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Movies & TV

Paramount Leaving California Would Devastate Los Angeles Economy, Leaked Report Finds

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Sandra Bullock Recalls “Auditioning for Every Pervert” and Being Asked to “Drop My Pants”: “Not the Role for Me”

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‘Everybody Wants to F— Me’ Review: Giddily Genre-Crossing Comedy Sees Right Through Taron Egerton’s Nice-Guy Act

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‘SNL U.K.’ Weekend Update Takes Aim at Trump’s New Hair — and Paddy Young Says the Punchline Was ‘Taken From Me by Our Legal Team’

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Mahershala Ali Reveals He Was “Yearning” to Perform Action On-Screen Before Filming ‘Your Mother, Your Mother, Your Mother’

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Jeff Goldblum Performs a Jazz Number to Open ‘SNL U.K.’ Season 2: ‘Hoping You’ll Like Me More Than Nando’s or Marmite’

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Camera-Shy Chrissie Hynde on Finally Allowing a Definitive Doc to Be Made About ‘The Pretenders,’ Bowing in Toronto: ‘I Just Wanted to Be in a Band. I’ve Never Graduated Beyond That Initial Interest in It’

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‘SNL U.K.’ Mocks Prince Harry and Meghan Markle’s British Return in Cold Open: ‘Don’t Tell Me You’ve Spent All Your Netflix Money Already!’

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Seth Rogen Says ‘Babies’ Is “Reflective” of His “Experiences” Exploring Parenthood: “It’s Shocking How Personal It Is”

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‘Letters From the Silenced Country’ Wins Golden Globes Impact Prize for Documentary Presented During Venice Film Festival (EXCLUSIVE)

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Mia Wasikowska Fills Out the Screen As ‘Agata the Writer’ in Kuba Dorabialski’s Venice Drama: ‘It’s Our Responsibility to Understand Each Other’

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Maggie Gyllenhaal’s Venice Jury Didn’t Award ‘Woman Unknown’ the Golden Lion Just Because It Was Directed by a Woman: It ‘Was Like a Laser Beam’

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Jeremy Thomas, Producer of Oscar-Winning ‘The Last Emperor,’ Dies at 77

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Slavoj Zizek Wants to Talk About Taylor Swift, Spider-Man and His Crush on Olivia Wilde

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How a Small Chinese Drama Became a $300 Million Phenomenon

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Andrew Scott Gets Candid at TIFF About ‘Elsinore’ and People Against Gay Actors Playing Straight Roles: ‘That’s Just Prejudice’

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Toronto: Indigenous Directors Flex Artistry With Bigger-Budget Films

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Top Hollywood Sales Agent Reveals Biggest Indie Film Challenge: “We’re Building Movies for Streaming Companies”

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TIFF Flashback: Michelle Yeoh Took a Dramatic Turn With ‘The Lady’

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Pierce Brosnan Thinks the Next James Bond Will Be ‘Someone That None of Us Know About’: ‘There Are Lots of Good Hats in the Ring’

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Celine Dion Delivers Tearful Speech on Opening Night of Paris Residency: ‘I Had Promised Myself Not to Cry’

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‘World of Warcraft Forever,’ Expanded Version of 2004 Game, Coming in November

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‘Oasis’ Review: A Sleek, Strange Parable about Bullying and Bonding at the Most Difficult Age

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‘Diablo 5’ Set for Spring 2029 Release

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NFL TV Favorites Like Joe Buck, Troy Aikman, Greg Olsen, Kirk Herbstreit Could Play for New Teams Next Season

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‘Obsession’ Producer Haley Nicole Johnson on Dizzying Hollywood Breakout Hit: “It’s a Lot”

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Here’s Where to Watch Ryan Garcia vs. Conor Benn Boxing Live Online

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‘StarCraft 3,’ an Open-World Shooter Game, Coming in 2030; First Look Revealed

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Inside ‘Ah Girl,’ the Singapore Drama Built From a Director’s Own Childhood: ‘We Can’t Fly Without First Learning How to Walk’

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‘Diablo’ Animated Series in the Works at Netflix, Blizzard Entertainment

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Alan Rickman Brought Kids ‘From the Hospital’ to the ‘Harry Potter’ Set, Says Co-Star Gary Oldman: ‘He Knew How Much It Meant’

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Drake Reveals ‘Fear of Missing Out’ Teaser, Says Project Is a ‘Not So Short Film’

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Love Has Everything to Do With It: Darlene Love, Producer Taraji P. Henson and Director Barry Avrich on ‘Darlene Love: I Know Where I’ve Been,’ a Stirring Music Doc Premiering in Toronto

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Venice Film Festival Reveals Award Winners (Updating Live)

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‘Woman Unknown’ Wins Golden Lion in Venice: Full Winners List

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‘The Family Stone’ Sequel in the Works With Most of Original Cast Returning

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Jeremy Thomas Remembered as a Filmmaker ‘Full of Stories’ and a ‘Rebel With Taste’: ‘The Canon of His Work Is Unmatched’

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‘Practical Magic 2’ Summons $30M to End Spider-Man’s Streak at No. 1

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Kling AI’s TIFF Market Panel Illuminates Tech Challenges and Human-Led Solutions in AI Filmmaking: ‘The Script Is Still the Blueprint’

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‘The Odyssey’ Becomes Universal’s Highest-Grossing Film of All Time

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‘The Odyssey’ Conquers ‘Jurassic World’ to Become Universal’s Highest-Grossing Film Ever

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Courteney Cox on Her TIFF True-Crime Drama ‘Evil Genius’: ‘The Story Is So Unbelievable’

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Barbara Kopple Returns to the Picket Line

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‘Sámi Blood’ Director Amanda Kernell Explores Forgiveness in ‘Brace Your Heart’: ‘It Can Be a Matter of Survival’

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Kamila Andini Says Anger Is ‘Liberating’ as She Brings Furious ‘Four Seasons in Java’ to Toronto

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Box Office: ‘Practical Magic 2’ Conjures Up $13 Million on Friday as ‘Spider-Man: Brand New Day’ Nears All-Time Domestic Box Office Record

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Jorge Alonso’s Spanish Romance Drama ‘All That We Never Were’ Sells to France and India (EXCLUSIVE)

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‘Boatbuilders’ Review: A Mellow Maine Boatyard Study That Offers All the Quiet Rewards of Fine Craftsmanship in Action

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