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Movies & TV

‘Oasis’ Review: A Sleek, Strange Parable about Bullying and Bonding at the Most Difficult Age

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‘Diablo 5’ Set for Spring 2029 Release

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NFL TV Favorites Like Joe Buck, Troy Aikman, Greg Olsen, Kirk Herbstreit Could Play for New Teams Next Season

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‘Obsession’ Producer Haley Nicole Johnson on Dizzying Hollywood Breakout Hit: “It’s a Lot”

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Here’s Where to Watch Ryan Garcia vs. Conor Benn Boxing Live Online

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‘StarCraft 3,’ an Open-World Shooter Game, Coming in 2030; First Look Revealed

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Inside ‘Ah Girl,’ the Singapore Drama Built From a Director’s Own Childhood: ‘We Can’t Fly Without First Learning How to Walk’

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‘Diablo’ Animated Series in the Works at Netflix, Blizzard Entertainment

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Alan Rickman Brought Kids ‘From the Hospital’ to the ‘Harry Potter’ Set, Says Co-Star Gary Oldman: ‘He Knew How Much It Meant’

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Drake Reveals ‘Fear of Missing Out’ Teaser, Says Project Is a ‘Not So Short Film’

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Love Has Everything to Do With It: Darlene Love, Producer Taraji P. Henson and Director Barry Avrich on ‘Darlene Love: I Know Where I’ve Been,’ a Stirring Music Doc Premiering in Toronto

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Venice Film Festival Reveals Award Winners (Updating Live)

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‘Woman Unknown’ Wins Golden Lion in Venice: Full Winners List

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‘The Family Stone’ Sequel in the Works With Most of Original Cast Returning

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Jeremy Thomas Remembered as a Filmmaker ‘Full of Stories’ and a ‘Rebel With Taste’: ‘The Canon of His Work Is Unmatched’

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‘Practical Magic 2’ Summons $30M to End Spider-Man’s Streak at No. 1

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Kling AI’s TIFF Market Panel Illuminates Tech Challenges and Human-Led Solutions in AI Filmmaking: ‘The Script Is Still the Blueprint’

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‘The Odyssey’ Becomes Universal’s Highest-Grossing Film of All Time

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‘The Odyssey’ Conquers ‘Jurassic World’ to Become Universal’s Highest-Grossing Film Ever

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Courteney Cox on Her TIFF True-Crime Drama ‘Evil Genius’: ‘The Story Is So Unbelievable’

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Barbara Kopple Returns to the Picket Line

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‘Sámi Blood’ Director Amanda Kernell Explores Forgiveness in ‘Brace Your Heart’: ‘It Can Be a Matter of Survival’

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Kamila Andini Says Anger Is ‘Liberating’ as She Brings Furious ‘Four Seasons in Java’ to Toronto

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Box Office: ‘Practical Magic 2’ Conjures Up $13 Million on Friday as ‘Spider-Man: Brand New Day’ Nears All-Time Domestic Box Office Record

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Jorge Alonso’s Spanish Romance Drama ‘All That We Never Were’ Sells to France and India (EXCLUSIVE)

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‘Boatbuilders’ Review: A Mellow Maine Boatyard Study That Offers All the Quiet Rewards of Fine Craftsmanship in Action

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Filmax Launches Mar Olid’s ‘The Wedding Hustlers’ (EXCLUSIVE)

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Toronto Title ‘Sisters,’ Starring Spain’s Elena Anaya and Emma Suarez, Forces a Family to Visit Fears and Taboos

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Menswear Designer Todd Snyder on His Brand’s 15th Anniversary and Having Ryan Gosling and Matt Bomer as His First Celebrity Customers

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In ‘Magazine’, Director Alexandra Pechman Brings a Bygone Era of Print Media (and the 2010s) to TIFF Audiences

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Antonio Banderas, Trudie Styler and Eva Birthistle on the Sorrow and Joy of TIFF Medical Dramedy ‘Up Against It’

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Ben Silverman, Micah Green Back New Platform for Jewish Filmmakers

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‘Smudge the Blades’ Isn’t Your ‘Heated Rivalry’-Style Canadian Hockey Drama

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‘The Family Stone’ Sequel Sets Returning Cast With Sarah Jessica Parker, Rachel McAdams, Luke Wilson and More

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‘Family Stone 2’ Gets Official Title ‘The Families Stone’ and Sets Cast: Rachel McAdams, Sarah Jessica Parker and More Returning

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Sarah Paulson Has Waited Forever for a Movie Like ‘Closing Night’: ‘I Wasn’t This Hot, Young Nubile Thing’

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Taiwan Strengthens Global Co-Production Presence at Toronto Film Festival With ‘Happily Ever After,’ ‘The Age of Goodbyes’ and ‘Arrested Memory‘

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Sci-Fi Franchise ‘Kri8 Universe’ Launches at Toronto Market (EXCLUSIVE)

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Nishikawa Miwa Confronts Japan’s Failure to Protect Its War Orphans in Toronto Platform Opener ‘Children Untold’

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Female Bucking Bronc Riders Take Center Stage in ‘Cheyenne,’ TIFF-Bound Doc Produced by Jenna Bush Hager (EXCLUSIVE)

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From ‘American Hostage’ to Podcasts, Hollywood Digs Deeper Into Digital IP — But Will the Same Stories Told on Different Platforms Hurt Business?

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Toronto: ‘Purgatory’ Director Navigates Warring Parents and Girl Power in Dark Divorce Comedy

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Jeremy Thomas, Legendary British Producer and Oscar Winner, Dies at 77

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Liam Neeson on the ‘Rage’ Behind ‘The Lost Children of Tuam’ and Turning Producer for First Time to Tell Story of Irish Scandal

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Maisie Williams Thriller ‘Ignition’ Bought by Saban for North America (EXCLUSIVE)

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‘On Behalf of My Son’ Director Gabriel Martins on Black Brazilian Representation in His Films: ‘It’s a Life Project To Me, Not Just Cinema’

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Carla Woodcock Joins Kate Beckinsale, Katherine McNamara in ‘White’ (Exclusive)

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First Clip of ‘Club Kid’ Star Jordan Firstman as U.S. Voice Cast Lead in Cannes Breakout ‘Jim Queen’ (EXCLUSIVE)

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Canadian Auteur Matthew Rankin Had a Fever Dream About Canadian History

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