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Movies & TV

Ben Jones, Actor Turned Politician Who Played Cooter Davenport in ‘The Dukes of Hazzard,’ Dies at 84

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Phoebe Bridgers Sings about Love and Death and the Whole Damn Thing in ‘Lost Weekend,’ a Captivating Record Worth the Six-Year Wait: Album Review

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David Sackeroff, Emmy-Nominated ‘Seinfeld’ and ‘Home Improvement’ Production Designer, Dies at 81

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James Gray Told His Wife He Would Get an Award at Locarno. She Reminded Him to Take Out the Trash

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Ariana Grande Debuts at No. 1 on Album Chart With ‘Petal,’ Earning Her Best First-Week Numbers in Seven Years

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‘Teenage Sex and Death at Camp Miasma’ Cinematographer, Editor and Star Jack Haven Break Down Little Death’s Bloody One-Take Dance

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The Blockbuster Mentality Is Back, Baby!

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‘Five Nights at Freddy’s’ to Open Real Freddy Fazbear’s Pizza Location in 2027

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Letterboxd Responds to Website Crash that Signed Users Out of Accounts

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Florian Hoffmann’s U.N. Compound Drama ‘Yazz’ Takes Main Alliance 4 Development Prizes at Locarno Pro Awards

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What’s It Going to Take for Steve Carell to Finally Win an Emmy?

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‘The Odyssey’ Is Christopher Nolan’s Highest-Grossing Movie Ever With $1.1 Billion and Imax’s Biggest Release of All Time With $289 Million

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‘Spring Story’ and ‘The Surubí’ Win Big at Locarno’s First Look

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Letterboxd Goes Down, Leaving Users Locked Out of Their Accounts

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‘Spring Story,’ ‘The Surubí,’ ‘Yazz’ Among Locarno Pro Winners

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Olivia Wilde Calls ‘The Invite’ the ‘Most Incredible’ Experience of Her Life: ‘It Was the Highlight of My Career’

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‘Spider-Man: Brand New Day’ Becomes Second-Fastest Movie to Hit $1 Billion Overseas, Powers to $1.67 Billion Globally

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Box Office: ‘Spider-Man: Brand New Day’ Flies to Third-Biggest Second Weekend of All Time With $145 Million

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‘The Odyssey’ Makes History as Christopher Nolan’s Top-Grossing Movie Ever, Beating ‘Dark Knight Rises’

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Protest at the Locarno Film Festival Remembers 60,000 Names of the Dead of Gaza

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David Ellison Is Promising Theater Owners Contractual Guarantees for Paramount-Warner Bros. 30-Film Annual Slate. But What if Moviegoers Don’t Care?

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‘Down the Arm of God’: Caleb Landry Jones Project, Created With People Without Housing, Is a “Conversation Starter, Not an Advocacy Film”

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Locarno Sufi Trance Doc ‘As Light as Air’ Director Umair Bilal on Surrendering to a Pakistani Shrine Town: ‘I Became Part of Its Rhythm’

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John Carpenter Has Been to Hell and Back

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‘Our Time Will Come’ Review: Two Orphans Journey to Accra to Find Their Kin in an Emotionally Absorbing Ghanaian Drama

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James Gray Says Actors “Dictate the Style” of Films and Explains Why, When People Talk in a Cinema, “You Want to Kill Them”

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Luca Guadagnino Explains Why He Just Had to Produce Giovanni Tortorici’s Coming-of-Age Drama ‘Ketticè’ in a “Sterile” Italian Film Landscape

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In ‘Demons,’ Love and Betrayal Become a Metaphor for the Relationship Between Russia and Ukraine (Exclusive Trailer)

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‘Donkey Princess’ Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale

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Naseeruddin Shah, Gurvinder Singh Turn a Village’s Real Grief Into Locarno Competition Title ‘Rehmat’: ‘It’s Important That These Films Get Made’

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‘Objet a’ Explores Desire and Control in an Age When We “Touch Flat Screens More Than Our Lover’s Skin”

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Mahesh Babu’s Look in S.S. Rajamouli’s ‘Varanasi’ Unveiled

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Whitney Houston Gets Her Own Barbie, Recreating Iconic ‘I Wanna Dance With Somebody’ Look

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Gina Prince-Bythewood Discusses the Worldbuilding of ‘Children of Blood and Bone’ and Praises Author Tomi Adeyemi as a ‘Genius’

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The ‘One Night Only’ Writer and Producer Have Seen Your Questions and Have (Some of) the Answers

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