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Movies & TV

Bad Bunny ‘Super Bowl Halftime Show,’ ‘Muppets’ and ‘Traitors’ Win Night 1 Creative Arts Emmy Awards

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Liam and Noel Gallagher Lock Arms at Venice Premiere of ‘Oasis: Don’t Look Back in Anger’

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‘Primetime’: Robert Pattinson Earns Raves as Chris Hansen — Here’s What Critics Are Saying

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Liam and Noel Gallagher Raise Fists and Electrify Venice as Oasis Doc Gets 8-Minute Standing Ovation

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Jeff Zucker on His Venice Film Festival Debut for A24’s ‘Primetime’: “This Is Very Surreal”

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Three Films, and a Second Oscar? How Penélope Cruz Could Dominate Awards Season With ‘La Bola Negra,’ ‘The Invite’ and ‘Bunker’

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‘Oasis: Don’t Look Back in Anger’ Review: An Uncharacteristically Polite and Sentimental Portrait of a Raucous Band and Phenomenon

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Hey, Oscars: No Sympathy Required to Give Mike Leigh’s ‘Tender Loving Care’ the Consideration It Deserves

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‘Pete Townshend: Behind Blue Eyes’ Review: The Legendary Rocker Gets a Lively Doc That Asks: Who Are You? And Then Doesn’t Fully Answer It

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Andrew Scott Has Waited His Whole Career for a Role Like ‘Elsinore.’ Can Focus and the Bard Anoint Him With an Oscar?

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Original ‘Practical Magic’ Star Alexandra Artrip Addresses ‘Negativity’ Over Recasting in Sequel: They ‘Did What They Thought Was Best to Be Successful’

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Mandy Moore on Hilary Duff’s Musical Comeback and Playing an ‘Absolute Bitch’ in Dan Fogelman’s NFL Family Drama ‘The Land’: It’s ‘”Friday Night Lights” and “Succession” All Rolled Into One’

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Telluride Toasts Andrew Haigh as ‘A Long Winter’ Hands Fred Hechinger and Caitríona Balfe Awards-Worthy Roles

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Kid Cudi Defends Kanye West After Ending Feud: Kanye ‘Apologized and It Was Sincere’ After Antisemitic Outbursts

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‘Evil Dead’ Star Bruce Campbell Says He Has 5 Years to Live After Incurable Cancer Diagnosis: I’m ‘Dying’ but ‘I’m Moving On’

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Robert Pattinson’s ‘Primetime’ Unveiled at Venice Film Festival to Nearly 8-Minute Standing Ovation

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Robert Pattinson Kisses Suki Waterhouse as ‘Primetime’ Rocks Venice With 7-Minute Standing Ovation

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‘It Will Happen Tonight’ Review: Louis Garrel and Jasmine Trinca Follow Each Other Through the Years In a Light and Predictable Romcom

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Mexico’s Venice Queer Lion Contender ‘Tijuana, Todavía’ Trains a Spotlight on the Plight of Gay Refugees Fleeing Persecution

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‘Spider-Man: Brand New Day’ Is Fastest Film to Cross $900 Million at Domestic Box Office

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How Maggie Gyllenhaal Used Dakota Johnson and Ellen Burstyn to Reimagine Marilyn Monroe at 100 in Venice Short ‘Flesh Impact’

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‘Spider-Man: Brand New Day’ Topping Box Office for Sixth Weekend in a Row

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Robert Pattinson Says He Would’ve Been “Devastated” to Drop Any of His Big 2026 Films

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Teens Seek to Heal Wounds Through Macabre Rituals in Jannis Lenz’s ‘Oasis,’ With Hints of the Influence of Jessica Hausner, Michael Haneke

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‘Primetime’ Review: Robert Pattinson Leads a Dazzling Cast in a Lurid Horror-Movie Portrait of a ‘Predator’-Hunter’s Predatory Instinct

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‘Chronovisor’ Review: An Eerie, Fiendishly Clever Mystery for Lovers of Libraries and the Storied Smell of Old Books

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Al Pacino Sends Video Message to Venice After Missing Press Conference for ‘Father Joe’: ‘I Wish I Was There, I Really Do’

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Retirement Match: Here’s How to Watch Katie Taylor vs. Flora Pili Boxing Live Online

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Louis Garrel Jokes About ‘Moretti Method’ Acting at Press Conference for Nanni Moretti’s ‘It Will Happen Tonight’

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Liam and Noel Gallagher Skip Oasis Documentary Press Conference at Venice Film Festival

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Gallagher Brothers Skip Venice Press Conference for Concert Doc

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Aflac Taps Affleck for Commercials to Keep Insurance Customers Quacking

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Robert Pattinson on Chris Hansen’s Objections to ‘Primetime’: “I Hope He Likes the Movie”

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Maggie Gyllenhaal Was Asked to Use AI to Recreate Marilyn Monroe. But It Flopped Compared to Dakota Johnson

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‘Our Share of Sand’ Review: A Brooding Indian Social Drama Told Through the Eyes of a Young Girl

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‘Tom and Jerry: Forbidden Compass’ Review: The Famous Cat-and-Mouse Duo Are Not Themselves In a Chaotic Chinese Cartoon

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Robert Pattinson Wants Chris Hansen to Like ‘Primetime’ Despite His Criticisms: ‘I Hope the Inspiration His Character Has Given Is Some Kind of Compliment’

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Marion Cotillard Praises Venice Biennale College Cinema Workshop: ‘Not all Films Are Destined to Draw Millions of Viewers and Turn a Profit’

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‘Mr Nelson, Did You Kill People?’ Review: An Assaultive Yet Turgid and Outdated Vietnam PTSD Drama

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‘Everest: The Other Side’ Review: The ‘Free Solo’ Directors Return With Another Extreme Sports Doc, This Time Tainted by Tragedy

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‘The Liberation’ Review: Carrie Coon Is Breathtaking as a Woman Lured by a Cult in Guy Nattiv’s Deeply Personal Film

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Swiss Projects at the Venice Gap-Financing Market: Natural Disaster, Complicated Romance, Exploited Migrants, Murder Mystery in Montana

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Kate and Rooney Mara Talk ‘Bucking Fastard,’ Synchronized Sisterhood and Werner Herzog Life Lessons: “He Doesn’t Give a S***”

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Rubaiyat Hossain on Bodies, Beauty and Venice, Toronto and London-Bound ‘The Difficult Bride,’ Clip Unveiled (EXCLUSIVE)

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Telluride Awards Analysis: Andrew Scott Leaps Into Top Tier of Best Actor Oscar Race for ‘Elsinore’

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Mad Solutions and Haitham Dabbour’s Irth Platform Announce Strategic Pan-Arab Content Partnership in Venice

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Lav Diaz Preps False Prophets Film and Jose Rizal’s ‘Noli Me Tangere’ Adaptation, Unpacks Venice Title ‘Let Us Through, Dear Ancestors’ (EXCLUSIVE)

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As Swiss Films Expand International Reach, English-Language Works Are on the Rise

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‘Elsinore’ Review: Andrew Scott Is Powerfully Moving as Ian Charleson, the ‘Chariots of Fire’ Star Who Played Hamlet While Ravaged by AIDS

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