← Back to news

Movies & TV

Liam Neeson-Produced ‘The Lost Children of Tuam,’ About Secret Mass Burial of Irish Kids, Confronts a Painful Historical Chapter (Exclusive Trailer)

T

‘Fauda’ Creator Calls Mark Ruffalo a ‘Rare Combination’ of ‘Stupid’ and ‘Ignorant’ After His Viral Statement on Paramount: ‘Do You Understand What It Means, “Genocide”?’

V

‘Mayday’ Review: Ryan Reynolds and Kenneth Branagh Are Unlikely Cold War Buddies in a Pleasing Eighties Throwback

V

Maria Bartiromo’s Lawyer Says Anchor Was Not Fired by Fox News

V

Global Content Industry Leaders Gather to Discuss ‘Multilateralism for the Moving Image’ at France’s Lumiere Summit

V

Digital Creator Skyelar Chase Signs With Innovative Artists Entertainment

V

Rising Pop Badass Adéla Arrives in a Big Way With ‘Prima’: Album Review

V

‘Harry Potter’ HBO Series Casts Dobby, Ginny Weasley and Tom Riddle for ‘Chamber of Secrets’ Season 2

V

‘A Place to Heal’ Review: Cédric Kahn’s Rawly Sensitive Film Chronicles the Daily Tumult of an Adolescent Psychiatric Ward

V

Lea Salonga on ‘Miss Saigon,’ ‘Aladdin’ and Supporting Her Trans Son Amid Anti-Trans Rhetoric: ‘It Makes Me Intensely Afraid and Not Just for My Child’

V

Jeff Zucker on How He Ended Up Playing Himself in A24’s ‘Primetime’: ‘Jacob Elordi Wasn’t Available’ (EXCLUSIVE)

V

Ann Hui, Carlo Chatrian to Head Pingyao’s Fei Mu, Rossellini Juries

V

Adria Arjona Details ‘Superman’ Sequel Training Amid Wonder Woman Rumors: 2 Hours of Weightlifting, 6 Rounds of Boxing and More

V

Donald Trump Sounds Off on Maria Bartiromo’s Shock Exit From Fox News: Her ‘Many’ Fans ‘Will Not Be Happy’

V

‘Game of Thrones’ Creator George R.R. Martin Confirms Play ‘The Mad King’ Will Transfer to London

V

Don Lemon to Launch FAST Channel on Linear, Streaming Venues

V

CNBC Veteran Rick Santelli to Exit in October

V

Nanni Moretti’s ‘It Will Happen Tonight’ Sells Widely Ahead of Venice Launch – Clip (EXCLUSIVE)

V

Paul Schrader Says He Can’t Stop Writing About Guilt: “You Don’t Outrun Your Childhood”

T

Iranian Director Mohsen Gharaei, in Venice With ‘Falling House,’ Set to Shoot ‘Centrifugal Force’ (EXCLUSIVE)

V

‘Boys of Tommen’ Adds Jonathan Forbes, Cobhan O’brien, Harvey Moloney and More to Cast (EXCLUSIVE)

V

The ‘Holy Wood Dust’ Director Wants You to Know Your Christmas Tree Is a Living Being With 20 Senses

T

George Clooney Says the Government Shouldn’t Regulate AI: ‘These Are Not the People You Want to Entrust the Holy Grail With’

V

An Indigenous Man Navigates Identity and Desire in ‘Nosotros’ (Exclusive TIFF Trailer)

T

‘Spider-Man’ and ‘The Odyssey’ Propel U.K. Box Office to Best August Since 2018

V

‘Balcanica’: When Music Is Outlawed in Afghanistan, a Conductor and His Son Must Leave All Behind (Exclusive Venice Trailer)

T

Maggie Gyllenhaal Says She Tried Using AI to Turn Dakota Johnson Into Marilyn Monroe for Short ‘Flesh Impact’ — Then Scrapped It: ‘Fundamentally Did Not Work’

V

Bendita Film Sales Snags Norma Vila’s Sitges Competition Title ‘Carapace’ (EXCLUSIVE)

V

‘My Undesirable Friends: Part II – Exile’ Review: An Enormous, Riveting Documentary Sequel Following Reporters on the Run

V

Manisha Koirala Attached to Star in ‘Cowgirls & Indians,’ Set for November Texas Shoot (EXCLUSIVE)

V

Busan Market Unveils Doc Square, Launches Impact Asia as Yim Siwan Named Festival Closing Ceremony Host

V

Magdalena Koleśnik and Kay Greidanus to Lead Finn Szumlas’ Debut Feature ‘Stairway to Earth’ as Production Starts (EXCLUSIVE)

V

Tamar AI’s TapNow Brings AI-Native Filmmaking to Venice Production Bridge With HappyHorse-Backed 10,000 Parallel Universes Films, Unveils Streamer Glanze

V

‘Oasis’ Asks Uncomfortable Questions About Exclusion, and Its Director Explains Why Violence Is “Like a Virus”

T

Anna Foglietta on Working With Alba Rohrwacher on Venice Drama ‘A Common Story’ ‘You Have to Have the Guts to Show Yourself Exactly as You Are’ — Trailer (EXCLUSIVE)

V

Indonesia’s ‘2nd Miracle in Cell No. 7’ Gets Philippine Remake From Viva Communications (EXCLUSIVE)

V

‘The End of Times’ Is an AI-Assisted Film Essay on Trauma That Wants to “Politicize Mental Illness” (Exclusive Venice Trailer)

T

‘The Horsemen of the Apocalypse’ Director Shares Insight Into Her Hybrid Movie That Revisits Her Filmmaker Father’s Arrest and Death

T

Alix Earle’s Inane Netflix Reality Show ‘Earle Meets World’ Is Like Watching Paint Dry: TV Review

V

Netflix Probes Trump’s Catering Truck Escape in ‘Instadocs: The Decoy Plane’

V

Miike Takashi Shines an Intimate Spotlight on a Kabuki Legend in Debut Documentary ‘Shumei: The Living Legacy of Kabuki’

V

Ekta Kapoor, Gunjan Soni Unpack Balaji’s Five-Show, 200-Episode YouTube India Deal (EXCLUSIVE)

V

AR Content, Vertigo, Blumhouse Atomic Monster Set Remake of Genre-Bending, Satirical French Horror ‘Vincent Must Die’ (EXCLUSIVE)

V

In Venice Competition Film ‘Mr Nelson, Did You Kill People?’ Director Tsukamoto Shinya Asks Vital Questions

V

Berlin Golden Bear Winner Lila Avilés Wraps Production on ‘Cábula,’ Releases First Look Ahead of Venice Gap-Financing Market (EXCLUSIVE)

V

‘The Truffle Hunters’ Directors Michael Dweck and Gregory Kershaw Look for the Perfect Wine in ‘Burgundy’: ‘A Great Glass of Wine Changes How You Perceive the World’

V

Oasis Documentary Directors on Filming the Brothers’ First Reunion in 15 Years and Why There Wasn’t Much Emotion in the Room: ‘It’s the Gallaghers, It’s Not ‘Dawson’s Creek”

V

Édgar Ramírez and Nahuel Pérez Biscayart to Star in ‘Land of the Savages’ by Venice-Winning ‘Blanquita’ Director Fernando Guzzoni

V

‘Everest: The Other Side’ Directors Elizabeth Chai Vasarhelyi and Jimmy Chin Talk Grief, Loss and Their Most Personal Film Yet: ‘You Don’t Get to Choose Your Calling’

V

Rodrigo Moreno and Santiago Mitre AD Felipe Solari Yrigoyen Set to Make Directorial Debut With ‘The Amateurs’

V