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Mon Aug 17
‘Plaza Catedral’ Director Abner Benaim, Chile’s Daniela Vega and Alfredo Castro Board Fiction Series ‘School of the Americas’ (EXCLUSIVE)
1w
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Studio TF1 Smashes Doc Records With ‘Leon Marchand: Beyond Gold,’ Rolls Out ‘Surface’
1w
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Laura Poitras Shares the Urgent Vision Behind Her ICE Documentary ‘They’re Here’: “What’s Happening in the United States Is a Nightmare”
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‘Sumo: Spirit Weighs Nothing’ Review: A Handsome Ode to an Oft-Disrespected Sport
1w
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Belgian Royalty Series ‘King of Hearts’ Secures Key VRT Backing (EXCLUSIVE)
1w
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The Next James Bond Has Been Picked, Says Gary Oldman, Whose ‘Fingers Are Crossed’ for ‘Slow Horses’ Co-Star Jack Lowden
1w
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Tom Rothman on Sony’s ‘Spider-Man: Brand New Day’ Blockbuster Success, Being Outbid for ‘Obsession’ and More
1w
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‘SNL U.K.’ Adds Freddie Meredith to Cast
1w
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Pamela Anderson Speaks Out on Overcoming Hepatitis C in Powerful Speech at amfAR Venice: ‘I’m Not a Victim. I’m a Victor’
1w
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Ira Sachs, Jordan Firstman and Diego Luna Among San Sebastian’s Film Talks Lineup
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Ellen Burstyn on Being “Recognized” by Marilyn Monroe, Changing Roles for Women With ‘Alice Doesn’t Live Here Anymore’
1w
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Gary Oldman Says a James Bond Has Been Picked — and He’s Hoping It’s Jack Lowden
1w
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Female-Driven, Premium Period Dramas Spearhead Latest French Fiction Revolution
1w
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Screen Industries Adopt Five Thematic Declarations at Lumiere Summit, Setting Terms on AI, Piracy, Gender, Education and the Environment
1w
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Sabu’s ‘Arrested Memory’ Turns a Kidnapping Thriller Into an Amnesiac Cop Comedy
1w
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France Launches Global Initiatives to Support Independent Cinema and Establish Framework for Alliance of State Film Commissions: Lumiere Summit
1w
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Emmanuel Macron Calls for Global Initiatives to Protect Film and Warns About Dangers of Social Media as Lumiere Summit Opens
1w
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Toho Europe, Indonesia Film Fund, Cinepolis Pact Among Deals Unveiled at Lumiere Summit
1w
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Regal Cinemas, IFTA, CNC Launch Pilot to Test Whether Smarter Programming Can Reverse Falling Theater Admissions
1w
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Heritage Foundation ALIPH Targets Ukraine, Syria and Indonesia in New Film Rescue Program
1w
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France and Korea Launch $1.16 Billion Screen Industry Financing Partnership at Lumiere Summit
1w
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France TV Distribution Unveils Female-Led Actioners in Le Havre Lineup
1w
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Louis Garrel on Being Nanni Moretti’s Alter Ego and Doing Sex Scenes With Jasmine Trinca in ‘It Will Happen Tonight’: ‘You Have to Feel a Real Connection’
1w
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Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes Doc ‘You Can See Everything’: First Reactions
1w
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France’s Halley Production Boards Thriller ‘Carro Seco,’ About Killer Who Targets Unscrupulous Barcelona Real Estate Speculators (EXCLUSIVE)
1w
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‘Strawberry and Chocolate’ Star Jorge Perugorría and Brazil’s Thiago Lacerda Lead Havana-Set ‘Hotel Nacional’ (EXCLUSIVE)
1w
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‘The Inbetweeners’ Original Lead Cast Confirmed for Netflix Reunion Movie as Production Kicks Off in U.K.
1w
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‘The Inbetweeners 3’ Movie Is a Go at Netflix With Original Lead Cast
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‘You Can See Everything’ Review: Nathan Fielder’s Documentary About Elizabeth Holmes Is a Shameless, Fascinating, Reality-TV-Eats-Its-Tale Look at Entitled Duplicity
1w
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‘Ground Floor’ Is a Political Parable Full of Apathy, Absurdity – and Mold (Exclusive Clip and Chat)
1w
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Rob Reiner Wins Posthumous Emmy for ‘The Bear’ Guest Role
1w
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‘Into the Breach’ Review: Star-Studded British Theater Doc Needs More Time to Serve Its Sprawling Subject Matter
1w
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Arte France’s ‘Tax Me (If You Can)’ Sells to Multiple Territories: ‘Getting Rich People to Talk About Money Was Tough,’ Says Director (EXCLUSIVE)
1w
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Nathan Fielder Focuses on Elizabeth Holmes in ‘You Can See Everything’ Documentary Trailer
1w
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Lav Diaz on the Hunt for Truth in ‘An Entry Into the Sadness of a Portuguese Woman,’ Third Chapter of His Acclaimed Hermes Trilogy (EXCLUSIVE)
1w
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Gaza Cinema Academy Launches at Venice Film Festival
1w
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French Drama Series ‘The Red and the Black’: Passion, Power, Political Intrigue and Victor Belmondo’s Anti-Romantic Hero
1w
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Tsai Ming-liang on Venice and San Sebastian Title ‘Dust,’ Slowness as Rebellion and Life With Lee Kang-sheng
1w
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Sri Sri Ravi Shankar’s WFAC, Creativeland Take ‘Krishnavataram’ Global (EXCLUSIVE)
1w
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AI Filmmaking’s Future Debated by Alibaba, Sonilo, PROMPTR Executives at TapNow and Dogme23’s Venice Production Bridge Panel
1w
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Kore-eda Hirokazu on Adapting Fujimoto Tatsuki’s Manga for Venice Competition Film ‘Look Back’
1w
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‘Making Marie Antoinette’ Review: The Late Eleanor Coppola’s Doc on Her Daughter’s Film is Full of Gorgeous Details and Maternal Affection
1w
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Rob Reiner Wins Posthumous Emmy for ‘The Bear’
1w
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Linda Cardellini Wins Emmy for Supporting Actress in a Limited Series for ‘DTF St. Louis’
1w
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David Harbour Wins Emmy for Supporting Actor in Limited Series for ‘DTF: St. Louis’
1w
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Nathan Fielder Drops Weird Trailer for Secret Elizabeth Holmes Doc ‘You Can See Everything’
1w
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Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes Doc Revealed as Telluride’s Surprise Secret Screening
1w
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Tokyo Film Festival Adds Nippon Cinema Now Competition, Crosscut Asia+ Section, New Award Honoring Women in Film
1w
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Hong Sangsoo’s Locarno Winner ‘Nowhere to Lay My Eyes’ Anchors Wave of Sales Deals for Finecut Ahead of Toronto
1w
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‘Widow’s Bay,’ ‘DTF: St. Louis’ and ‘Spider-Noir’ — Despite Its Cancellation — Dominate Creative Arts Emmys Night 2 Winners (FULL LIST)
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