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‘Adam’s Sake’ Review: Tense Belgian Hospital Drama Positions Director Laura Wandel as Dardenne Brothers’ Heir
Brazil Comes Strong to Cannes to Bank on ‘I’m Still Here’ Oscar Momentum: ‘A Defining Moment For Brazilian Production’
Knowledgeable Producers and ‘Unprecedented’ Government Incentives Turn Brazil Into a Burgeoning Co-Production Power
Kleber Mendonça Filho on Why ‘The Secret Agent’ Is His First ‘Political’ Film, Casting ‘Classic Movie Star’ Wagner Moura
‘Enzo’ Review: Robin Campillo Honors the Late Laurent Cantet With a Film That Embodies the Best of Both Directors