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‘Woman Unknown’ Review: Some More Problematic Sex — and Its Consequences — by Denmark’s May el-Toukhy

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Macklemore Calls Out ‘Free Palestine’ Onstage, Spurring Petition Demanding He Leave Ed Sheeran Tour

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Telluride: ‘Wild Horse Nine’ Team on Blending Genres, Shooting on Location and John Malkovich’s Oscar Buzz

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‘Agata the Writer’ Review: Mia Wasikowska Plays an Author Adrift and Short of Ideas, in a Sly, Witty Film With Plenty

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Lee Chang-dong’s ‘Possible Love’ Emerges as Venice Film Festival Sensation

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Podcaster Amanda Hirsch Apologizes for ‘Insensitive, Wrong’ Polymarket Lindsay Clancy Sponsored Content: ‘I Should Have Known Better’

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Original ‘Practical Magic’ Star Alexandra Artrip Reacts to “Negativity” Surrounding Sequel Recasting

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‘Possible Love’ Cast Sobs as Lee Chang-dong’s Epic Embraced at Venice With 6-Minute Standing Ovation

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‘The Echo Chamber’ Review: Luca Marinelli, Alicia Vikander and Susan Sarandon Reverberate Through a Smoky, Somber Single-Location Love Story

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Box Office: ‘Spider-Man: Brand New Day’ Remains No. 1 in Sixth Weekend, Nears ‘Avengers: Endgame’ All-Time Domestic Record

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At Telluride Film Festival, Bill Gates Compares Lack of Control Over AI to HAL in ‘2001’: ‘You Could Say “Please Shut Down,” and It Would Say, “OK, I Took That Under Advisement, But…”‘

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Luc Besson Calls Madonna a ‘Phenomenon,’ Admits He’s Developing Another ‘Crazy’ Sci-Fi Story: ‘You Will Need a Ticket — And an Aspirin’

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Venice’s Lone Female Competition Director May el-Toukhy on Gender Gap: “I’ve Never Heard a Female Director Being Called a Genius”

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‘Possible Love’ Review: Korean Master Lee Chang-dong Returns With a Beautifully Mature, Quietly Colossal Relationship Drama

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‘September 5’ Director Tim Fehlbaum Working on a ‘Historical Film’ Set in Berlin as Swiss Filmmakers Take on Challenges and Opportunities of Shooting in English

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Oscars: Iraq Picks ‘No Paradise If You Are Killed by a Woman’ as Best International Feature Contender

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Susan Sarandon Says She’s ‘Still Had Movies Taken Away Recently’ Over Palestine Support: ‘There Are Agencies That Are Telling People Not to Hire Me’

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‘Woman Unknown’ Director May el-Toukhy Talks the Torment of World War II ‘Horizontal Collaborators’ and Venice’s Female Director Snub: ‘It’s a Structural Problem’

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‘From Inside Out – The Architecture of Peter Zumthor’ Review: Wim Wenders’ Latest 3D Documentary Is an Architectural Marvel

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Wim Wenders Clarifies His Stance on Filmmakers’ Role in Politics After Berlin Controversy: ‘We Are the Opposite of Politicians … We Are the Antidote’

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French President Emmanuel Macron Calls for a ‘New Multilateralism’ Across Creative Industries: ‘We Built a Civilization of Images. We Should Not Resign Ourselves to Watching It Deteriorate’

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Wim Wenders on His 14-Year Journey Building Peter Zumthor Doc ‘From Inside Out’

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Are Russian Filmmakers Finally Coming in From the Cold?

