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Movies & TV

Sharon Horgan’s HBO Comedy ‘Youth’ Is a Light, Breezy Take on Middle Age: TV Review

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At Ed Sheeran’s Philadelphia Concert, Fans Shrug Off ‘Attempted Cancellation’ and Praise His Onstage Remarks: ‘It Brought a Tear to My Eye’

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Kazakhstan’s ‘Mugalim’ From Director Ayana Nurdinova World Premieres in the New Directors Section of San Sebastián

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Box Office: ‘Resident Evil’ Breaks Franchise Records With $60 Million Opening Weekend

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‘Backrooms’ Surpasses $400 Million at Global Box Office

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Paramount Settlement Talks With State AGs Reach Critical Stage as Merger Opponents Rally and Urge Rob Bonta ‘Do Not Cave’

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‘Big Night’: THR’s 1996 Review

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How to Watch Patrick Clancy’s ’60 Minutes’ Interview Online

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‘SNL U.K.’ Brings Back Princess Diana as King Charles’ AI Assistant: ‘It’s That Woman From the ’90s!’

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Ready, SETT, Go: SETT Execs Drill Down on the Spanish Sovereign Venture Capital Fund That Will Drive Industry Conversation at San Sebastián

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Mark Ruffalo Tells Rob Bonta ‘Don’t You Dare’ Settle the Antitrust Lawsuit Against Paramount: ‘Do Not Cave’

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‘Ride or Die’ Canceled by Prime Video After One Season

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Ed Sheeran Addresses Macklemore Controversy While on Stage at First Concert Since Rapper Dropped From Tour: ‘What Is Happening in Gaza Is Catastrophic and Unjustifiable’

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Ruby Rose Remembers ‘Best Friend’ Hayden Panettiere: ‘All That She Ever Wanted Was to Have Her Story Told’

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Protestors March Outside Ed Sheeran Concert After Macklemore Was Dropped From Tour: ‘It’s Not Going to Stop Until Palestine is Free’

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Tom Cruise Reveals How He Cut ‘Digger’ Transformation Time From Six Hours to Under One

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‘Sweet Magnolias’ Cancellation: Creator, Stars JoAnna Garcia Swisher and Jamie Lynn Spears React to Netflix Series Ending

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Naomi Watts Dedicates Donostia Award to Her ‘Mulholland Drive’ Director David Lynch: “I Miss You”

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Here’s How to Watch Isaac Cruz vs. Nestor Bravo Boxing Live Online

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Henry Winkler Says His Name Was Cut From ‘Scream’ Poster Because ‘You Were the Fonz’ and It Would ‘Knock the Balance of Horror Off’

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Pete Davidson and Colin Jost Were Clowned for Buying the Staten Island Ferry. They Just Proved Everyone Wrong.

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‘The Smell of Apples’ Review: A Sun-Soaked but Chilling Child’s-Eye View of Apartheid-Era Privilege and Denial

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Elizabeth Warren Says it Would be a ‘Massive Mistake’ for Rob Bonta to Settle Lawsuit With Paramount as Trump Bans CNN from White House: ‘This Is a Dangerous Merger’

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Melissa Barrera Says Support for Macklemore After He Was Dropped from Ed Sheeran’s Tour Is ‘Beautiful’ and ‘I Didn’t Get That’ After Being Fired From ‘Scream’

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Gavin Newsom Signs Bill Creating $10 Million Post-Production Tax Credit

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Carrot Top Cancels Las Vegas Shows Amid Hospitalization

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Singer Aaron Rowe Defends Ed Sheeran After Dropping Out of Tour: ‘It Was Human F—ing Error’

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UFC 331 Livestream: Here’s How to Watch Joshua Van vs. Alexandre Pantoja 2 Online

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Orville Peck Dedicates Performance to ‘All the Gay Cowboys’: ‘We Exist, We Walk Among You’

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Spain’s National Film Prize Honoree Carmen Machi: ‘Acting Has Been the Driving Force of My Happiness and Also a Balm for My Darkest Moments’

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Miley’s ‘Bass Persuades’ Is Pretty and Passable, but Surprisingly Light on Bass… or Persuasion: Album Review

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Cate Blanchett Tells Audience To Stop Recording Her London Play: ‘It Spoils It for The Next Group of People’

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San Sebastián Chief José Luis Rebordinos on His Final Year at the Helm — and Being the Only Top Film Festival to Take a Political Stance

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John Wilson on ‘The History of Concrete’ and What’s Wrong With the Documentary Space: ‘People Are Retelling Stories That Have Already Happened’

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Box Office: Zach Cregger’s ‘Resident Evil’ Scares Up $26 Million on Opening Day

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‘Resident Evil’ Star Austin Abrams on His ‘Tragic’ Transformation, ‘Not Trying to Look Cool’ While Screaming and the One Scene He Wasn’t Allowed to Shoot

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‘Resident Evil’ Bites Off $60M at Box Office for Zach Cregger’s Biggest Opening Yet

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‘Vintage Violence’ Review: Cole Sprouse Heads Up a Hyper-Online Gonzo Freakout in Japan

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‘The Other Bennet Sister’ Christmas Special Sees Mary Embark on Married Life in First Images

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‘Anchors Aweigh’ Review: A Cynical Comedian Reflects on His Youth in an Abridged Mockumentary

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‘Trees Are Watching’ Review: Eva Green Fights A.I. Generated Horrors in Self-Serious Misfire Boarded by Martin Scorsese

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White House Blocks CNN and MS NOW Journalists From Entry and Confiscates Their Badges After Donald Trump Bans Networks

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Spain’s SETT Drives $521 Million Investment Push to Build Global Audiovisual Players

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Naomi Watts Believes Standards Have Changed for Older Women in the Industry: ‘Look at the Emmys Last Week… That’s Heartening to See’

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Writer-Star Berto Romero, Director Javier Ruiz Caldera Unpack San Sebastian Buzz Title ‘5 More Minutes’: ‘Characters and Audience Should Feel Every Second’s Weight’

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Lego’s ‘Ninjago Legends: Duskfall’ Anime-Style Shorts Premiere in Korea Ahead of YouTube Release

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Portugal’s Queer Lisboa Celebrates 30th Anniversary With Vast Showcase of Latest LGBTQ Titles, Dose of Radical 1970s Counterculture and Family Fare

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‘It’s My Most Personal Film,’ Says Director Rodrigo García Saiz of His San Sebastian New Directors Title, ‘Morro’

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World Premiering at San Sebastián, Igor Legarreta Describes His Third Film ‘The Blind Ants’ as a Coastal Western Set in the Basque Country

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‘Darlene Love: I Know Where I’ve Been’ Review: A Stirring Pop Doc Traces How the Great Singer of ‘He’s a Rebel’ and Other Classics Reclaimed Her Name

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