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Movies & TV

‘The Inbetweeners’ Original Lead Cast Confirmed for Netflix Reunion Movie as Production Kicks Off in U.K.

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‘The Inbetweeners 3’ Movie Is a Go at Netflix With Original Lead Cast

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‘You Can See Everything’ Review: Nathan Fielder’s Documentary About Elizabeth Holmes Is a Shameless, Fascinating, Reality-TV-Eats-Its-Tale Look at Entitled Duplicity

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‘Ground Floor’ Is a Political Parable Full of Apathy, Absurdity – and Mold (Exclusive Clip and Chat)

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Rob Reiner Wins Posthumous Emmy for ‘The Bear’ Guest Role

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‘Into the Breach’ Review: Star-Studded British Theater Doc Needs More Time to Serve Its Sprawling Subject Matter

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Arte France’s ‘Tax Me (If You Can)’ Sells to Multiple Territories: ‘Getting Rich People to Talk About Money Was Tough,’ Says Director (EXCLUSIVE)

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Nathan Fielder Focuses on Elizabeth Holmes in ‘You Can See Everything’ Documentary Trailer

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Lav Diaz on the Hunt for Truth in ‘An Entry Into the Sadness of a Portuguese Woman,’ Third Chapter of His Acclaimed Hermes Trilogy (EXCLUSIVE)

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Gaza Cinema Academy Launches at Venice Film Festival

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French Drama Series ‘The Red and the Black’: Passion, Power, Political Intrigue and Victor Belmondo’s Anti-Romantic Hero

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Tsai Ming-liang on Venice and San Sebastian Title ‘Dust,’ Slowness as Rebellion and Life With Lee Kang-sheng

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Sri Sri Ravi Shankar’s WFAC, Creativeland Take ‘Krishnavataram’ Global (EXCLUSIVE)

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AI Filmmaking’s Future Debated by Alibaba, Sonilo, PROMPTR Executives at TapNow and Dogme23’s Venice Production Bridge Panel

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Kore-eda Hirokazu on Adapting Fujimoto Tatsuki’s Manga for Venice Competition Film ‘Look Back’

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‘Making Marie Antoinette’ Review: The Late Eleanor Coppola’s Doc on Her Daughter’s Film is Full of Gorgeous Details and Maternal Affection

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Rob Reiner Wins Posthumous Emmy for ‘The Bear’

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Linda Cardellini Wins Emmy for Supporting Actress in a Limited Series for ‘DTF St. Louis’

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David Harbour Wins Emmy for Supporting Actor in Limited Series for ‘DTF: St. Louis’

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Nathan Fielder Drops Weird Trailer for Secret Elizabeth Holmes Doc ‘You Can See Everything’

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Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes Doc Revealed as Telluride’s Surprise Secret Screening

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Tokyo Film Festival Adds Nippon Cinema Now Competition, Crosscut Asia+ Section, New Award Honoring Women in Film

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Hong Sangsoo’s Locarno Winner ‘Nowhere to Lay My Eyes’ Anchors Wave of Sales Deals for Finecut Ahead of Toronto

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