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Movies & TV

Paul Schrader Had an ‘AI Girlfriend’ Who ‘Terminated Our Conversation’: ‘What a Disappointment’

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Jonas Brothers Are Launching Their Own Weekly Podcast, With a Hotline Number for Fans to Call In and Ask Them Anything

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Multigenerational Love Story ‘Akashi’ Lands With Canoe Film at Cannes Film Market (EXCLUSIVE)

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LGBTQ Body Horror ‘Four Itchy Boys’ Trailer Terrifies With Bloody Scratching: ‘It’s a Story That Will Get Under Your Skin’ (EXCLUSIVE)

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Jeff Foxworthy Readies Fox Nation Comedy Special

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‘South Park’ Season 29 Sets Fall Premiere Date

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Shondaland’s Sandie Bailey, Director Paul Feig to Headline 2026 Women in Entertainment Summit (EXCLUSIVE)

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Sarah Kinsley on How Luca Guadagnino’s ‘Queer’ Helped Inspire Her Latest EP, ‘Fleeting’

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John Lithgow Play ‘Giant’ Recoups $5.6 Million Broadway Investment

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First 10 Minutes of ‘Mandalorian and Grogu’ Now Available on Fortnite

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Cardi B, Kendrick Lamar, Mariah the Scientist Lead 2026 BET Awards Nominations

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‘The Mandalorian and Grogu’ Splits Critics: “Most Boring Star Wars” vs. “Best in Decades”

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Rami Malek Says Being First Egyptian Oscar Winner for Best Actor Is ‘One of the Greatest Achievements’: ‘All Over the World People Relate to Feeling Like an Immigrant’

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U.K.-Asian Romance ‘My Indian Boyfriend’ Taps Sushant Shekhar, Reveals Cast at Cannes Market (EXCLUSIVE)

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The Filmmakers at Cannes Who Are Learning to Love AI

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‘Iron Boy’ Review: A Gorgeously Hand-Painted Childhood Drama

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Kling AI Partners With Evolutionary Films on Animated Feature ‘Minibots,’ Unveils Filmmaker Initiative at Cannes Market

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Malala Joins Mariska Hargitay to Executive Produce the Tribeca-Bound Doc ‘The Gymnasts of Fisherman Colony’ (EXCLUSIVE)

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‘Star Wars: The Mandalorian and Grogu’ Review: An Efficient Adventure That Only Pretends to Be a Real ‘Star Wars’ Movie. Maybe That’s a Good Thing

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Spotify Officially Bans AI-Generated Podcasts That Impersonate Someone Else, Adds Verification Badges for Podcasts

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Kristen Stewart Subverts Cannes’ Strict Dress Code in Nike and Converse Sneakers

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Primetime and Breaking Through the Lens Partner to Widen Financing for Women and Non-Binary Filmmakers (EXCLUSIVE)

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Adam Driver and James Gray on Sneaking Out of the ‘Paper Tiger’ Cannes Premiere and How Hollywood Abuses Artists: ‘The System Is Designed to Humiliate You’

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Sebastian Stan on Donald Trump: “It’s Just Not a Laughing Matter… We’re in a Really, Really Bad Place”

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‘Law & Order Toronto: Criminal Intent’ Adds Luke Kirby to Season 4, Aden Young Exits Series

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Telly Awards: Variety, ‘South Park,’ Jimmy Kimmel and Al Jazeera English Among Gold Winners

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As Global Box Office Sluggishly Recovers, Asia Leads While Independent Cinemas Stand to Benefit From Changing Trends, CNC Study Finds

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‘Unarmed Soldier,’ Biopic on Armless Cricketer Amir Hussain Lone, Lines Up India-Canada Co-Production at Cannes Market (EXCLUSIVE)

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Yukiko Sode on Cannes Un Certain Regard Title ‘All the Lovers in the Night’: ‘Two People on the Margins of the World’

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Nicolas Winding Refn Breaks Down in Tears as He Recalls Dying for 25 Minutes Due to a ‘Leaking Heart’ and Coming Back to Life: ‘How Many People Get a Second Chance?’

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AI-Created Vintage Adult Film Unveiled at Cannes (EXCLUSIVE)

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Ryu Seungryong, Han Hyojoo, Zo Insung and Go Younjung Return as Disney+ Begins Production on ‘Moving’ Season 2

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Sebastian Stan Slams Donald Trump and Says What’s Going on in America Is ‘Not a Laughing Matter’: ‘We’re in a Really Bad Place’

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Jour2Fête Takes French Distribution Rights to Period Dramedy ‘La Portraitiste’ (EXCLUSIVE)

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Movistar Plus Appoints New Management Under CEO Alfonso Gómez Palacio

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Pop Up Film Residency Announces Eight Participants for 2026 Edition (EXCLUSIVE)

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‘Baywatch’ Set to Make a Splash Across the Pond as Sky Snaps Up U.K. and Ireland Rights

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Konstantina Kotzamani’s Debut Feature ‘Titanic Ocean’ Weaves Greek Myth Into Mermaid School at Cannes Un Certain Regard

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Teodora Markova’s ‘The Inspector’s Debt’ Wins FFC Bulgaria, Film Forge Competition (EXCLUSIVE)

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Brazil’s ‘I’m Still Here’ Oscar Nominee Fernanda Torres Joins Willem Dafoe in Barbara Paz’s Dystopian Pic, ‘Cuddle’ (EXCLUSIVE)

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Brazilian Helmer Laís Santos Araújo Expands Berlinale-Winning Short ‘Infantaria’ Into Feature, Backed by Cannes Residency, CNC Grant

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‘Low Expectations’ Review: Eivind Landsvik’s Tender, Joachim Trier-Adjacent Drama Wisely Suggests Embracing Stillness is Tougher Than It Looks

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France’s Lilith Films Boards Paulina García-Led Chilean Pic ‘A Woman Wants to Die’ at Cannes (EXCLUSIVE)

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‘Groundswell’ Wins Golden Globe Documentary Honor at Cannes

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Studiocanal Inks South African Theatrical Distribution Deal with Sun Africa

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‘Six Months in a Pink and Blue Building’ Deepens Mexican Bruno Santamaría Razo’s Exploration of Secrets, Memory and Childhood

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Kurosawa Kiyoshi on Cannes Title ‘The Samurai and the Prisoner’: ‘Films Have the Potential to Transcend National Borders’

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Indonesia Virtual Production Horror Film ‘Whispers of Fatimah’ Launches First Images at Cannes Film Market (EXCLUSIVE)

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Pavan Moondi’s Canadian Indie Rom-Com ‘Middle Life’ Picked Up by Quiver, Set for Limited U.S. Release via Laemmle (EXCLUSIVE)

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Venice Winner Anuparna Roy Sets Sophomore Feature ‘Lovers in the Blue Night’ (EXCLUSIVE)

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