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Movies & TV

How Pat McAfee Landed His First Acting Role in ‘The Mosquito Bowl’ — With Some Help From Bradley Cooper and Tom Cruise

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‘Clayface’ Soaks Up $3.5M in Box Office Previews as ‘You Can See Everything’ Expands

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FilmQuest 2026 Launches With Explosive Motorcycle Drama ‘Whiskey Throttle’ as Rowdy Crowd Celebrates Utah-Made Film

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‘Killing a Bear,’ From Movistar Plus and Arte France: a Real-Event Inspired Murder-Mystery Whose Victim Is a Pyrenean Brown Bear

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Did Karen Bass Expand Film Incentives? Nithya Raman Campaign Flags ‘Whopper’ Claim

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Sofia Coppola on Embracing an ‘Embarrassing’ Moment in New ‘Marie Antoinette’ Doc and Showing Strength on Sets Surrounded by Men

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Jane Wiseman Exits Paramount+ as Boss Casey Bloys Announces New Structure

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‘Slow Horses’ Director on Season 6 and That Final Jack Lowden Scene: ‘We Had Two Endings and One of Them Was Happy’

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Ti West’s New Short ‘Remnants’ Is the First Fully Immersive Apple Horror Film. What Does It Say About the Future of Movies?

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Ted McGinley Tapped to Narrate Volleyball Documentary ‘Kings of the Beach’

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Size Really Does Matter: How Alexander Skarsgard’s ‘Wicker’ Man and Member Came to Life

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Box Office: ‘Clayface’ Makes $3.5 Million in Previews

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Jack Lowden, Margaret Qualley Top Bookie Odds for Next James Bond and Bond Girl

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Elizabeth Holmes Claims New York Times Misquoted Her. The Reporter Speaks Out After ‘You Can See Everything’ Release: ‘I Wish I’d Kept That Notebook’

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Cinépolis Distribution Lands ‘5 More Minutes,’ a Time-Warping Thriller Starring ‘Talk to Her’ Lead Javier Cámara (EXCLUSIVE)

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MoreThan Films Picks Up ‘Salen las lobas’ Ahead of Valladolid World Premiere

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Belgian Series ‘The Inheritance’ Scores Sony Pictures Television Award at Rome’s MIA Market

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Who Should Be the Next James Bond? 25 Picks for the New 007

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AI Giant Nvidia Invests in Entertainment Startup Higgsfield

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Shane Gillis and Danny McBride Are Rival Weathermen in Absurdist, 4-Minute Kalshi Ad (EXCLUSIVE)

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Cate Blanchett’s Displacement Film Fund Partners With the New Yorker to Release Five Short Films (EXCLUSIVE)

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Bravo Renews ‘In the City, ‘Next Gen NYC’ and ‘Southern Hospitality,’ Orders ‘Next Gen Atlanta’ and Craig Conover-Led Microdrama ‘Charmed by a Southern Monster’

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Megyn Kelly Slammed for Attacking Christina Applegate Over MS Misdiagnosis; ‘The View’ Hosts Call Her a ‘Bully’ and a ‘Fungus That Thrives’ on Outrage

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Here’s Where to Watch F1 United States Grand Prix 2026 Live Online

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British Filmmaker Joanna Hogg on the Struggle to Turn Personal Stories Into Fiction: ‘Each Time I’m Learning From Scratch’

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As Uncensored Re-Release of Ken Russell’s ‘The Devils’ Shocks Audiences, Director’s Son Preps Doc Feature ‘Mad Dad’ (EXCLUSIVE)

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Meghan Markle ‘Deeply Distressed’ by Allegations Her Father Possessed Child Sex Abuse Images

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Christopher Abbott Isn’t Being Coy About Marvel — He Promises

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‘Ali G: Who Iz I’ Star Morgana Robinson on Sacha Baron Cohen Not Letting Her Break Character as ‘Me Julie’ and Why Film Doesn’t Mock Working Class

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Banijay Entertainment’s Frédéric Balmary on U.S. Ambitions, Netflix and the Battle for IP: It’s ‘One of Our Big Fights’

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Luke Evans on His New ITV Drama ‘The Party,’ Starring in ‘The Rocky Horror Picture Show’ on Broadway and Whether He’ll Return as Bard in ‘The Hunt for Gollum’

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The Gotham Group and Toonstar Team Up for New Animated Series

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You Can See Everything, Except Outside North America: Inside A24’s Staggered International Release Strategy for Nathan Fielder’s Hit Elizabeth Holmes Doc

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Despite Hudson Williams, Canadian Witch Mystery ‘Yaga’ Is No ‘Heated Rivalry’: TV Review

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Jamie Lee Curtis, Téa Leoni and Tim Daly Lead NBC’s Refreshing and Witty Sitcom ‘Newlyweds’: TV Review

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Robert Carlyle, Elijah Wood, Orlando Bloom Join ‘The Gentlemen’ Cast as Production Starts on Season 3

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Nicholas Galitzine Says Shooting ‘Red, White & Royal Wedding’ Was a ‘Nice Reset’ After World War II Movie ‘The Mosquito Bowl’

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Hudson Williams Returns to Screens in Supernatural Thriller ‘Yaga’: How to Watch the New Series Online

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Jon Tower Takes Executive Producer Role at Revamped ‘CBS Mornings’

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‘Safe Exit’ Review: Mohammed Hammad’s Second Feature Is a Masterclass in Wedding Rigorous Construction to In-Depth Characterization

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Lara Croft’s Inaugural Voice Actor Shelley Blond Recalls First Time She Saw ‘Tomb Raider’ Character: ‘I Thought She Was Very Sexy and Very Ballsy’

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France Riots Put Hollywood Shoots on Alert as Curfews Disrupt Movie Theaters: It ‘Has Now Been Flagged as a Problem Area’

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‘Big Boys Don’t Cry’ Review: Masculinity and Its Constructs Are Explored in a Revealing Docu-Fiction Study of Egyptian Bodybuilders

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H3 Podcast Crew Cuts Ties With Ethan Klein After Hila Klein Says He Has Been Having an Affair

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Rome MIA Market Takeaways, From Bracing for Netflix Fallout to Italy’s Production Slump and European Producers Fighting Back

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‘Closure’ Director Michal Marczak Set for Narrative Feature Debut With ‘Perfection,’ About Hipster Millennials in Berlin (EXCLUSIVE)

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‘Nobody Wants This’ Creator Erin Foster on Adam Brody’s Support for Palestine: ‘I Disagree With Him, and That’s OK’

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‘O Projeto’ Directors on Walter Salles’ Support and Screening Poetic Doc About Colonialism Ahead of ‘Dramatic’ Brazilian Elections That Offer a ‘Choice Between Good and Evil’

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