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Movies & TV

Lupita Nyong’o Pushes Back on Critics of Her ‘Odyssey’ Casting

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‘Yale,’ ‘Tender’ and ‘American Flake’ Among Dances With Films: LA’s 2026 Line-Up (EXCLUSIVE)

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Margo Price, Brandi Carlile, I’m With Her, S.G. Goodman Score Multiple Nominations for Americana Honors & Awards

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São Paulo Attracts Big International Shoots Like Michael Almereyda’s ‘Zero K’ as State Readies to Launch 20 Year Plan to Ensure Industry Stability

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‘Anatomy of Murder’ Duo, After Acrimonious Split With Audiochuck, Are Back With New True-Crime Podcast ‘Homicide 360’: ‘It’s Important for Us to Own the Thing We Create’

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Tony Awards Predictions: First Projections With ‘Death of a Salesman,’ ‘The Lost Boys’ and Records on the Line for Squibb, Lithgow and Apple

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Cannes Directors’ Fortnight: Clio Barnard’s ‘I See Buildings Fall Like Lightning’ Wins People’s Choice Audience Award

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‘Into the Deep Blue’: First Look at ‘Maxton Hall’ Star Damian Hardung and ‘Ginny & Georgia’s’ Sara Waisglass (Exclusive)

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‘Adults’ Breakout Amita Rao to Star in Horror-Comedy ‘See Bot Run’ (EXCLUSIVE)

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‘Life Is Strange’ TV Series Casts Tom Cullen, Leisha Hailey, Raúl Castillo, Owen Teague (EXCLUSIVE)

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Ayden Mayeri, Amira Casar Go on Dark, Sexy Grief Holiday in ‘Honeyjoon’ Trailer (Exclusive)

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Billy Eichner on Wanting His ‘Real Voice’ to Be Heard in ‘Extremely Personal’ Audio-Only Memoir and ‘People Begging’ Him to Bring Back ‘Billy on the Street’

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Will Smith, Christina Aguilera, the Roots and More to Perform at Philadelphia’s ‘Unity Concert for America’ on July 4

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The Emmys Needed to Do Something About Talk and Scripted Variety, Even If the Result Was Something Just as Clunky

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1-2 Special Acquires Cannes Critics’ Week Winner ‘La Gradiva’ for North America

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Spy Thriller ‘Gray,’ Starring Patricia Clarkson, Rupert Everett and Lydia West, Acquired by View TV Studios

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Bill Lawrence, Warner Bros. TV Option Steven Rowley Novel ‘Take Me With You’ (EXCLUSIVE)

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Los Javis Talk Casting Penélope Cruz and Glenn Close in Epic ‘La Bola Negra’ and Championing Queer Stories: ‘We Deserve to Have Big Movies’

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‘The Black Ball’ Review: The Spirit of Lorca Binds Gay Men Across a Century in an Ambitious but Distended Drama

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Lucas Acher’s ‘Laser-Cat’ Wins the Cannes Festival’s La Cinef Best Short Award

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Cannes Directors’ Fortnight Prizes: Sarah Arnold’s Debut ‘Too Many Beasts ’ Wins the Best European Film Award

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‘Summer of ’94’ Doc Filmmakers and Soccer Icons Reflect on Coach Bora Milutinovic’s Lasting Legacy

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Team Behind Americana at Brand Memes Account to Write Heist Comedy ‘Jay Pegs Auto Mart’

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French Thriller ‘Too Many Beasts’ Wins Europa Cinemas Label Award at Cannes

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‘Sinners’ Heads to Universal’s Halloween Horror Nights

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‘Cliffhanger’ Reboot Distributor Row K in Talks to Partner With Neon Label Decal on Theatrical Release (EXCLUSIVE)

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Julianne Moore to Lead Mother-Daughter Comedy Film From Netflix, Barack and Michelle Obama’s Higher Ground (EXCLUSIVE)

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‘Chicken for Linda!’ Co-Director Sébastien Laudenbach Takes on Iconic Character in ‘Viva Carmen’ – And Readies to Work with Singer Silvia Pérez Cruz (EXCLUSIVE)

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Tokyo Broadcasting System Expands U.S. Operations, Hires Elwin de Groot as Senior Unscripted Development Exec

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‘Emily in Paris’ to End With Season 6 at Netflix

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Supriya Pathak Kapur Makes Directing Debut With India-Australia Co-Production ‘Our Story’ (EXCLUSIVE)

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Rakan Mayasi on Shooting ‘Yesterday the Eye Didn’t Sleep’ in Lebanon’s Bekaa Valley: ‘I Had to Repeat Takes Twice Because of the Sound of an Explosion Over the Dialogue’

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Spotify and Universal Music Announce Licensing Agreements for ‘Responsible’ AI-Generated Covers and Remixes

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Mike White Reveals Two ‘Survivor 50’ Contestants Joining ‘The White Lotus’ Season 4

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‘Jackass’ TV Show Returns to Paramount+ With ‘Restored Original’ Episodes

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Léa Mysius Brings Family Chaos to Cannes Competition with Tense Thriller ‘The Birthday Party’

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Tilda Swinton Says AI ‘Doesn’t Have a Chance’ Against Cinema That Avoids Formula at Cannes Masterclass

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WWE Sets Documentary ‘Made in America’ as Part of America 250 on USA Network (EXCLUSIVE)

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Quentin Tarantino Warned Brad Pitt “You’ll Be Dead in This Business,” Co-Star Says

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Imax Boards American Cowboy Doc ‘Frontier’ From ‘Oppenheimer’ Producer (Exclusive)

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Charlamagne Tha God’s ‘The Breakfast Club’ Coming to Netflix: ‘We’re Building Something Powerful’

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Murdered Babies, Axes Buried in Heads and a Monstrous Maika Monroe: ‘Victorian Psycho’ Shocks Cannes Into 5-Minute Ovation

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SPC Buys Animated Feature ‘Iron Boy’ Out of Cannes

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Fortyseven Communications Opens London Office and Integrates With Sister Agency Indigo Pearl; Launches Global Creator Relations Practice

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From ‘The Odyssey’ to ‘The Invite,’ 10 Summer Movies We Can’t Wait to See in Theaters

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Apple to Broadcast MLS Game Shot Entirely on 15 iPhones, First Major Live Sports Event Captured Using Only Smartphones

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Film AlUla Bolsters Role as Movie Industry Driver as Saudi Kingdom Raises Its Film Production Rebate to 60 Percent

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Rami Malek Nearly Passed on AIDS-Era ‘The Man I Love’ Fearing Freddie Mercury Comparisons

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‘Clarissa’ Review: Sophie Okonedo Illuminates a Quietly Dazzling Nigerian Reinterpretation of “Mrs Dalloway”

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