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Movies & TV

In Venice Competition Film ‘Mr Nelson, Did You Kill People?’ Director Tsukamoto Shinya Asks Vital Questions

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Berlin Golden Bear Winner Lila Avilés Wraps Production on ‘Cábula,’ Releases First Look Ahead of Venice Gap-Financing Market (EXCLUSIVE)

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‘The Truffle Hunters’ Directors Michael Dweck and Gregory Kershaw Look for the Perfect Wine in ‘Burgundy’: ‘A Great Glass of Wine Changes How You Perceive the World’

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Oasis Documentary Directors on Filming the Brothers’ First Reunion in 15 Years and Why There Wasn’t Much Emotion in the Room: ‘It’s the Gallaghers, It’s Not ‘Dawson’s Creek”

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Édgar Ramírez and Nahuel Pérez Biscayart to Star in ‘Land of the Savages’ by Venice-Winning ‘Blanquita’ Director Fernando Guzzoni

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‘Everest: The Other Side’ Directors Elizabeth Chai Vasarhelyi and Jimmy Chin Talk Grief, Loss and Their Most Personal Film Yet: ‘You Don’t Get to Choose Your Calling’

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Rodrigo Moreno and Santiago Mitre AD Felipe Solari Yrigoyen Set to Make Directorial Debut With ‘The Amateurs’

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‘Jupiter’ Director Alexandre Smia on Making a Nuclear Thriller That Suddenly Feels Terrifyingly Real: ‘We’ve Entered the Third Nuclear Age’

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‘Dogs’ Director Bogdan Mirică to Take a Stab at Creator Economy With Biting Comedy ‘Magnum Opus’: ‘We’ve Taken It Too Far’

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‘Pamfir’ Helmer Dmytro Sukholytkyy-Sobchuk Realized His Kyiv Apartment ‘Could Be Bombed Any Day,’ So He Remortgaged It to Fund ‘Something Strange Happened to Me’

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Cédric Kahn on Immersing Himself in an Adolescent Psychiatric Ward for His Venice Competition Film ‘A Place to Heal’ (EXCLUSIVE)

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Online Gaming Drives the Search for a Missing Roommate in Dong Jie’s Venice Critics’ Week Debut ‘Zoom In, Zoom Out,’ Clip Unveiled (EXCLUSIVE)

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Venice Market Chief Pascal Diot Says He’s Not Affected by New Toronto Market: ‘Not What the Industry Wants Now’

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‘Monsters of God’ Finale Twist: The Final Boss and Rogue Special Agent

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Pablo Torre Sounds Off on the NBA’s Historic Ruling Against the Clippers, Kawhi Leonard and ESPN — and Teases His Next Big Sports Investigation

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‘Marriagetoxin’ Creators Joumyaku and Yoda Mizuki Tease Season 2: ‘There Is Plenty of Cool Action We Want You to See’ (EXCLUSIVE)

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Shakira, Romeo Santos, Prince Royce Among Top Winners at Premios Juventud 2026

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Beyoncé Releases ‘B’Day 20th Anniversary Deluxe Edition’ Featuring Unreleased Songs, Collaborations With Selena and Maluma

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International Oscar Submissions: Israel, Romania, South Korea, Chile and More Join the List

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Miley Cyrus Leads a Steamy Dance Floor Revolution With New Single and Video for ‘Bass Persuades’

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‘Modern Family’ Duo Sets New Comedy Series ‘Mammoth’ on Fox

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Leslie Odom, Jr. and Aunjanue Ellis-Taylor Join Storm Reid in Teyana Taylor’s Directorial Debut ‘Get Lite’ (EXCLUSIVE)

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Meryl Streep, Colman Domingo, Bill Hader Join ‘Lincoln in the Bardo’ Animated Cast for Starburns Industries (Exclusive)

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Jane Fonda on Paramount-Warner Bros. Merger, Trump and Tech Bros’ Desire for Longevity ‘While They’re Killing the Rest of Us’

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Gloria Steinem’s Farewell Interview to Stream on Netflix

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Top Genre Filmmakers of 2026: From Curry Barker to Guillermo del Toro

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It’s ‘John Wick’ Meets Bigfoot as Genre Banner Badlands Picks up Horror Script ‘Wildman’ (Exclusive)

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‘The Gentlemen’ Producers on Balancing Quirkiness With Crime in ‘Glamorous’ Season 2: ‘We Are Always Looking for New Ways To Murder People’

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Winnie the Pooh Celebrates 100 Years With $500 Cashmere Sweaters

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Dark Comedy ‘Down to Die’ Marks Actress Marta Pozzan Directorial Debut (EXCLUSIVE)

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Dolly Parton Tributes Score Big Ratings for the Networks; ABC’s ‘9 to 5’ Airing Is Most-Watched Broadcast Movie in More Than Three Years

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Radu Jude’s ‘The Diary of a Chambermaid’ Secures U.S. Distribution With Film Movement (EXCLUSIVE)

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‘Wild Horse Nine,’ With Sam Rockwell and John Malkovich, Gets Venice’s First Rapturous Reception of 2026

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John Malkovich Fights Back Tears During 13-Minute Venice Standing Ovation as ‘Wild Horse Nine’ Storms Into Oscar Race

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Suno Kills Controversial Mary J. Blige Ad Where She Seems to Endorse the AI Music Generator (EXCLUSIVE)

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World Cup Champion Lamine Yamal Launches American Collection

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‘Ellison Is Trump’s B!tch!’ Banner Flies Over Paramount Lot in Protest of Warner Bros. Merger

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Raffaele Annecchino, Former President and CEO of Paramount International, Dies at 55

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‘Atonement’ Trailer: First Look at Reed Van Dyk’s Searing War Movie About Combat Guilt and the Anguish of Loss (EXCLUSIVE)

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Rick Riordan’s ‘Kane Chronicles’ Series in the Works at Disney+

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‘By Any Means’ Review: Mark Wahlberg Teaches the Virtues of Violence in Elegance Bratton’s Bluntly Drawn Historical Thriller

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‘Lanterns’ Episode 3 Attracts 10 Million Viewers Globally on HBO Max, a New Series High

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George Clooney Remembers ‘Mortgaging His House’ for ‘Good Night and Good Luck,’ Praises ‘Badass’ Wife Amal and Offers Aspiring Filmmaker a Job at Venice Masterclass

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‘Heated Rivalry’ Season 2 Casts Milla Jovovich, Kevin Zegers and Paul Gross

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Paul Schrader Doesn’t Need Your Permission

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‘Furious’ Hits 43 Million Hours Viewed in Total, With Finale Jumping 90% From Premiere (EXCLUSIVE)

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‘Dungeons & Dragons’ Live-Action Series ‘Ravenloft’ Set at Netflix After ‘Forgotten Realms’ Project Scrapped

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Hsin Hsuan Yeh Presents ‘The River Within You’ in Venice, an Immersive VR Experience That Navigates Loss, Grief and Letting Go

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‘Too Much Sugar’ Review: Robert Greene’s Playful, High-Energy Doc Marshals a Revealing Family Moviemaking Project

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Rosie O’Donnell Meets With Epstein Survivors and Sings ‘I Am Woman’: ‘I’m Sorry That Our Country Is So F—ed Up’

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