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Jude Law Doesn’t Fear Repercussions for Playing Putin in Venice Thriller ‘Wizard of the Kremlin’: ‘We Weren’t Looking for Controversy for Controversy’s Sake’
‘The Holy Boy’ Review: A Valley of Smiles Is Really a Vale of Tears in a Clever, Creepy Italian Chiller
Doha Film Institute CEO Fatma Hassan Alremaihi Receives Variety’s 2025 Achievement in International Film Award: ‘It’s Not Just About What We Have Achieved, It’s About What We Aspire To’
‘Preparation for the Next Life’ Review: A Bittersweet Immigrant Love Story Thrives on Two Terrific Performances
‘Do Bigha Zamin’ Preservationist Shivendra Singh Dungarpur Details Venice-Bound Restoration of Bimal Roy Classic
Willem Dafoe’s Venice Movie ‘The Souffleur’ Finds Distribution in Italy Ahead of World Premiere (EXCLUSIVE)
Venice Days Selections Explore Russia’s ‘Willing Blindness’ During Chechen Wars, Silence Over Ukraine