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Movies & TV

Kleber Mendonça Filho, Wagner Moura and More Brazilian Academy Members Release Open Letter Expressing ‘Concern’ Over Brazil’s Presidential Elections (EXCLUSIVE)

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Brad Bird on Why He Took ‘Ray Gunn’ to Skydance Instead of Pixar: Making Animated Films for Teens and Adults ‘Shouldn’t Be a Controversial Decision’

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Six-Armed, Two-Legged Spider Princess Tale ‘Migali’ Unpacked by Its Director Ahead of MipJunior World Premiere

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‘Ray Gunn’ Review: Brad Bird’s Latest Animated Feature Is a Giddy Retro-Futurist Noir With More Energy Than Charm

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Prime Video Takes Global on Turkish AI-Generated Movie ‘Çukur:Vartolu,’ a Spin-Off From the Hit Series Known Internationally as ‘The Pit’ (EXCLUSIVE)

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Lego Is Bringing Marvel and ‘Star Wars’ Together for First-Ever Fan-Designed Crossover Set

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‘Under Siege,’ Netflix’s Second Most Ambitious Colombian Series – a ‘Huge Undertaking Even by Our Standards’ – Bows Nov. 6

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Naomi Ackie Discusses the “Hollywood Machine,” Her ‘Star Wars’ Experience and Why She Bought a Crank Radio

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Netflix Romance ‘Love Untangled’ Director Namkoong Sun on Netflix Freedom and the Funding and Distribution Gap in Korean Indie Film

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‘Decision to Leave’ Cinematographer Kim Ji-yong on Chasing Natural Light for Lee Chang-dong’s ‘Possible Love’: ‘This Is the One Where We Worried, Debated and Planned the Most’

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Hollywood Executives See Growing Market for Asian Stories, but ‘Every Movie Is Still a Fight’

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Why Netflix, Amazon and Other Streamers Have Not Proved Saviors for the Kids Content Industry

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Generative AI Still Needs Artists’ Judgment, Says Netflix’s Eyeline GenFX Chief James Rustad at Busan

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Netflix’s ‘The Blue Road’ Director Han Jun-hee on Why Playing It Safe Is the Real Risk

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AI Can Cut Film Budgets by Up to 40%, Says ‘The Outlaws’ Director Kang Yoon-sung, as Netflix Reveals Use on 300 Titles: ‘A Human Touch Is Absolutely Essential’

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Busan Market Chief Ellen Y.D. Kim Plots Year-Round ACFM 365 Platform, Warns Public Funding Has Stalled

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Vietnamese Supernatural Horror ‘Bloodline: The Curse Within’ Heads to Busan Market With Mockingbird Pictures (EXCLUSIVE)

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Movistar Plus Drives Into YA Comedy, Smart Social Issue Genre

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Netflix Says 67% of Surveyed Members Want to Visit Korea as Busan’s Creative Asia Puts Locations in Focus

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Spain’s TV Powerhouses Forge New Partnerships as Series Biz Evolves

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Vietnamese Horror ‘Arithmadtic’ Leads Bee Entertainment’s Busan Market Slate, With New Film From ‘The Corpse’ Director

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Cambodian Remake of Korean Mother-Daughter Drama ‘Wedding Dress’ Leads Abnormal Studios’ Busan Market Slate (EXCLUSIVE)

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‘Exorcism of God’ Director Alejandro Hidalgo to Helm Malaysian Hungry Ghost Festival Horror ‘The Hungry One’ (EXCLUSIVE)

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Michael Douglas Tells Bill Maher About Smuggling Marijuana in Suitcases, Slams ‘Nepo Baby’ Label

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Edward Zhang, Casper Van Dien, Jeff Fahey Star in China-U.S. WWII Spy Series ‘Operation Doolittle,’ Heading to Busan Market (EXCLUSIVE)

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BlumFest Haunts New York Comic Con 2026: All the Highlights From Blumhouse Atomic Monster

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‘14th’ Review: Ava DuVernay’s Powerful Sequel to ‘13th’ Turns a Constitutional Amendment into Living History

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Danny Trejo Speaks Out About His Role in Daily Wire ‘Pawn Shop’ Movie: ‘I Am Not Pro-ICE. I Am Pro-Immigrant.’

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Magic: The Gathering Reveals New ‘Darkhold Destiny’ Marvel Set, ‘Avengers: Doomsday’ Theater-Only Card Giveaway

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Bill Burr on ‘The Social Reckoning,’ Sparring With Jeremy Strong as Mark Zuckerberg and Why Tech CEOs are ‘Leading Us to Ruin’

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Jason Blum on How ‘Other Mommy’ Got That Controversial Title, Kristen Bell Joins ‘Violent Night 2’ and More From Blumhouse at NYCC

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‘Triangle of Sadness’ Producer Backs Park Syeyoung’s Memory-Bending Love Motel Drama ‘Satellite of Love’ at Busan Asian Project Market

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Iliza Shlesinger and Mira Sorvino to Receive Top Honors at San Diego International Film Festival

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LaKeith Stanfield Previews ‘Molepeople’ Movie From Paramount Primal, Blumhouse Atomic Monster at New York Comic-Con

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LaKeith Stanfield, Ben Mendelsohn to Star in ‘Molepeople’ for Atomic Monster, Paramount Primal (Exclusive)

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‘Below’ Creator Breaks Down the Finale’s Last Shot, Josh Hartnett’s Accent and Season 2 Clues

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‘Other Mommy’: Five Biggest Changes From the Book, Including a Crazy Death Scene and a Much Darker Ending

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AI Grief-Bot Dramedy ‘Talk to Me When You Are Dead,’ Produced by Anthony Chen, Probes the Limits of Digital Afterlives at Busan Asian Project Market

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Israeli Americans Protest ‘NAZA’ Los Angeles Screening as Doc Releases Theatrically in U.S.

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‘The Exorcist: Martyrs’ Trailer Unveiled at NYCC: Scarlett Johansson Stars in Horror Sequel From Mike Flanagan

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Blumhouse Atomic Monster Inks Short Film Development Deal with Horror Creator Heidi Wong

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‘The Exorcist: Martyrs’ Trailer Radically Reboots Franchise With Scarlett Johansson

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Adéla Brings Sass, Vocals and Razor-Sharp Moves to Los Angeles’ Fonda Theatre

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An AI-Generated Trailer Won the Inaugural $2.5 Million Future Vision XPRIZE — and Its Director Hopes It’ll Change Minds About AI

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Afghan Asylum Seeker and Ukrainian Boy Find Common Ground in Busan Asian Project Market Drama ‘Babak’

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‘Amanda the Adventurer’ Video Game Movie Adaptation in the Works From Blumhouse, MatPat and Epic Pictures

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George Clooney Explains Why The Albies Shine a Light on Justice: “It Feels Like It’s in Short Supply”

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Pakistani Drama ‘Dancers’ Brings a Generation Torn Between Leaving and Staying Home to Busan Asian Project Market

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Karlovy Vary Title ‘The Ink-Stained Hand and a Missing Thumb’ Lands at Diversion for World Sales (EXCLUSIVE)

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Ava DuVernay on Her Latest Doc ’14th’: ‘We’re in the Midst of Something Very Sinister, Something Very Dangerous’

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