Starts (EXCLUSIVE)

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Tamar AI’s TapNow Brings AI-Native Filmmaking to Venice Production Bridge With HappyHorse-Backed 10,000 Parallel Universes Films, Unveils Streamer Glanze

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‘Oasis’ Asks Uncomfortable Questions About Exclusion, and Its Director Explains Why Violence Is “Like a Virus”

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Anna Foglietta on Working With Alba Rohrwacher on Venice Drama ‘A Common Story’ ‘You Have to Have the Guts to Show Yourself Exactly as You Are’ — Trailer (EXCLUSIVE)

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Indonesia’s ‘2nd Miracle in Cell No. 7’ Gets Philippine Remake From Viva Communications (EXCLUSIVE)

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‘The End of Times’ Is an AI-Assisted Film Essay on Trauma That Wants to “Politicize Mental Illness” (Exclusive Venice Trailer)

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‘The Horsemen of the Apocalypse’ Director Shares Insight Into Her Hybrid Movie That Revisits Her Filmmaker Father’s Arrest and Death

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Alix Earle’s Inane Netflix Reality Show ‘Earle Meets World’ Is Like Watching Paint Dry: TV Review

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Netflix Probes Trump’s Catering Truck Escape in ‘Instadocs: The Decoy Plane’

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Miike Takashi Shines an Intimate Spotlight on a Kabuki Legend in Debut Documentary ‘Shumei: The Living Legacy of Kabuki’

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Ekta Kapoor, Gunjan Soni Unpack Balaji’s Five-Show, 200-Episode YouTube India Deal (EXCLUSIVE)

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AR Content, Vertigo, Blumhouse Atomic Monster Set Remake of Genre-Bending, Satirical French Horror ‘Vincent Must Die’ (EXCLUSIVE)

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In Venice Competition Film ‘Mr Nelson, Did You Kill People?’ Director Tsukamoto Shinya Asks Vital Questions

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Berlin Golden Bear Winner Lila Avilés Wraps Production on ‘Cábula,’ Releases First Look Ahead of Venice Gap-Financing Market (EXCLUSIVE)

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‘The Truffle Hunters’ Directors Michael Dweck and Gregory Kershaw Look for the Perfect Wine in ‘Burgundy’: ‘A Great Glass of Wine Changes How You Perceive the World’

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Oasis Documentary Directors on Filming the Brothers’ First Reunion in 15 Years and Why There Wasn’t Much Emotion in the Room: ‘It’s the Gallaghers, It’s Not ‘Dawson’s Creek”

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Édgar Ramírez and Nahuel Pérez Biscayart to Star in ‘Land of the Savages’ by Venice-Winning ‘Blanquita’ Director Fernando Guzzoni

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‘Everest: The Other Side’ Directors Elizabeth Chai Vasarhelyi and Jimmy Chin Talk Grief, Loss and Their Most Personal Film Yet: ‘You Don’t Get to Choose Your Calling’

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Rodrigo Moreno and Santiago Mitre AD Felipe Solari Yrigoyen Set to Make Directorial Debut With ‘The Amateurs’

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‘Jupiter’ Director Alexandre Smia on Making a Nuclear Thriller That Suddenly Feels Terrifyingly Real: ‘We’ve Entered the Third Nuclear Age’

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‘Dogs’ Director Bogdan Mirică to Take a Stab at Creator Economy With Biting Comedy ‘Magnum Opus’: ‘We’ve Taken It Too Far’

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‘Pamfir’ Helmer Dmytro Sukholytkyy-Sobchuk Realized His Kyiv Apartment ‘Could Be Bombed Any Day,’ So He Remortgaged It to Fund ‘Something Strange Happened to Me’

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Cédric Kahn on Immersing Himself in an Adolescent Psychiatric Ward for His Venice Competition Film ‘A Place to Heal’ (EXCLUSIVE)

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Online Gaming Drives the Search for a Missing Roommate in Dong Jie’s Venice Critics’ Week Debut ‘Zoom In, Zoom Out,’ Clip Unveiled (EXCLUSIVE)

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Venice Market Chief Pascal Diot Says He’s Not Affected by New Toronto Market: ‘Not What the Industry Wants Now’

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‘Monsters of God’ Finale Twist: The Final Boss and Rogue Special Agent

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Pablo Torre Sounds Off on the NBA’s Historic Ruling Against the Clippers, Kawhi Leonard and ESPN — and Teases His Next Big Sports Investigation

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‘Marriagetoxin’ Creators Joumyaku and Yoda Mizuki Tease Season 2: ‘There Is Plenty of Cool Action We Want You to See’ (EXCLUSIVE)

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Shakira, Romeo Santos, Prince Royce Among Top Winners at Premios Juventud 2026

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Beyoncé Releases ‘B’Day 20th Anniversary Deluxe Edition’ Featuring Unreleased Songs, Collaborations With Selena and Maluma

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International Oscar Submissions: Romania, South Korea, Chile, Germany and More Join the List

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Miley Cyrus Leads a Steamy Dance Floor Revolution With New Single and Video for ‘Bass Persuades’

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‘Modern Family’ Duo Sets New Comedy Series ‘Mammoth’ on Fox

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Leslie Odom, Jr. and Aunjanue Ellis-Taylor Join Storm Reid in Teyana Taylor’s Directorial Debut ‘Get Lite’ (EXCLUSIVE)

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Meryl Streep, Colman Domingo, Bill Hader Join ‘Lincoln in the Bardo’ Animated Cast for Starburns Industries (Exclusive)

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Jane Fonda on Paramount-Warner Bros. Merger, Trump and Tech Bros’ Desire for Longevity ‘While They’re Killing the Rest of Us’

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Gloria Steinem’s Farewell Interview to Stream on Netflix

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Top Genre Filmmakers of 2026: From Curry Barker to Guillermo del Toro

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It’s ‘John Wick’ Meets Bigfoot as Genre Banner Badlands Picks up Horror Script ‘Wildman’ (Exclusive)

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‘The Gentlemen’ Producers on Balancing Quirkiness With Crime in ‘Glamorous’ Season 2: ‘We Are Always Looking for New Ways To Murder People’

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Winnie the Pooh Celebrates 100 Years With $500 Cashmere Sweaters

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Dark Comedy ‘Down to Die’ Marks Actress Marta Pozzan Directorial Debut (EXCLUSIVE)

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Dolly Parton Tributes Score Big Ratings for the Networks; ABC’s ‘9 to 5’ Airing Is Most-Watched Broadcast Movie in More Than Three Years

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Radu Jude’s ‘The Diary of a Chambermaid’ Secures U.S. Distribution With Film Movement (EXCLUSIVE)

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