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Sat Sep 12
Fri Sep 11
Filmax Launches Mar Olid’s ‘The Wedding Hustlers’ (EXCLUSIVE)
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Toronto Title ‘Sisters,’ Starring Spain’s Elena Anaya and Emma Suarez, Forces a Family to Visit Fears and Taboos
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Menswear Designer Todd Snyder on His Brand’s 15th Anniversary and Having Ryan Gosling and Matt Bomer as His First Celebrity Customers
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In ‘Magazine’, Director Alexandra Pechman Brings a Bygone Era of Print Media (and the 2010s) to TIFF Audiences
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Antonio Banderas, Trudie Styler and Eva Birthistle on the Sorrow and Joy of TIFF Medical Dramedy ‘Up Against It’
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Ben Silverman, Micah Green Back New Platform for Jewish Filmmakers
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‘Smudge the Blades’ Isn’t Your ‘Heated Rivalry’-Style Canadian Hockey Drama
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‘The Family Stone’ Sequel Sets Returning Cast With Sarah Jessica Parker, Rachel McAdams, Luke Wilson and More
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‘Family Stone 2’ Gets Official Title ‘The Families Stone’ and Sets Cast: Rachel McAdams, Sarah Jessica Parker and More Returning
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Sarah Paulson Has Waited Forever for a Movie Like ‘Closing Night’: ‘I Wasn’t This Hot, Young Nubile Thing’
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Taiwan Strengthens Global Co-Production Presence at Toronto Film Festival With ‘Happily Ever After,’ ‘The Age of Goodbyes’ and ‘Arrested Memory‘
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Sci-Fi Franchise ‘Kri8 Universe’ Launches at Toronto Market (EXCLUSIVE)
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Nishikawa Miwa Confronts Japan’s Failure to Protect Its War Orphans in Toronto Platform Opener ‘Children Untold’
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Female Bucking Bronc Riders Take Center Stage in ‘Cheyenne,’ TIFF-Bound Doc Produced by Jenna Bush Hager (EXCLUSIVE)
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From ‘American Hostage’ to Podcasts, Hollywood Digs Deeper Into Digital IP — But Will the Same Stories Told on Different Platforms Hurt Business?
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Toronto: ‘Purgatory’ Director Navigates Warring Parents and Girl Power in Dark Divorce Comedy
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Jeremy Thomas, Legendary British Producer and Oscar Winner, Dies at 77
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Liam Neeson on the ‘Rage’ Behind ‘The Lost Children of Tuam’ and Turning Producer for First Time to Tell Story of Irish Scandal
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Maisie Williams Thriller ‘Ignition’ Bought by Saban for North America (EXCLUSIVE)
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‘On Behalf of My Son’ Director Gabriel Martins on Black Brazilian Representation in His Films: ‘It’s a Life Project To Me, Not Just Cinema’
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Carla Woodcock Joins Kate Beckinsale, Katherine McNamara in ‘White’ (Exclusive)
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First Clip of ‘Club Kid’ Star Jordan Firstman as U.S. Voice Cast Lead in Cannes Breakout ‘Jim Queen’ (EXCLUSIVE)
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Canadian Auteur Matthew Rankin Had a Fever Dream About Canadian History
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‘Dau’ Review: Ilya Khrzhanovsky’s Vast Cinematic Experiment in Historical World-Building Remains More Impressive From a Distance
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‘Totém’ Director Lila Avilés Wraps Production on ‘Cábula,’ Releases First Look (EXCLUSIVE)
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Almodóvar’s Deep Dive Into … Almodóvar
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Gary Oldman Predicts HBO’s ‘Harry Potter’ Series Will Be ‘More Satisfying’ for Fans Than the Movies
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Paramount Argues States’ Antitrust Suit Will ‘Collapse Under Scrutiny’
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Jimmy Kimmel’s Pulled TV Interview With James Talarico Hits 5 Million Views in 24 Hours on YouTube
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‘The Julia Set’ Review: Chase Infiniti Confirms Her Movie-Star Mettle in Niki Byrne’s Riveting Math-Geek Bad Romance
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Sorry, Caleb Hearon Is Not Your Clown in ‘Trash Mountain’ Grief Dramedy
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Courteney Cox Says She Decided to Direct ‘Evil Genius’ After Chance Encounter at the Beverly Hills Hotel: “I Made a Lot of Deals There”
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Lil Durk Acquitted in Murder-for-Hire Trial
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‘The Uprising’ Star Woody Norman on the ‘Power Trip’ Playing King Richard II and Going Meatless at Age 10 After Working With Joaquin Phoenix
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Ocean Way Festival Featuring Killers, Olivia Dean and Jack White Is Canceled, as Santa Monica Blames Beach Damage From Hurricane Forces
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