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Mon Aug 17
Israel’s Culture Minister Threatens to Revoke the Citizenship of ‘NAZA’ Filmmakers
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Dead Boys Guitarist Cheetah Chrome Dies at 71
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Helen Mirren Says ‘Ripley’ Author Patricia Highsmith Is ‘The Most Difficult’ Real Person She’s Played: “Very Abrasive”
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Sara Bareilles on ‘Good Grief’ and Finding Joy in the Tough Stuff: ‘Grief Is the Mothership of This Record, but It Carries Release, Hope, Optimism and Connection’
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Alex Gibney Says He Got “Nothing Back” From Elon Musk When Reaching Out After Doc Legal Threat
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Ella Langley’s ‘Dandelion’ Album Returns to No. 1 Spot on Billboard 200 for First Time in Four Months, So ‘Choosin’ Texas’ Won’t Get Lonely at the Top
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‘On Behalf of My Son’ Review: A Strained Brazilian Drama About a Mother’s Apology Tour
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New York Knicks Player Jalen Brunson — Emmys Host Mariska Hargitay’s Buddy — Expected to Open Show (EXCLUSIVE)
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Emmys Party Pics 2026: Mariska Hargitay, Sheryl Lee Ralph, Riz Ahmed, Katherine LaNasa and More
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‘One Battle After Another,’ ‘Frankenstein’ and ‘Avatar: Fire And Ash’ Among the Winners at MacGuffin Awards
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John Stamos Delivers Emotional Speech About Fatherhood at Creative Coalition Awards
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Courteney Cox Remembers ‘Scream’ Co-Star Hayden Panettiere: ‘She’s a Really Wonderful Actor’
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‘Diary of a Mad Old Man’ Review: Wayne Wang and Fan Bingbing Unintentionally Find the Boredom in Sex and Death
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Christian Bale Opens 11,000-Square-Foot Foster Care Facility in Palmdale: ‘Turn Their Heartbreak and Their Pain into Love’
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‘Crystal Lake’ Trailer: Linda Cardellini Stars in Peacock’s Spooky ‘Friday the 13th’ Prequel Series
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Chris Rock Says Scott Rudin’s ‘Hard Coaching’ Made Him a Better Filmmaker: Some Creatives Don’t ‘Respond to a Hug’
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Emmys Presenters: Matthew McConaughey, Shailene Woodley and ‘Baywatch’ Reboot Stars Join Lineup
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Toronto: Seth Rogen Shares Secret to Hollywood Success: “I Was Lucky Coming Up”
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Seth Rogen Tells TIFF the Best Advice He’s Ever Received: ‘Less Semen, More Emotion!’
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Teary-Eyed Kaley Cuoco Recalls Death of Her ‘8 Simple Rules’ TV Dad John Ritter: ‘One of the Worst Days of My Life’
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Hollywood Ventures Group, Canada’s Big Picture Cinema Group, and Morocco’s Pink Sheep Team on Casablanca-Set Thriller ‘The Final Bet’ (EXCLUSIVE)
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Nike Unveils Alex Eala T-Shirt Inspired by Tennis Phenom’s Filipino Heritage
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Box Office: ‘Practical Magic 2’ Fizzles With $30 Million Debut
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‘Severance’ Producer Nicholas Weinstock Boards Indian Fantasy-Horror ‘Tongue’ Starring Sayani Gupta (EXCLUSIVE)
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‘Union Town’ Review: Barbara Kopple’s Labor Rights Documentary Is Both Aptly Angry and Optimistically Community-Minded
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‘Angh’ Cinematographer on How He Captured the Film’s Challenging Nighttime Sequences
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TNT’s Iraq War Drama ‘High Value Target: The Hunt for Saddam’ Is Dull and Deeply Disturbing: TV Review
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Ali Asgari Doesn’t Believe in a Bright Future After Iran’s January Massacre – Just ‘A Bit of Light’
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Kaelen Ohm Talks Bringing Inner Extreme Skier to Film Roles: “I Want to Find the Steeper Hill to Go Down”
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TIFF 2026: 20 International Titles to Track, From Feng-I Fiona Roan’s Shuhua Starrer to a Taxidermy Musical and a John Madden Parkinson’s Rom-Com
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‘Your Mother Your Mother Your Mother’ Star Adia On Film Debut Opposite Mahershala Ali, Getting Certified as a Doula: ‘Birth Work Fills My Soul’
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‘How We Stand’ Director on Recasting 1950s American Indians Relocation Legacy: “It’s Such an Epic Story”
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Netflix’s ‘Scooby-Doo: Origins’ Wraps Production Ahead of 2027 Release
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Israel, Palestine and the Films No One Will Buy
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Melissa Rivers on Her Glorious Return to the Emmys Carpet, Remembering Her Mom Joan and Why ‘It’s Been Really Hard’ to Watch ‘Hacks’
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‘Much Ado About Nothing’ Gets Modern War-Zone Update From Lakeem Rose (EXCLUSIVE)
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‘Back in Black’ Director on Lovable Serial Killer Doing “Bad Things for the Right Reasons” in Christopher Walken-Starrer
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Fina Strazza to Star in, Produce Romantic Drama ‘Any Way You Want Me’ (Exclusive)
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Toronto: Irene Dionisio’s ‘IDDA’ Lands at FilmClub Distribuzione for Italy (Exclusive)
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Variety and Chanel’s Women in Film Dinner: Ayo Edebiri, Lily-Rose Depp, Michelle Yeoh, Courteney Cox and More Light Up TIFF
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‘The Stunt Driver’ Review: Jay Baruchel Takes a Leap into Tepid Biopic Territory
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‘Words Are Weapons’: Michaël R. Roskam on Turning a WWII Fake-Newspaper Prank Into a Heist Movie
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Willy Chavarria on His Don Julio Creative Director Role, the Fashion-Entertainment Crossover and Expanding His Brand ‘Into a Full Creative Studio’
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‘Girl Group’ Review: Rebel Wilson’s Bawdy Pop Comedy Is All Fizz and Little Substance
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Tom Nicoll Looks Beyond Male Influencer Culture in TIFF Title ‘Salvation’: ‘I Don’t Think Anyone’s Ever Been Insulted Into Changing Their Mind’
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Yoon Dan-bi’s Toronto and San Sebastian Film ‘The World Before’ Gives Its Camera a Soul and Its Island a Voice
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‘Masc’ Review: A Sensitive Character Study Where Identity is Found in Imitation and Observation
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Shuhua’s Acting Debut and Breaking Free From the ‘American Girl’ Label: Director Feng-i Fiona Roan on Toronto Title ‘Happily Ever After’
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Cannes Prize-Winning Nepal Oscar Entry ‘Elephants in the Fog’ Sells Wide for Best Friend Forever (EXCLUSIVE)
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TIFF Platform Competition Film ‘Idda’ Portrays Female Friendship, Grief and Memory Set on Sicily’s Mount Etna
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More →