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Michel Hazanavicius on His Cannes Competition Film ‘The Most Precious of Cargoes’: ‘It’s About People Who Saved Lives’ (EXCLUSIVE)
Urban Sales Racks Up Deals on Animation ‘Into the Wonderwoods’ Ahead of Cannes World Premiere (EXCLUSIVE)
‘My Sunshine’ Review: Hiroshi Okuyama’s Second Feature Traces a Gentle Trajectory Through Changing Seasons
‘The Substance’ Director Coralie Fargeat on How Her Feminist Body Horror Film With Demi Moore and Margaret Qualley Mirrors #MeToo: ‘We Need a Bigger Revolution’
‘Limonov: The Ballad’ Review: Ben Whishaw Stars in a Portrait of a Radical That Is All Swagger and No Game