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Movies & TV

‘Leviticus’: How the Romantic Horror Movie Was Inspired by a ‘Regression’ of Gay Rights

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‘Citizen Vigilante’ Review: Uwe Boll Does Armie Hammer No Favors With This Morally Bankrupt Thriller

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Japan Hits Record 25 Annecy 2026 Selections, Unifies MIFA Booths in Show of Force

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‘It’s a Fantastic Time for Animation’: UTA Partner Jason Burns Praises Original Ideas, Animation Directors Ahead of Annecy Film Festival

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Memory, Freedom and Music Among Themes as Five Documentaries Chase Golden Goblet Glory at Shanghai

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‘Slow Horses’ Star Christopher Chung on Balancing Ego and Empathy as Fan-Favorite Roddy Ho: ‘You Never Play It for the Joke, Everything Is Just Genuine’

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Shanghai Film Festival’s Mobile Filmmaking Camp Wraps With 10 iPhone-Shot Short Films

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H.E.R., Bini, Lea Salonga, Katseye’s Sophia Laforteza Lead Dreamworks Animation’s ‘Forgotten Island’ Soundtrack (EXCLUSIVE)

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‘Ponderosa’ Review: The Great Bill Camp Gives Weight to a Slippery, Nightmarish Black Comedy

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Alfonso Ribeiro on Social Media Fueling ‘Dancing With the Stars’ Success and Urging Contestants to Ignore the Trolls: ‘Why Are We So Mean to One Another?

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Blink49’s Brand Studio Plans First Vertical Video, ‘Murder at the Mansion’ (EXCLUSIVE)

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Box Office: ‘Toy Story 5’ Opens to $17.5 Million, Best Preview Performance of 2026

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Democratic Senators Urge FCC to Block Closing of Paramount-Warner Bros. Merger Until Review of Deal’s Foreign Investment Concludes

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Netflix’s Spanish Resort Drama ‘Oasis’ Is More ‘Elite’ Than ‘The White Lotus’: TV Review

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Amazon Drops OpenAI Movie ‘Artificial’ After Partnering With AI Company

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Romania Approves Three-Year Extension of Revamped 30% Cash Rebate Program (EXCLUSIVE)

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‘Pippi Longstocking’ Animated Series in the Works With StudioCanal, Heyday Films, Submarine and the Astrid Lindgren Company (EXCLUSIVE)

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Canary Islands’ Documentary Voices Look Outward as Sector Gains Range

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Luca Guadagnino’s Sam Altman, OpenAI Film ‘Artificial’ Dropped by Amazon MGM Studios

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‘Stranger Things,’ ‘Emily in Paris’ Outperform IP Rivals in Dentsu Fandom Intelligence Study

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The Latest From YouTube Sensation Bruno Simões, a Tale of Trump-Like Capitalism and the Story of Poet Pablo Neruda’s Finest Hour: How Catalan Titles Stack Up at Annecy

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Canary Islands Sell Documentary’s Next Frontier: A ‘Goldmine’ of Untold Atlantic Stories

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‘Winnipeg, Seeds of Hope’ Chronicles the Humanitarian Ship’s Voyage to Chile, Chartered by Nobel Prize-Winner Pablo Neruda and Artist Delia del Carril

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7 Rising Romanian Talents Ready to Break Out in 2026

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Inside Catalonia’s Build as One of Europe’s Most Exciting Animation Hubs

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‘We Are Aliens,’ Cannes, Annecy Buzz Title, Sells Wide Across Asia (EXCLUSIVE)

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From Barça to Atlantic History, Canary Islands Producers Eye the World

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Sunny Side of the Doc’s Aurélie Reman: ‘It’s a Moment in History for Trustworthy Content’

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From a Reboot of TV Phenom ‘The Triplets’ to a New ‘Tad the Lost Explorer’ Movie, 10 Upcoming Catalan Animation Titles to Track

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The Can’t-Miss Premieres, Showcases and Sneak Peeks at Annecy Animation Festival

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‘Dhurandhar,’ IPL Power India’s Reliance Industries’ Media Business to $3.7 Billion Revenue

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Women’s Snooker Doc ‘The Queens of 147’ Heads to Shanghai TV Festival

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Uwe Boll Says Armie Hammer Film ‘Citizen Vigilante’ Has Been Banned in Germany for ‘Inciting Violence Against Migrants,’ but Insists: ‘I Am Not a Nazi!’

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Anthony Chen and Yeo Yann Yann on 14 Years of ‘Growing Up’ Trilogy and New Korean Project: ‘A Comic Take on a Tragic Story’

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Luca Guadagnino’s Nearly Finished Sam Altman Movie ‘Artificial’ Dropped by Amazon After OpenAI Partnership

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‘Dear You’ Director Credits Overseas Chinese Letter-Writing Tradition for Sleeper Hit’s Emotional Power

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Pearl River Film Launches Studio With Author Guo Ni, Sets Eight-Franchise Slate

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‘Stand Up’ Review: A Dutch Disability Drama With Complexity and Integrity

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Chinese Filmmakers Face Red Tape, Cultural Barriers in International Co-Productions, Shanghai Panel Finds

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Warner Bros. Motion Picture Group Chiefs Pam Abdy and Mike De Luca to Speak at Toronto Market Summit

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Hayley Kiyoko’s Feature Film ‘Girls Like Girls’ Took a Decade to Make. Now That It’s Here, She Hopes It’s Just the Beginning for Sapphic Media

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APOS 2026 Takeaways: IP, Sport, AI Define Asia’s New Content Era

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Watch Matt Damon Crash ‘Kimmel’ in a Literal Trojan Horse

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‘A Whole Person Almost’ Is a Cinematic Odyssey. And Hey, Does This Cloud Look Like Trump?! (Exclusive Clips)

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Anne Curtis Leads Mikhail Red’s Manila Paranoia Thriller ‘Remote’ (EXCLUSIVE)

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Jordan’s Emerging Filmmakers Prioritizing Universal Human Experiences, Local Realities, Authenticity

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Jimmy Kimmel Mocks Larry David for Having Slave-Owning Relatives

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Matt Damon Crashes ‘Jimmy Kimmel Live!’ in a Trojan Horse to Troll Him: ‘I Did It!’

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Curry Barker’s Third Film, an Original Horror Concept, Heads to Universal and Blumhouse Atomic Monster

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