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Movies & TV

New Funko CEO on Cornering ‘Kidult’ Collectibles Market in a Rough Economy: ‘There’s Almost More Value for Something That’s Physical and Tangible’

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Foo Fighters Use Website to Release 10 New… Riffs

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Lukas Gage on Playing Pamela Anderson’s Son in ‘Rosebush Pruning’: ‘She Stayed in Character the Whole Time Giving Me Gifts as My Mom’

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Spain’s ISII Group Debuts at Berlin’s EFM With a Focus on Ambitious Cinema That Can Travel and Perform Commercially

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Brent Faiyaz Uncorks an Instant-Vintage Serving of Sultry R&B With ‘Icon’: Album Review

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Anthony Chen’s Berlinale Competition Entry ‘We Are All Strangers’ Sells to France With ‘Nouvelle Vague’ Distributor ARP (EXCLUSIVE)

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‘Terminator Zero’ Canceled After One Season at Netflix, Creator Reveals

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‘Bridgerton’ Season 4 Part 2 Trailer: Benedict and Sophie Decide the Fate of Their Relationship in Romantic Ending

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Nexo Digital Launches Sales at EFM on Doc About First Millennial Saint Carlo Acutis, Dubbed ‘God’s Influencer’

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As Johnny Blue Skies, Sturgill Simpson Returns to Atlantic With a Physical-Release-Only, Non-Streaming ‘Dance Record,’ ‘Mutiny After Midnight,’ Led by New Song ‘Make America F— Again’

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OWN Greenlights Two New Iyanla Vanzant Specials (EXCLUSIVE)

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Lykke Li Inks With Neon Gold Records, New Album ‘The Afterparty’ Due in May

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Jill Scott Pulls From All Directions Yet Centers the Sound on Triumphant ‘To Whom This May Concern’: Album Review

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‘Rehab Addict’ Host Nicole Curtis Apologizes for Using Racial Slur, Says Footage Was ‘Stolen and Manipulated’ to ‘Create This Chaos of Hate’

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‘In a Whisper’ Review: A Funeral Uncovers Buried Secrets in Leyla Bouzid’s Emotional Family Mystery

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Indian Author Arundhati Roy Pulls Out of Berlinale Over Jury’s ‘Unconscionable’ Refusal to Comment on Gaza: ‘To Hear Them Say That Art Should Not Be Political Is Jaw-Dropping’

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‘Lali’ Is a Proudly Pakistani and Colorful Film at Berlin, But Dissects a Universal Institution: Marriage

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Jim Broadbent, Kelly Macdonald and Jamie Demetriou Join Emily Mortimer’s Directorial Debut ‘Dennis’ for A24, Fruit Tree (EXCLUSIVE)

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Amazon’s Ring Scraps Police-Notification Partnership After Backlash Over Super Bowl Ad About AI-Enabled Dog Finder

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Netflix Wins U.S. Rights to ‘Lord of the Flies’ Series From ‘Adolescence’ Creator Jack Thorne

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Berlin’s EFM Kicks Off With Star-Driven Love Stories as Buyers and Sellers Hunt for Fresh Films in Ever-Changing Market

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Ian de la Rosa Bows ‘Iván & Hadoum’ at Berlin, a ‘Classic Love Story With Characters Who Are Anything but Classic’

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Este Haim on Wanting to Compose Music for Paul Thomas Anderson: ‘If Jonny Greenwood Happens to Retire, I’ll Be Right There’

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MK2 Films Acquires Worldwide Rights to Ari Folman’s ‘Waltz With Bashir’ as New 4K Restoration Is Readied (EXCLUSIVE)

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Prime Video Drops Italian Original Film ‘Love Me Love Me’ Based on Wattpad Book That ‘Garnered  24 Million Reads,’ Producers Discuss YA Romance Trend (EXCLUSIVE)

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“Wow”: Neil Patrick Harris Hit With Barrage of U.S. Politics Questions at Berlin ‘Sunny Dancer’ Presser: “I’m Interested in Things That Are Apolitical”

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‘Dao’ Director Alain Gomis on One Wedding and a Funeral, Fact and Fiction Blurring in His Berlin Film

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Locarno Pro’s First Look Sets Focus on Uruguay

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Bring Me the Horizon Immersive Concert Film ‘L.I.V.E. in São Paulo’ Unveils Trailer, Tickets Now on Sale

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Indie Veteran Stuart Ford on Netflix-Warner Deal: We Have to “Fight Tooth and Nail” to Protect Backend or Film Professionals Will Become “Uber Drivers” for the Tech Giants

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Indie Veteran Stuart Ford on Netflix-Warner Deal: We Have to “Fight Tooth and Nail” or Film Professionals Will Become “Uber Drivers” for the Tech Giants

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Film Factory Picks Up International Sales on Lucía Puenzo’s ‘Pepita the Gunslinger’ (EXCLUSIVE)

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Hasbro Entertainment and Animaj Launch Lumee to Rethink How Kids’ Content Makes Money Online

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London Sales Company MSC Labels Films ‘No AI Used’ at EFM, Calls for Global Standard (EXCLUSIVE)

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Period Thriller ’Sorority’ Brought to Market by France TV Distribution (EXCLUSIVE)

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Jessie Ware Joins ‘KPop Demon Hunters’ Singers on Lineup of BAFTA Film Awards Performers

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Michelle Yeoh Avoids Question About U.S. Politics in Berlin and Shifts Focus to Cinema: ‘Best Not to Talk About Something I Don’t Know About’

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Michelle Yeoh Declines to Talk U.S. Politics — But Tells Berlin to Re-Focus on Cinema and Diversity: “I’ll Stay Until the Right Changes Are Made”

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‘Roya,’ the Clandestinely Shot Story of a Teacher Imprisoned in Iran for Her Beliefs, Marks Mahnaz Mohammadi’s Bold Return to Cinema of Resistance

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Berlin Title ‘Our Secret’ Launches Trailer, as Director Grace Passô Talks Desire to ‘Introduce New Dimension of Black Brazilian Lives on Screen’ (EXCLUSIVE)

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‘Everybody Digs Bill Evans’ Director on Exploring a Jazz Legend and How Grief Blocks Creativity (Exclusive Clip)

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Black Mandala, Red Owl Set Eight Genre Titles for EFM (EXCLUSIVE)

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‘Yellow Letters’ Director İlker Çatak on Political Repression of Artists: ‘You Have It in the U.S. Too. Look at What Happened to Jimmy Kimmel!’

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‘Sunny Dancer’: How Rising Filmmaker George Jaques Charmed Neil Patrick Harris, Bella Ramsey, Este Haim and James Blunt Into Joining His ‘F—ing Crazy’ Teen Cancer Comedy

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Prada Foundation Unveils First Supported Films Including New Works From Apichatpong Weerasethakul, Corneliu Porumboiu, Tatiana Huezo

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In ‘Sad Girlz,’ Two 16-Year-Olds Grapple With Consent and Friendship (Exclusive Berlin Clip)

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Isabelle Huppert’s Enduring Love Affair With Berlin

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Docmaker Grant Gee Changes Tune for Berlin Competition Pic ‘Everybody Digs Bill Evans’

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Taiwan Film Industry Flexes Market Muscle at Berlin EFM With Genre-Spanning Slate

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Japan’s New Dawn: Seven Films at Berlin Signal Industry Renaissance as Box Office Hits Record High

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