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Movies & TV

Bulgaria Wins 2026 Eurovision Song Contest as U.K. Comes Last With One Point

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Bob Odenkirk Recalls Heart Attack on ‘Better Call Saul’ Set: ‘I Was Gone. I Turned Gray’

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Keir Starmer Watches ‘Eurovision’ as Rivals Invade Home in ‘SNL U.K.’: ‘Eurovision’ Is the ‘Only Show Left With Any Integrity’

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James Bond Search: ‘Sunset Boulevard’ Star Tom Francis Auditions to be Next 007 (EXCLUSIVE)

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Harry Styles Electrifies Amsterdam on Opening Night of ‘Together Together’ Tour: Concert Review

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‘Slow Horses’ Banner See-Saw Signs $50 Million Multi-Year Film Financing Deal With Entourage Ventures (EXCLUSIVE)

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Has Raye Already Busted Into the Pantheon of Great 21st-Century Entertainers? This Year’s Smashing Tour Has Told the Tale

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Has Raye Already Broken Into the Pantheon of Great 21st Century Entertainers? This Year’s Smashing Tour Has Told the Tale

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‘Paper Tiger’ Review: Miles Teller and Adam Driver Get Ensnared by the Russian Mob in a James Gray Film With More Atmosphere Than Plausibility

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‘Paper Tiger’ Debuts to Spirited Ovation as James Gray Tells Audience “Cinema Needs You More Than Ever”

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Scarlett Johansson Doesn’t Pick Up FaceTime Call From James Gray During 7-Minute Cannes Standing Ovation for ‘Paper Tiger’

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Ncuti Gatwa Takes Aim at ‘Doctor Who’ in ‘SNL U.K.’ Monologue: ‘About 12 of You Watched Me… Maybe That’s Why I Kept Crying’

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Documentary Filmmaker Brian Lindstrom Dies at 65 After Battle With Rare Brain Disease

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Seth Rogen Says if You Use AI to Write Scripts, Then ‘You Shouldn’t Be a Writer’: ‘Go Do Something Else’

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‘Obsession’ Director Curry Barker on His Theatrical Debut, Cutting a Darker Ending and Taking on ‘Texas Chainsaw Massacre’ Next

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Aubrey Plaza, Adam Driver, Vanessa Kirby and Matthew Broderick to Star in Kenneth Lonergan’s Drama ‘Tomorrow Is a Drag’ (EXCLUSIVE)

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Javier Bardem Gets Cannes Love for ‘The Beloved,’ Landing 7-Minute Ovation

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Harry Styles Set List: Every Song Played at His ‘Together Together’ Tour’s Opening Night in Amsterdam

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3 Cannes Questions With… Lucy Liu

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Aura Entertainment Takes Renny Harlin’s Samuel L. Jackson Actioner ‘The Beast’ for U.S. (Exclusive)

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How Stars Leverage Themselves as Investors: Serena Williams, Eva Longoria and Kevin Yorn on Venture Capital, Vision and Dealmaking

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‘The Beloved’ Review: Javier Bardem Is Powerful as a Filmmaker Directing His Estranged Daughter in Rodrigo Sorogoyen’s Making-of-a-Movie Drama

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Kristen Stewart on Her Absurd Cannes Movie ‘Full Phil’ and Being ‘So Sick’ of the Studio System: ‘There Needs to Be Less Making Billionaires More F—ing Billionaires’

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Mark Ruffalo Thinks He’s ‘Already on a List’ of Paramount’s Banned Actors for Speaking Out Against Warner Bros. Merger: ‘Vindictive Motherf—–s’

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‘Rehearsals for a Revolution’ Review: A Perceptive, Poignant Chronicle of Great Hopes and Even Greater Disappointments

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Cannes Legend Volker Schlöndorff Has No Regrets

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Jordan Firstman’s ‘Club Kid’ Sparks Studio Bidding War at Cannes With High 7-Figure Offers (EXCLUSIVE)

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James Cameron Wants to Make ‘Avatar 4’ and ‘5’ in ‘Half the Time for Two-Thirds of the Cost,’ but It’ll Take One Year to ‘Figure Out How to Do That’

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Patricio Valladares Fuses Analog and Interactive in New FMV Horror Video Game (EXCLUSIVE)

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Hollywood Shunned Cannes in 2026: What Will It Take for Studio Blockbusters and Netflix to Return?

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Box Office Thriller: ‘Michael’ Returns to No. 1 Thanks to Imax and Other Premium Screens, ‘Obsession’ Also a Win

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Box Office: ‘Michael’ Reclaims the Crown With $7 Million; ‘Obsession’ Starts Strong $6.8 Million

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Welcome to ‘The Station,’ Where the Rules Are: “No Men. No Weapons. No Politics.”

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Vin Diesel Defends ‘Popular Cinema’ as ‘Not a Lesser Form of Art’ in Passionate Essay About His History at Cannes

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Hirokazu Kore-eda’s AI Family Drama ‘Sheep in the Box’ Earns 3.5-Minute Standing Ovation at Cannes

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Cannes: Hirokazu Kore-eda’s ‘Sheep in the Box’ Premieres to Warm Reception

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‘Lioness’ and ‘The Walking Dead’ Actor Jay Huguley Joins Viola Davis in Amazon MGM’s ‘Ally Clark’ (EXCLUSIVE)

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Panama Film Founders on Their Big Cannes, Cinema as a Place of Longing, and Why They Love to Work With Auteurs Who Make Us Go “WTF?!”

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‘Double Freedom’ Review: A Woodsman’s Simple Life Is Upended in Lisandro Alonso’s Beautifully Minimalistic Comment on Argentina’s Current Political Crisis

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Action-Thriller ‘The Butler,’ Starring Jean Reno and Tom Hollander, Sells to Multiple Territories (EXCLUSIVE)

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‘Once Upon a Time in Gaza’ Wins Best Film at Critics Awards for Arab Films Announced in Cannes

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Julianne Moore Doesn’t Want to Act in Movies ‘With Explosions and Guns’ When ‘Things Are Rough Globally’: ‘I Don’t Want to Watch It’

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The Grande Dames: Joan Collins, Isabella Rossellini Bring Old Hollywood Class to Cannes

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Jaime King and Natasha Lyonne Team for ‘Pet Sematary’ Director Mary Lambert’s Dark Comedy Thriller ‘Darlene’ (EXCLUSIVE)

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It’s Time for German Dogma as Tom Tykwer, Nora Fingscheidt, Kurdwin Ayub, İlker Çatak and Helene Hegemann Pledge to Create Five Films According to Its Rules

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Stephen Colbert’s Final Week ‘Late Show’ Guests: Springsteen, Jon Stewart, David Byrne

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German Dogma 25: German-Speaking Directors Launch Local Version of Danish Film Movement

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In French Animated Satire ‘Jim Queen,’ a Queer Influencer Contracts a Virus That Turns Gay Men Heterosexual. Mon Dieu!

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‘Mask’ and ‘Eraser’ Director Chuck Russell, Higgsfield Team for AI-Driven Sci-Fi Features ‘Hyperia’ and ‘b’ (EXCLUSIVE)

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‘Club Kid’ Review: Jordan Firstman Cleans Up His Act in a Sweet, Surprisingly Old-Fashioned Heartwarmer

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