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Movies & TV

At ‘Die, My Love’ Cannes Premiere, Person Dressed as Bird Flies in Face of Festival Red Carpet Rules

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Mariska Hargitay Tears Up at Cannes Premiere of ‘My Mom Jayne,’ Shares Bombshell Secret About Real Biological Father

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Cannes Portrait Gallery 2025: ‘Mission: Impossible’ Stars, Indie Auteurs and More

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Cannes: Lynne Ramsay/Jennifer Lawrence Collab ‘Die, My Love,’ Sales Title in Competition, Draws Six-Minute Standing Ovation

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Jennifer Lawrence and Robert Pattinson’s Animalistic Descent Into Madness in ‘Die My Love’ Gets 6-Minute Cannes Standing Ovation

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‘Die My Love’ Review: Jennifer Lawrence Is a Mother Grappling with Postpartum Depression (and Punk-Rock Angst) in Lynne Ramsay’s Showy Mess of a Marital Psychodrama

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‘Dangerous Animals’ Review: A Great, White-Knuckle Horror Movie Featuring a Shark-Obsessed Serial Killer

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Ezra Miller Speeds Down the Cannes Red Carpet at ‘Die, My Love’ Premiere in Surprise Festival Appearance

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‘The Plague’ Review: Boys Will Bully Boys in a Stylish if Schematic Summer-Camp Psychodrama

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Dennis To Returns as Wing Chun Master in ‘Ip Man: Kung Fu Legend’ (EXCLUSIVE)

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Visceral Chilean Docs Head to Cannes for Fifth Annual Showcase, Featuring Chile and Cuba’s Parallel Battles, a Chilean Cowboy, an Argentine Sex Worker

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Man Dressed Up as Bird Shocks Cannes Red Carpet at Jennifer Lawrence and Robert Pattinson’s ‘Die, My Love’ Premiere

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‘The Wave’ Review: Sebastián Lelio’s Feminist Protest Musical is Vibrantly Staged but Dramatically Flat

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Demi Moore, Nicole Scherzinger, Darren Criss and More Walk the Red Carpet at Family Equality’s Night at the Pier (PHOTOS)

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Richard Linklater’s ‘Nouvelle Vague’ Receives Electric 10-Minute-Plus Cannes Standing Ovation

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Richard Linklater Stuns Cannes as ‘Nouvelle Vague’ Earns Rapturous 6.5 Minute Standing Ovation and Lots of Love From Quentin Tarantino

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How to Watch UFC Fight Night: Burns vs. Morales Live Online Without Cable

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Baltic Doc Producers Trio to Track

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‘Nouvelle Vague’ Review: Richard Linklater’s Movie About the Making of Godard’s ‘Breathless’ Is an Enchanting Ode to the Rapture of Cinema

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New Film Studios in Estonia Set to Boost Filming in the Baltics

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‘Arcane: League of Legends’ Team Unpacks Epic Final Season and Teases More to Caitlin and Vi’s Story

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Cannes Hidden Gem: ‘A Useful Ghost’ Is a Socio-Political Parable Starring a Vacuum Cleaner

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Box Office: ‘Final Destination Bloodlines’ Eyes Record $46M-$48M Opening

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Black Label Media on Teaming with Jennifer Lawrence and Launching ‘Die, My Love’ at Cannes: ‘She’s in a League of Her Own’

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Dakota Johnson Was ‘Not Able to Pay Rent’ After Dad Cut Her Off as a Young Actor: ‘A Few Times’ I Did ‘Not Have Money in My Bank Account’

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Doha Film Institute Launches Ambitious International Festival for Indie Cinema With $300,000 in Prizes

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Searchlight Pictures Buys Alexander Payne’s Next Film ‘Somewhere Out There’ for Worldwide Rights (EXCLUSIVE)

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Mark Wahlberg Crime Thriller ‘By Any Means’ Boarded by Bright White Light (EXCLUSIVE)

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Box Office: ‘Final Destination Bloodlines’ Logs Franchise-Best $21 Million Opening Day, ‘Hurry Up Tomorrow’ Slow Down in Sixth

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Charlotte Gainsbourg Says ‘I Don’t Need to See My Movies Anymore’ and Fighting for Acting Roles Is Better Than Getting Offers: ‘You Feel Like You Own It’

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Dogma 25 Explodes at Cannes, Spearheaded by New Quintet Led by May el-Toukhy: ‘A Rescue Mission and a Cultural Uprising’

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Cannes: Young Danish Collective Reboots Dogma for New Generation

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‘Renoir’ Review: Scenes From a 1980s Japanese Girlhood Coalesce Into a Breezy But Moving Drama

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Soundstage Expansion Adds to New Jersey’s Strong Incentives to Juice Film and TV Production: ‘People Are Taking Notice of Us’

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Pedro Pascal Speaks Out at ‘Eddington’ Premiere: ‘Fear Is the Way That They Win’

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MK2 Films’ Nathanael Karmitz, Fionnuala Jamison on Premiering Record Six Movies in Competition, Championing Female Talent and Ramping Up Production

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Jai Courtney on Making an Acting Comeback in Cannes Serial Killer-Shark Thriller and if He Would Return to DC Universe: ‘I Have Hope’

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Diane Kruger Goes Home to Reteam With Fatih Akin for ‘Amrum’: “We Bring Out the Best in Each Other”

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‘The Chronology of Water’: Will Kristen Stewart’s Directorial Debut and Jim Belushi and Thora Birch’s Supporting Performances Generate Awards Heat?

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How France’s #MeToo Movement Is Transforming Cannes and the Country’s Film Industry: ‘The Conditions Under Which Work Is Produced Matter’

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Lynne Ramsay, Jennifer Lawrence and Robert Pattinson Toast ‘Die, My Love’ at Cannes Dinner Hosted by The Hollywood Reporter and Longines

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Cannes: Falling Palm Tree Injures Pedestrian, Closing Down Section of Croisette

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Meikincine Acquires Daniel Hendler’s ‘A Loose End,’ Gabriel Nesci’s ‘Message in a Bottle’ and María Zanetti’s Debut ‘Alemania’ (EXCLUSIVE)

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Can Cannes Help California Get Its Groove Back?

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Cannes: ‘The Creep’ Reboot Sells for U.K. (Exclusive)

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Producer Jason Michael Berman Hits Cannes With New A/Vantage Pictures and ‘Highest 2 Lowest’

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Emma Stone Says ‘Crazy S—’ Got Fed Into Her Algorithms While Prepping for Surprising ‘Eddington’ Role: ‘That Scared Me a Little Bit’

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Da’Vine Joy Randolph to Preside Over Jury at Italy’s Taormina Film Festival That Will Open With ‘John Wick’ Spinoff ‘Ballerina’

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Cannes Critics’ Week: Thai Director Ratchapoom Boonbunchachoke on Possessed Vacuum Cleaners and Dust Pollution in ‘A Useful Ghost’

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Harris Dickinson’s Directorial Debut ‘Urchin’ Gets 5-Minute Cannes Standing Ovation, Plus Lots of Love From Paul Mescal

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