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Movies & TV

Amber Eggers, ‘Love After Lockup’ Star, Dies at 41

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KJ Apa, Isabel May and Archie Renaux YA Romance ‘Falling’ Getting North America Theatrical Release From Brainstorm Media (EXCLUSIVE)

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Chloé Zhao Defends Comic-Book Movies: ‘It’s Important to Not Write Off Stories Because We Don’t Consider Them High Art’

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‘The City of the Living’ Review: A Superbly Acted and Heartbreakingly Real Story Based on a Real Event That Shook Rome to Its Core

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Jeff Bezos Tells William Shatner How His Childhood Love of ‘Star Trek’ Inspired Him to Go to Space With Blue Origin: ‘All Those Things Are Linked’ (EXCLUSIVE)

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Byron Allen’s Freestyle Releasing Acquires ‘Hello Beautiful’ For Theatrical Release (Exclusive)

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‘Al Baraneya’ Review: Cinema Verité Doesn’t Get More Naturalistic Than Egyptian Director Ashgan El-Hamus’ Impressive Debut

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Liam Neeson-Produced ‘The Lost Children of Tuam,’ About Secret Mass Burial of Irish Kids, Confronts a Painful Historical Chapter (Exclusive Trailer)

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‘Fauda’ Creator Calls Mark Ruffalo a ‘Rare Combination’ of ‘Stupid’ and ‘Ignorant’ After His Viral Statement on Paramount: ‘Do You Understand What It Means, “Genocide”?’

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‘Mayday’ Review: Ryan Reynolds and Kenneth Branagh Are Unlikely Cold War Buddies in a Pleasing Eighties Throwback

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Maria Bartiromo’s Lawyer Says Anchor Was Not Fired by Fox News

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Global Content Industry Leaders Gather to Discuss ‘Multilateralism for the Moving Image’ at France’s Lumiere Summit

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Digital Creator Skyelar Chase Signs With Innovative Artists Entertainment

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Rising Pop Badass Adéla Arrives in a Big Way With ‘Prima’: Album Review

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‘Harry Potter’ HBO Series Casts Dobby, Ginny Weasley and Tom Riddle for ‘Chamber of Secrets’ Season 2

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‘A Place to Heal’ Review: Cédric Kahn’s Rawly Sensitive Film Chronicles the Daily Tumult of an Adolescent Psychiatric Ward

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Lea Salonga on ‘Miss Saigon,’ ‘Aladdin’ and Supporting Her Trans Son Amid Anti-Trans Rhetoric: ‘It Makes Me Intensely Afraid and Not Just for My Child’

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Jeff Zucker on How He Ended Up Playing Himself in A24’s ‘Primetime’: ‘Jacob Elordi Wasn’t Available’ (EXCLUSIVE)

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Ann Hui, Carlo Chatrian to Head Pingyao’s Fei Mu, Rossellini Juries

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Adria Arjona Details ‘Superman’ Sequel Training Amid Wonder Woman Rumors: 2 Hours of Weightlifting, 6 Rounds of Boxing and More

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Donald Trump Sounds Off on Maria Bartiromo’s Shock Exit From Fox News: Her ‘Many’ Fans ‘Will Not Be Happy’

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‘Game of Thrones’ Creator George R.R. Martin Confirms Play ‘The Mad King’ Will Transfer to London

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Don Lemon to Launch FAST Channel on Linear, Streaming Venues

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CNBC Veteran Rick Santelli to Exit in October

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Nanni Moretti’s ‘It Will Happen Tonight’ Sells Widely Ahead of Venice Launch – Clip (EXCLUSIVE)

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Paul Schrader Says He Can’t Stop Writing About Guilt: “You Don’t Outrun Your Childhood”

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Iranian Director Mohsen Gharaei, in Venice With ‘Falling House,’ Set to Shoot ‘Centrifugal Force’ (EXCLUSIVE)

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‘Boys of Tommen’ Adds Jonathan Forbes, Cobhan O’brien, Harvey Moloney and More to Cast (EXCLUSIVE)

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The ‘Holy Wood Dust’ Director Wants You to Know Your Christmas Tree Is a Living Being With 20 Senses

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George Clooney Says the Government Shouldn’t Regulate AI: ‘These Are Not the People You Want to Entrust the Holy Grail With’

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An Indigenous Man Navigates Identity and Desire in ‘Nosotros’ (Exclusive TIFF Trailer)

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‘Spider-Man’ and ‘The Odyssey’ Propel U.K. Box Office to Best August Since 2018

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‘Balcanica’: When Music Is Outlawed in Afghanistan, a Conductor and His Son Must Leave All Behind (Exclusive Venice Trailer)

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Maggie Gyllenhaal Says She Tried Using AI to Turn Dakota Johnson Into Marilyn Monroe for Short ‘Flesh Impact’ — Then Scrapped It: ‘Fundamentally Did Not Work’

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Bendita Film Sales Snags Norma Vila’s Sitges Competition Title ‘Carapace’ (EXCLUSIVE)

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‘My Undesirable Friends: Part II – Exile’ Review: An Enormous, Riveting Documentary Sequel Following Reporters on the Run

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Manisha Koirala Attached to Star in ‘Cowgirls & Indians,’ Set for November Texas Shoot (EXCLUSIVE)

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Busan Market Unveils Doc Square, Launches Impact Asia as Yim Siwan Named Festival Closing Ceremony Host

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Magdalena Koleśnik and Kay Greidanus to Lead Finn Szumlas’ Debut Feature ‘Stairway to Earth’ as Production Starts (EXCLUSIVE)

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Tamar AI’s TapNow Brings AI-Native Filmmaking to Venice Production Bridge With HappyHorse-Backed 10,000 Parallel Universes Films, Unveils Streamer Glanze

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‘Oasis’ Asks Uncomfortable Questions About Exclusion, and Its Director Explains Why Violence Is “Like a Virus”

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Anna Foglietta on Working With Alba Rohrwacher on Venice Drama ‘A Common Story’ ‘You Have to Have the Guts to Show Yourself Exactly as You Are’ — Trailer (EXCLUSIVE)

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Indonesia’s ‘2nd Miracle in Cell No. 7’ Gets Philippine Remake From Viva Communications (EXCLUSIVE)

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‘The End of Times’ Is an AI-Assisted Film Essay on Trauma That Wants to “Politicize Mental Illness” (Exclusive Venice Trailer)

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‘The Horsemen of the Apocalypse’ Director Shares Insight Into Her Hybrid Movie That Revisits Her Filmmaker Father’s Arrest and Death

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Alix Earle’s Inane Netflix Reality Show ‘Earle Meets World’ Is Like Watching Paint Dry: TV Review

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Netflix Probes Trump’s Catering Truck Escape in ‘Instadocs: The Decoy Plane’

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Miike Takashi Shines an Intimate Spotlight on a Kabuki Legend in Debut Documentary ‘Shumei: The Living Legacy of Kabuki’

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Ekta Kapoor, Gunjan Soni Unpack Balaji’s Five-Show, 200-Episode YouTube India Deal (EXCLUSIVE)

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AR Content, Vertigo, Blumhouse Atomic Monster Set Remake of Genre-Bending, Satirical French Horror ‘Vincent Must Die’ (EXCLUSIVE)

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