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Movies & TV

Lola Quivoron’s Thriller ‘El Dorado’ Boarded by Films du Losange as Production Wraps in Southern France

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Spcine Driving Efforts in Cannes to Hike International Reach of São Paulo’s Audiovisual Industry

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Projeto Paradiso and Embratur Announce ‘The Blue Trail’ Amongst First Round of Selected Films for Screen Brasil, Confirm Expanded Second Edition (EXCLUSIVE)

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New BBC Boss Matt Brittin Warns Staff ‘Tough Choices Are Unavoidable as We Make Savings’ on First Day in the Job

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‘Orange-Flavoured Wedding’ Is All About Family and “How Emotions Flow Between Its Members,” Says Christophe Honoré (Exclusive Cannes Clip)

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“I F***ing Love Actresses!” Julianne Moore Gives Feminist Battle Cry at Kering’s Women in Motion Dinner

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‘Cantona’ Review: The Hard-Headed French Soccer Legend Takes Nothing Back in a Slick Documentary Portrait

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‘Goodbye Cruel World’ Director and His Star, and ‘Anatomy of a Fall’ Breakout, on Exploring the “Omertà Around Bullying” (Exclusive Cannes Clip)

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Raindance Sets Full 34th Edition Lineup, Adds Best Horror Feature Prize as Festival Expands Competition Slate

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Female Film Club Returns to Cannes With Expanded Short Film Fund (EXCLUSIVE)

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Connor Storrie in ‘April X,’ Films by Gorillaz, Kit Harington and EP Jane Fonda Set for Raindance

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Karlovy Vary Film Festival Celebrates 80th Birthday With Special Cannes Luncheon

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Jordan Firstman’s ‘Club Kid’ Scores $17 Million Global Rights Deal From A24 After Heated Cannes Bidding War

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A24 Wins Bidding War for ‘Club Kid’

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A24 Win Bidding War for ‘Club Kid’

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‘Madame’ Takes Us Inside Paris’ Opulent Golden Triangle and a Gilded Cage (Exclusive Cannes Clip)

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‘Shogun’ Star Tadanobu Asano Returns to Cannes in Yukiko Sode’s Arresting Romance ‘All the Lovers in the Night’

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Kylie Minogue on Opening Up for a Netflix Docuseries, Refusing to Be ‘Boxed In’ and Navigating ’90s Tabloids: ‘Thankfully, I Gave Myself a Chance’

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Berlinale Title ‘Light Pillar’ Acquired by Greenwich Entertainment for U.S. Theatrical Release (EXCLUSIVE)

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From TikTok to Cannes: How ‘Elephants in the Fog’ Made Nepal’s Historic Un Certain Regard Breakthrough

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‘Gloria’ Star Paulina García Preps Directorial Debut, ‘The Passion According to Carmen’ (EXCLUSIVE)

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Palme d’Or Winner Juanjo Giménez Sets ‘Pínkala’ With Pol López, Frida Films (EXCLUSIVE)

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Circle, Onassis ONX Launch XR Program, Name Emmy Winner Katerina Cizek Head of Studies (EXCLUSIVE)

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ACM Awards Photo Gallery: See Ella Langley, Kacey Musgraves, Shania Twain, Lainey Wilson, Miranda Lambert and Other Stars on the Red Carpet and Backstage

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Three Films in Competition, a Thriving Box Office and the Envy of Europe: Spain Is Having Its Moment

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Cate Blanchett Says #MeToo ‘Got Killed Very Quickly’ in Hollywood

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Korea Box Office: Michael Jackson Biopic ‘Michael’ Dominates Weekend with Over 50% Market Share

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China Box Office: ‘Dear You’ Holds Top Spot as ‘The Sheep Detectives’ Enters Top Five

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Anderson Cooper Celebrates ‘Independence’ of ‘60 Minutes’ as He Bids CBS Show Farewell

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Miike Takashi Makes Documentary Debut as Japan’s K2 Pictures Unveils Slate and $33 Million Fund at Cannes

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Christopher Nolan Says ‘The Odyssey’ Is “The Most Extreme Version” of the Story He Could Make

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Animated Films Make Their Marks Across Cannes Lineups as the Croisette-to-Annecy Connection Strengthens

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Anderson Cooper Signs Off ’60 Minutes’ After 20 Years, Hailing the Program’s ‘Independence’ and ‘Trust it Has With Viewers’

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Ella Langley Sweeps ACM Awards With Seven Wins; Cody Johnson Wins His First Entertainer of the Year Prize

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‘Euphoria’ Season 3 Episode 6: Did Rue Survive Alamo’s Attack?

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Sony Pictures TV and ‘Heated Rivalry’ Streamer Crave Pact for Freddie Highmore-David Shore Drama Series

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‘Karma’ Review: Marion Cotillard and Denis Ménochet Class Up Guillaume Canet’s Lurid, Overlong Potboiler

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Inside the 2026 Tony Nominees Event: Carrie Coon Calls for Universal Childcare, Brandon Uranowitz and Stephanie Hsu Want a Better Broadway

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Wild ‘Hope’ Livens Up Sleepy Cannes

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‘Sheep in the Box’ Review: Kore-eda’s Sweet but Limp Sci-Fi Fable About a 7-Year-Old AI Humanoid

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‘Hope’ Unleashes a Bats— Crazy Korean Monster Movie on Cannes and Earns 6-Minute Standing Ovation

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‘Hope’ Review: Na Hong-jin’s Overlong Creature Feature is a Guns-Blazing Riot of Bawdy Humor, Bad CGI and Brilliant Action

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