← Back to news

Movies & TV

Three Films, and a Second Oscar? How Penélope Cruz Could Dominate Awards Season With ‘La Bola Negra,’ ‘The Invite’ and ‘Bunker’

V

‘Oasis: Don’t Look Back in Anger’ Review: An Uncharacteristically Polite and Sentimental Portrait of a Raucous Band and Phenomenon

V

Hey, Oscars: No Sympathy Required to Give Mike Leigh’s ‘Tender Loving Care’ the Consideration It Deserves

V

‘Pete Townshend: Behind Blue Eyes’ Review: The Legendary Rocker Gets a Lively Doc That Asks: Who Are You? And Then Doesn’t Fully Answer It

V

Andrew Scott Has Waited His Whole Career for a Role Like ‘Elsinore.’ Can Focus and the Bard Anoint Him With an Oscar?

V

Original ‘Practical Magic’ Star Alexandra Artrip Addresses ‘Negativity’ Over Recasting in Sequel: They ‘Did What They Thought Was Best to Be Successful’

V

Mandy Moore on Hilary Duff’s Musical Comeback and Playing an ‘Absolute Bitch’ in Dan Fogelman’s NFL Family Drama ‘The Land’: It’s ‘”Friday Night Lights” and “Succession” All Rolled Into One’

V

Telluride Toasts Andrew Haigh as ‘A Long Winter’ Hands Fred Hechinger and Caitríona Balfe Awards-Worthy Roles

V

Kid Cudi Defends Kanye West After Ending Feud: Kanye ‘Apologized and It Was Sincere’ After Antisemitic Outbursts

V

‘Evil Dead’ Star Bruce Campbell Says He Has 5 Years to Live After Incurable Cancer Diagnosis: I’m ‘Dying’ but ‘I’m Moving On’

V

Robert Pattinson’s ‘Primetime’ Unveiled at Venice Film Festival to Nearly 8-Minute Standing Ovation

T

Robert Pattinson Kisses Suki Waterhouse as ‘Primetime’ Rocks Venice With 7-Minute Standing Ovation

V

‘It Will Happen Tonight’ Review: Louis Garrel and Jasmine Trinca Follow Each Other Through the Years In a Light and Predictable Romcom

V

Mexico’s Venice Queer Lion Contender ‘Tijuana, Todavía’ Trains a Spotlight on the Plight of Gay Refugees Fleeing Persecution

V

‘Spider-Man: Brand New Day’ Is Fastest Film to Cross $900 Million at Domestic Box Office

V

How Maggie Gyllenhaal Used Dakota Johnson and Ellen Burstyn to Reimagine Marilyn Monroe at 100 in Venice Short ‘Flesh Impact’

V

‘Spider-Man: Brand New Day,’ The Odyssey’ Rule Low-Key Labor Day Box Office

T

Robert Pattinson Says He Would’ve Been “Devastated” to Drop Any of His Big 2026 Films

T

Teens Seek to Heal Wounds Through Macabre Rituals in Jannis Lenz’s ‘Oasis,’ With Hints of the Influence of Jessica Hausner, Michael Haneke

V

‘Primetime’ Review: Robert Pattinson Leads a Dazzling Cast in a Lurid Horror-Movie Portrait of a ‘Predator’-Hunter’s Predatory Instinct

V

‘Chronovisor’ Review: An Eerie, Fiendishly Clever Mystery for Lovers of Libraries and the Storied Smell of Old Books

V

Al Pacino Sends Video Message to Venice After Missing Press Conference for ‘Father Joe’: ‘I Wish I Was There, I Really Do’

V

Retirement Match: Here’s How to Watch Katie Taylor vs. Flora Pili Boxing Live Online

V

Louis Garrel Jokes About ‘Moretti Method’ Acting at Press Conference for Nanni Moretti’s ‘It Will Happen Tonight’

V

Liam and Noel Gallagher Skip Oasis Documentary Press Conference at Venice Film Festival

V

Gallagher Brothers Skip Venice Press Conference for Concert Doc

T

Aflac Taps Affleck for Commercials to Keep Insurance Customers Quacking

V

Robert Pattinson on Chris Hansen’s Objections to ‘Primetime’: “I Hope He Likes the Movie”

T

Maggie Gyllenhaal Was Asked to Use AI to Recreate Marilyn Monroe. But It Flopped Compared to Dakota Johnson

T

‘Our Share of Sand’ Review: A Brooding Indian Social Drama Told Through the Eyes of a Young Girl

V

‘Tom and Jerry: Forbidden Compass’ Review: The Famous Cat-and-Mouse Duo Are Not Themselves In a Chaotic Chinese Cartoon

V

Robert Pattinson Wants Chris Hansen to Like ‘Primetime’ Despite His Criticisms: ‘I Hope the Inspiration His Character Has Given Is Some Kind of Compliment’

V

Marion Cotillard Praises Venice Biennale College Cinema Workshop: ‘Not all Films Are Destined to Draw Millions of Viewers and Turn a Profit’

V

‘Mr Nelson, Did You Kill People?’ Review: An Assaultive Yet Turgid and Outdated Vietnam PTSD Drama

V

‘Everest: The Other Side’ Review: The ‘Free Solo’ Directors Return With Another Extreme Sports Doc, This Time Tainted by Tragedy

V

‘The Liberation’ Review: Carrie Coon Is Breathtaking as a Woman Lured by a Cult in Guy Nattiv’s Deeply Personal Film

V

Swiss Projects at the Venice Gap-Financing Market: Natural Disaster, Complicated Romance, Exploited Migrants, Murder Mystery in Montana

V

Kate and Rooney Mara Talk ‘Bucking Fastard,’ Synchronized Sisterhood and Werner Herzog Life Lessons: “He Doesn’t Give a S***”

T

Rubaiyat Hossain on Bodies, Beauty and Venice, Toronto and London-Bound ‘The Difficult Bride,’ Clip Unveiled (EXCLUSIVE)

V

Telluride Awards Analysis: Andrew Scott Leaps Into Top Tier of Best Actor Oscar Race for ‘Elsinore’

T

Mad Solutions and Haitham Dabbour’s Irth Platform Announce Strategic Pan-Arab Content Partnership in Venice

V

Lav Diaz Preps False Prophets Film and Jose Rizal’s ‘Noli Me Tangere’ Adaptation, Unpacks Venice Title ‘Let Us Through, Dear Ancestors’ (EXCLUSIVE)

V

As Swiss Films Expand International Reach, English-Language Works Are on the Rise

V

‘Elsinore’ Review: Andrew Scott Is Powerfully Moving as Ian Charleson, the ‘Chariots of Fire’ Star Who Played Hamlet While Ravaged by AIDS

V

‘The Echo Chamber’ Starring Alicia Vikander Seals International Distribution Deals Ahead of Venice Premiere (EXCLUSIVE)

V

Spain’s Impulse Cinema and Italy’s Fandango Forge Strategic Partnership to Boost Co-Production and Sales Opportunities (EXCLUSIVE)

V

Impact of War in Iran Set to Feature in Two Venice Film Festival Dramas

V

‘The Idiot(s)’ Review: Dostoevsky Is an Endearing Drunken Fool in This Rambunctious, Tonally Off-Kilter Two-Hander

V

Lea Salonga Makes History as First Filipina to Receive a Star on the Hollywood Walk of Fame

R