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Thu Aug 20
Mahershala Ali Reveals He Was “Yearning” to Perform Action On-Screen Before Filming ‘Your Mother, Your Mother, Your Mother’
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Jeff Goldblum Performs a Jazz Number to Open ‘SNL U.K.’ Season 2: ‘Hoping You’ll Like Me More Than Nando’s or Marmite’
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Camera-Shy Chrissie Hynde on Finally Allowing a Definitive Doc to Be Made About ‘The Pretenders,’ Bowing in Toronto: ‘I Just Wanted to Be in a Band. I’ve Never Graduated Beyond That Initial Interest in It’
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‘SNL U.K.’ Mocks Prince Harry and Meghan Markle’s British Return in Cold Open: ‘Don’t Tell Me You’ve Spent All Your Netflix Money Already!’
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Seth Rogen Says ‘Babies’ Is “Reflective” of His “Experiences” Exploring Parenthood: “It’s Shocking How Personal It Is”
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‘Letters From the Silenced Country’ Wins Golden Globes Impact Prize for Documentary Presented During Venice Film Festival (EXCLUSIVE)
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Mia Wasikowska Fills Out the Screen As ‘Agata the Writer’ in Kuba Dorabialski’s Venice Drama: ‘It’s Our Responsibility to Understand Each Other’
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Maggie Gyllenhaal’s Venice Jury Didn’t Award ‘Woman Unknown’ the Golden Lion Just Because It Was Directed by a Woman: It ‘Was Like a Laser Beam’
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Jeremy Thomas, Producer of Oscar-Winning ‘The Last Emperor,’ Dies at 77
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Slavoj Zizek Wants to Talk About Taylor Swift, Spider-Man and His Crush on Olivia Wilde
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How a Small Chinese Drama Became a $300 Million Phenomenon
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Andrew Scott Gets Candid at TIFF About ‘Elsinore’ and People Against Gay Actors Playing Straight Roles: ‘That’s Just Prejudice’
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Toronto: Indigenous Directors Flex Artistry With Bigger-Budget Films
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Top Hollywood Sales Agent Reveals Biggest Indie Film Challenge: “We’re Building Movies for Streaming Companies”
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TIFF Flashback: Michelle Yeoh Took a Dramatic Turn With ‘The Lady’
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Pierce Brosnan Thinks the Next James Bond Will Be ‘Someone That None of Us Know About’: ‘There Are Lots of Good Hats in the Ring’
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Celine Dion Delivers Tearful Speech on Opening Night of Paris Residency: ‘I Had Promised Myself Not to Cry’
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‘World of Warcraft Forever,’ Expanded Version of 2004 Game, Coming in November
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‘Oasis’ Review: A Sleek, Strange Parable about Bullying and Bonding at the Most Difficult Age
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‘Diablo 5’ Set for Spring 2029 Release
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NFL TV Favorites Like Joe Buck, Troy Aikman, Greg Olsen, Kirk Herbstreit Could Play for New Teams Next Season
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‘Obsession’ Producer Haley Nicole Johnson on Dizzying Hollywood Breakout Hit: “It’s a Lot”
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Here’s Where to Watch Ryan Garcia vs. Conor Benn Boxing Live Online
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‘StarCraft 3,’ an Open-World Shooter Game, Coming in 2030; First Look Revealed
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Inside ‘Ah Girl,’ the Singapore Drama Built From a Director’s Own Childhood: ‘We Can’t Fly Without First Learning How to Walk’
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‘Diablo’ Animated Series in the Works at Netflix, Blizzard Entertainment
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Alan Rickman Brought Kids ‘From the Hospital’ to the ‘Harry Potter’ Set, Says Co-Star Gary Oldman: ‘He Knew How Much It Meant’
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Drake Reveals ‘Fear of Missing Out’ Teaser, Says Project Is a ‘Not So Short Film’
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Love Has Everything to Do With It: Darlene Love, Producer Taraji P. Henson and Director Barry Avrich on ‘Darlene Love: I Know Where I’ve Been,’ a Stirring Music Doc Premiering in Toronto
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Venice Film Festival Reveals Award Winners (Updating Live)
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‘Woman Unknown’ Wins Golden Lion in Venice: Full Winners List
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‘The Family Stone’ Sequel in the Works With Most of Original Cast Returning
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Jeremy Thomas Remembered as a Filmmaker ‘Full of Stories’ and a ‘Rebel With Taste’: ‘The Canon of His Work Is Unmatched’
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‘Practical Magic 2’ Summons $30M to End Spider-Man’s Streak at No. 1
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Kling AI’s TIFF Market Panel Illuminates Tech Challenges and Human-Led Solutions in AI Filmmaking: ‘The Script Is Still the Blueprint’
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‘The Odyssey’ Becomes Universal’s Highest-Grossing Film of All Time
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‘The Odyssey’ Conquers ‘Jurassic World’ to Become Universal’s Highest-Grossing Film Ever
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Courteney Cox on Her TIFF True-Crime Drama ‘Evil Genius’: ‘The Story Is So Unbelievable’
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Barbara Kopple Returns to the Picket Line
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‘Sámi Blood’ Director Amanda Kernell Explores Forgiveness in ‘Brace Your Heart’: ‘It Can Be a Matter of Survival’
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Kamila Andini Says Anger Is ‘Liberating’ as She Brings Furious ‘Four Seasons in Java’ to Toronto
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Box Office: ‘Practical Magic 2’ Conjures Up $13 Million on Friday as ‘Spider-Man: Brand New Day’ Nears All-Time Domestic Box Office Record
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Jorge Alonso’s Spanish Romance Drama ‘All That We Never Were’ Sells to France and India (EXCLUSIVE)
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‘Boatbuilders’ Review: A Mellow Maine Boatyard Study That Offers All the Quiet Rewards of Fine Craftsmanship in Action
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Filmax Launches Mar Olid’s ‘The Wedding Hustlers’ (EXCLUSIVE)
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Toronto Title ‘Sisters,’ Starring Spain’s Elena Anaya and Emma Suarez, Forces a Family to Visit Fears and Taboos
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Menswear Designer Todd Snyder on His Brand’s 15th Anniversary and Having Ryan Gosling and Matt Bomer as His First Celebrity Customers
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In ‘Magazine’, Director Alexandra Pechman Brings a Bygone Era of Print Media (and the 2010s) to TIFF Audiences
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Antonio Banderas, Trudie Styler and Eva Birthistle on the Sorrow and Joy of TIFF Medical Dramedy ‘Up Against It’
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