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Movies & TV

Robert Pattinson Kisses Suki Waterhouse as ‘Primetime’ Rocks Venice With 7-Minute Standing Ovation

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‘It Will Happen Tonight’ Review: Louis Garrel and Jasmine Trinca Follow Each Other Through the Years In a Light and Predictable Romcom

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Mexico’s Venice Queer Lion Contender ‘Tijuana, Todavía’ Trains a Spotlight on the Plight of Gay Refugees Fleeing Persecution

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‘Spider-Man: Brand New Day’ Is Fastest Film to Cross $900 Million at Domestic Box Office

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How Maggie Gyllenhaal Used Dakota Johnson and Ellen Burstyn to Reimagine Marilyn Monroe at 100 in Venice Short ‘Flesh Impact’

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‘Spider-Man: Brand New Day,’ The Odyssey’ Rule Low-Key Labor Day Box Office

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Robert Pattinson Says He Would’ve Been “Devastated” to Drop Any of His Big 2026 Films

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Teens Seek to Heal Wounds Through Macabre Rituals in Jannis Lenz’s ‘Oasis,’ With Hints of the Influence of Jessica Hausner, Michael Haneke

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‘Primetime’ Review: Robert Pattinson Leads a Dazzling Cast in a Lurid Horror-Movie Portrait of a ‘Predator’-Hunter’s Predatory Instinct

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‘Chronovisor’ Review: An Eerie, Fiendishly Clever Mystery for Lovers of Libraries and the Storied Smell of Old Books

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Al Pacino Sends Video Message to Venice After Missing Press Conference for ‘Father Joe’: ‘I Wish I Was There, I Really Do’

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Retirement Match: Here’s How to Watch Katie Taylor vs. Flora Pili Boxing Live Online

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Louis Garrel Jokes About ‘Moretti Method’ Acting at Press Conference for Nanni Moretti’s ‘It Will Happen Tonight’

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Liam and Noel Gallagher Skip Oasis Documentary Press Conference at Venice Film Festival

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Gallagher Brothers Skip Venice Press Conference for Concert Doc

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Aflac Taps Affleck for Commercials to Keep Insurance Customers Quacking

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Robert Pattinson on Chris Hansen’s Objections to ‘Primetime’: “I Hope He Likes the Movie”

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Maggie Gyllenhaal Was Asked to Use AI to Recreate Marilyn Monroe. But It Flopped Compared to Dakota Johnson

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‘Our Share of Sand’ Review: A Brooding Indian Social Drama Told Through the Eyes of a Young Girl

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‘Tom and Jerry: Forbidden Compass’ Review: The Famous Cat-and-Mouse Duo Are Not Themselves In a Chaotic Chinese Cartoon

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Robert Pattinson Wants Chris Hansen to Like ‘Primetime’ Despite His Criticisms: ‘I Hope the Inspiration His Character Has Given Is Some Kind of Compliment’

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Marion Cotillard Praises Venice Biennale College Cinema Workshop: ‘Not all Films Are Destined to Draw Millions of Viewers and Turn a Profit’

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‘Mr Nelson, Did You Kill People?’ Review: An Assaultive Yet Turgid and Outdated Vietnam PTSD Drama

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‘Everest: The Other Side’ Review: The ‘Free Solo’ Directors Return With Another Extreme Sports Doc, This Time Tainted by Tragedy

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‘The Liberation’ Review: Carrie Coon Is Breathtaking as a Woman Lured by a Cult in Guy Nattiv’s Deeply Personal Film

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Swiss Projects at the Venice Gap-Financing Market: Natural Disaster, Complicated Romance, Exploited Migrants, Murder Mystery in Montana

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Kate and Rooney Mara Talk ‘Bucking Fastard,’ Synchronized Sisterhood and Werner Herzog Life Lessons: “He Doesn’t Give a S***”

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Rubaiyat Hossain on Bodies, Beauty and Venice, Toronto and London-Bound ‘The Difficult Bride,’ Clip Unveiled (EXCLUSIVE)

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Telluride Awards Analysis: Andrew Scott Leaps Into Top Tier of Best Actor Oscar Race for ‘Elsinore’

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Mad Solutions and Haitham Dabbour’s Irth Platform Announce Strategic Pan-Arab Content Partnership in Venice

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Lav Diaz Preps False Prophets Film and Jose Rizal’s ‘Noli Me Tangere’ Adaptation, Unpacks Venice Title ‘Let Us Through, Dear Ancestors’ (EXCLUSIVE)

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As Swiss Films Expand International Reach, English-Language Works Are on the Rise

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‘Elsinore’ Review: Andrew Scott Is Powerfully Moving as Ian Charleson, the ‘Chariots of Fire’ Star Who Played Hamlet While Ravaged by AIDS

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‘The Echo Chamber’ Starring Alicia Vikander Seals International Distribution Deals Ahead of Venice Premiere (EXCLUSIVE)

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Spain’s Impulse Cinema and Italy’s Fandango Forge Strategic Partnership to Boost Co-Production and Sales Opportunities (EXCLUSIVE)

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Impact of War in Iran Set to Feature in Two Venice Film Festival Dramas

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‘The Idiot(s)’ Review: Dostoevsky Is an Endearing Drunken Fool in This Rambunctious, Tonally Off-Kilter Two-Hander

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Lea Salonga Makes History as First Filipina to Receive a Star on the Hollywood Walk of Fame

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Venice: ‘My Undesirable Friends’ Director on Epic Documentary About Death of Press Freedom in Russia, How Putin’s Crackdown Is Warning for U.S.

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Venice Immersive Celebrates 10 Years of XR Evolution and the Growth of Location-Based Entertainment

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Victor Miller, ‘Friday the 13th’ Screenwriter, Dies at 86

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‘A Long Winter’ Review: Andrew Haigh’s Moody Drama, Set on a Farm in the Rockies in the Early ’50s, Is a Sweeping Act of Cinematic Storytelling

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‘Tender Loving Care’ Review: Mike Leigh’s Tale of Social Workers, Lonely Hearts and Dementia Should Have Been a Fuller Portrait

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Meet Topic, the Indie Studio Dominating the Festival Circuit With ‘The Debut,’ ‘Club Kid,’ ‘Wicker’

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‘Wheel of Fortune’ Announcer Jim Thornton Fired After Investigation Into Allegations

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Halloween Horror Nights Opens at Universal Studios Hollywood With ‘Sinners,’ ‘Stranger Things 5’ and a Blood-Soaked Nikki From ‘Obsession’

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Jordan Firstman’s ‘Club Kid’ Hits Telluride, and Colleen Camp Could Be Its Secret Oscar Weapon

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‘Silo’ Season 3 Finale: Rebecca Ferguson, Creator Graham Yost on That Twist and Why Juliette Is ‘S–t Scared!’ Going Into the Final Season

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Jack Huston Cheers on Paul Schrader as Sexual Abuse Drama ‘Basics of Philosophy’ Premieres in Venice

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