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Sat Sep 26
Box Office: ‘Clayface’ Lands at No. 1 with $10.4 Million Debut, ‘You Can See Everything’ Adds $6.14 Million on Friday
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Andrew Garfield and Gabrielle Union Attend Ferragamo Dinner in Beverly Hills and More Red Carpet Photos: October 2026
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Quentin Tarantino Surprises Fans With 17 Minutes of ‘The Further Mis-Adventures of Cliff Booth’ at AFI Fest
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Dalton Smith vs. Alberto Puello Livestream: Here’s Where to Watch the WBC Junior Welterweight Title Boxing Match Online
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‘Love Language’ Review: Chloë Grace Moretz Sells Words of Affirmation in an Old-School Romcom With Gen-Z Trappings
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Quentin Tarantino Shows Off First 17 Minutes of ‘Cliff Booth’ and Explains Decision to Revive Character
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Morelia Film Festival Prizes: ‘Six Months in a Pink and Blue Building,’ an ‘Expression of Pure, Unbound Beauty,’ Wins Top ‘Ojo’ Award
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El Gouna Takeaways: ‘Safe Exit’ Wins Top Prize, Arab TV Seeks New Talent and Egyptian Filmmakers Push Boundaries
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UFC 333 Livestream: Here’s How to Watch Volkanovski vs. Evloev Online for Free
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Jay-Z Brings Out Blue Ivy Carter, DJ Khaled and John Legend During the First of Two Nights at Los Angeles’ SoFi Stadium
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Kore-eda Hirokazu Explains Why He Never Films Children Crying – and What Ken Loach and Hou Hsiao-hsien Taught Him
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Impulso Morelia: Tatiana Huezo’s ‘Galerna’ Takes Top José María Riba Award, With ‘Homeboys’ Another Key Winner
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Vino G. Bastian, Pevita Pearce, Faradina Mufti, Indra Jegel Lead ‘Miracle in Cell No. 7’ Director Lee Hwan-kyung’s Indonesian Father-Son Drama ‘Gasigogi’ (EXCLUSIVE)
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Bill Maher’s Embarrassing Karoline Leavitt Interview on ‘Real Time’
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Kartik Aaryan’s ‘Captain India’ Set Amid Houthi Conflict in Yemen (EXCLUSIVE)
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Ken Atchity, ‘The Meg’ Producer and Literary Agent, Dies at 82
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Ken Atchity, Producer on ‘Joe Somebody’ and ‘The Meg,’ Dies at 82
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‘Crawl 2’ Adds Sarah Niles, Ray Panthaki and 3 More Ahead of 2027 Paramount Release (Exclusive)
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Sacha Baron Cohen Says Donald Trump Has ‘Elements of Brilliance’ and ‘We Were Too Easy to Dismiss Him as a Nincompoop’
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Sandra Hüller Joins ‘Avengers: Doomsday’ in Cameo Role
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Sandra Hüller Set for Cameo Role in ‘Avengers: Doomsday’
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New ‘Alien’ Movie in the Works With Writer Aaron Guzikowski (Exclusive)
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‘Law & Order: SVU’ Sets Stephanie March to Return as Alexandra Cabot
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Why Olivia Colman Didn’t Get Splinters From Getting Intimate With Alexander Skarsgård’s ‘Wicker’ Costume
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Ethan Klein Reacts to Hila Klein’s Cheating Allegations Amid ‘H3 Podcast’ Fallout: ‘Please Respect My Family’s Privacy … They Have Nothing to Do With This’
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How to Watch MLB World Series 2026: Tampa Bay Rays vs. Milwaukee Brewers Online for Free
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‘The Cycle’ Is a Surprising New Take on the Police Procedural, With a Huge Twist and an Emotional Resonance the Director Didn’t Expect
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El Gouna’s CineGouna Expands Industry Push: ‘We Want to Give Every Filmmaker a Chance’
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Blumhouse Soliciting Testimony from Anyone Who Feels ‘Personally Victimized’ by One of Its Movies or TV Shows
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Zendaya Sets ‘Dune 3’ Oscar Campaign for Best Actress in Category Shake-Up (EXCLUSIVE)
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Chino Pacas, Clave Especial, Vic Blends Join Gina Rodriguez’s Boxing Drama ‘House of Guerrero’ (Exclusive)
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Hunter Biden Signs With CAA
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IATSE Names Video Engineer Jillian Arnold First Labor and Technology Officer
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Nick Reiner Trust Fund Battle Heads to Mediation as Lawyer Agrees to Fund Commissary Account
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‘Dance of the Souls,’ Unspooling at Morelia, Explores Oaxaca’s Muerteadas, Celebrating the End and the Beginning
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Pedro Pascal on Learning Cello for ‘Behemoth!,’ Why ‘You’ve Got to Eat S—’ to Make It in Hollywood and the ‘Avengers: Doomsday’ Line His Character Says
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Joel McHale to Star in Short Film From ‘Open Door’ Director Kevin Cate (EXCLUSIVE)
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Fusion Entertainment Signs Director Ryan DeForeest, Sets Feature Adaptation of His Short Film ‘My Brother & Me’ (EXCLUSIVE)
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Valladolid Film Festival Draws Global Auteurs, 30 World Premieres and Emerging Spanish Talent
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Slayyyter Cancels Remaining European and U.K. Tour Dates to Recover From Laryngitis
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Fueled by ‘La Bola Negra,’ Spain’s Indie Distribution Make Robust Gains, to Be Highlighted at Valladolid’s Merci Market
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How Pat McAfee Landed His First Acting Role in ‘The Mosquito Bowl’ — With Some Help From Bradley Cooper and Tom Cruise
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‘Clayface’ Soaks Up $3.5M in Box Office Previews as ‘You Can See Everything’ Expands
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FilmQuest 2026 Launches With Explosive Motorcycle Drama ‘Whiskey Throttle’ as Rowdy Crowd Celebrates Utah-Made Film
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‘Killing a Bear,’ From Movistar Plus and Arte France: a Real-Event Inspired Murder-Mystery Whose Victim Is a Pyrenean Brown Bear
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Did Karen Bass Expand Film Incentives? Nithya Raman Campaign Flags ‘Whopper’ Claim
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Sofia Coppola on Embracing an ‘Embarrassing’ Moment in New ‘Marie Antoinette’ Doc and Showing Strength on Sets Surrounded by Men
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Jane Wiseman Exits Paramount+ as Boss Casey Bloys Announces New Structure
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‘Slow Horses’ Director on Season 6 and That Final Jack Lowden Scene: ‘We Had Two Endings and One of Them Was Happy’
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Ti West’s New Short ‘Remnants’ Is the First Fully Immersive Apple Horror Film. What Does It Say About the Future of Movies?
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