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Groundbreaking Roma Director Alina Șerban on ‘Pain,’ ‘Joy,’ of Historic, Venice-Bound ‘I Matter’: ‘I Managed to Do Something Impossible’

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Moonfish’ Director and Stars Lucy Liu and Morgan Spector Break Down Their Black-and-White Animated Film About Isolated Astronauts And Why It’s an Allegory for ‘The Current Human Condition’

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Dev Benegal’s Judith Blum Reddy Doc ‘Everything Is Not OK’ Acquired by Watermelon Pictures, Annemarie Jacir Aboard as EP (EXCLUSIVE)

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San Sebastian, Busan-Bound Taiwanese Coming-of-Age Drama ‘Will You Still Be My Friend’ Boarded for Sales by Moveria, Trailer Unveiled (EXCLUSIVE)

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Lee Chang-dong, Jeon Do-yeon and Sul Kyung-gu on Class, Desire and Reunion in Venice Competition Drama ‘Possible Love’

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Wim Wenders on Why He Made a Documentary About Architect Peter Zumthor, and How Brad Pitt Helped Get It Made

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‘The Debut’ Review: Julianne Moore Is Astonishing in Jesse Eisenberg’s Funny and Dizzying Community-Theater Comedy

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Bad Bunny Wins Emmy for Super Bowl Halftime Show

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‘Elsinore’ Revisits Daniel Day-Lewis’ Infamous Walk-Off During ’80s ‘Hamlet’ Production

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‘The Debut’ Features Seven Original Songs, All Written by Jesse Eisenberg, and One Is Getting an Oscar Push (Exclusive)

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‘The Debut’ Explodes at Telluride With Julianne Moore’s Gonzo, Career-Best Turn, Thanks to a Toolbelt, Unlit Cigarettes and a Faux Musical

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Bad Bunny ‘Super Bowl Halftime Show,’ ‘Muppets’ and ‘Traitors’ Win Night 1 Creative Arts Emmy Awards

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Liam and Noel Gallagher Lock Arms at Venice Premiere of ‘Oasis: Don’t Look Back in Anger’

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‘Primetime’: Robert Pattinson Earns Raves as Chris Hansen — Here’s What Critics Are Saying

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Liam and Noel Gallagher Raise Fists and Electrify Venice as Oasis Doc Gets 8-Minute Standing Ovation

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Jeff Zucker on His Venice Film Festival Debut for A24’s ‘Primetime’: “This Is Very Surreal”

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Three Films, and a Second Oscar? How Penélope Cruz Could Dominate Awards Season With ‘La Bola Negra,’ ‘The Invite’ and ‘Bunker’

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‘Oasis: Don’t Look Back in Anger’ Review: An Uncharacteristically Polite and Sentimental Portrait of a Raucous Band and Phenomenon

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Hey, Oscars: No Sympathy Required to Give Mike Leigh’s ‘Tender Loving Care’ the Consideration It Deserves

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‘Pete Townshend: Behind Blue Eyes’ Review: The Legendary Rocker Gets a Lively Doc That Asks: Who Are You? And Then Doesn’t Fully Answer It

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Andrew Scott Has Waited His Whole Career for a Role Like ‘Elsinore.’ Can Focus and the Bard Anoint Him With an Oscar?

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Original ‘Practical Magic’ Star Alexandra Artrip Addresses ‘Negativity’ Over Recasting in Sequel: They ‘Did What They Thought Was Best to Be Successful’

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Mandy Moore on Hilary Duff’s Musical Comeback and Playing an ‘Absolute Bitch’ in Dan Fogelman’s NFL Family Drama ‘The Land’: It’s ‘”Friday Night Lights” and “Succession” All Rolled Into One’

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Telluride Toasts Andrew Haigh as ‘A Long Winter’ Hands Fred Hechinger and Caitríona Balfe Awards-Worthy Roles

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Kid Cudi Defends Kanye West After Ending Feud: Kanye ‘Apologized and It Was Sincere’ After Antisemitic Outbursts

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‘Evil Dead’ Star Bruce Campbell Says He Has 5 Years to Live After Incurable Cancer Diagnosis: I’m ‘Dying’ but ‘I’m Moving On’

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Robert Pattinson’s ‘Primetime’ Unveiled at Venice Film Festival to Nearly 8-Minute Standing Ovation

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