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Movies & TV

Inside the Race to Restore John Abraham’s Cannes Classics Film ‘Amma Ariyan’ Before It Was Lost for Good

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Annecy Title ‘Dudley and the Invasion of the Space Slugs’ Lands Territory Sales Ahead of Cannes Market Bow (EXCLUSIVE)

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In Cannes, Male Drama ‘Almost There,’ From Sakha Director, Finds Partners in Japan, France

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James Franco Joins ‘John Rambo’ Prequel Movie With Noah Centineo (EXCLUSIVE)

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‘Think Good’ Review: French Canadian Thesp Monia Chokri Convinces as a Jewish Wife Trapped in a Toxic Relationship

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Leonel Vieira Set to Shoot José Saramago Adaptation ‘The Night’ (EXCLUSIVE)

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Colin Jost Says ‘SNL’ Rejected Joke About Pete Hegseth Reading ‘Pulp Fiction’ Bible Verse Two Weeks Before It Happened in Real Life

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‘Minotaur,’ Andrey Zvyagintsev’s Cannes Return, Is Shrouded in Mystery, But Here Is an Exclusive Clip

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Indonesia Eyes Cannes 2028 Country of Honor as Culture Minister Fadli Zon Pushes Global Screen Agenda (EXCLUSIVE)

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In ‘Six Months in a Pink and Blue Building,’ a Director Revisits Family Pain in 1990s Mexico City Through a Lens of Love and Joy (Exclusive Cannes Clip)

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Pablo Larraín’s Pijama Cuts MK2, Alpha Violet, Visit Films Deals (EXCLUSIVE)

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France’s Urban Factory Boards ‘Los Eastman’ at Cannes Fantastic Pavilion (EXCLUSIVE)

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‘Ms. Marvel’ Star Iman Vellani to Lead Zarrar Kahn’s Climate Thriller ‘Suffering Is Optional’ (EXCLUSIVE)

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North American Rights to ‘Virginia Woolf’s Night & Day,’ Starring Haley Bennett and Lily Allen, Acquired by Quiver (EXCLUSIVE)

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Rodrigo Sorogoyen on Javier Bardem and Shooting ‘The Beloved’ as Full-On Experiment: ‘If This Had Been My First Film, I Wouldn’t Have Taken So Many Risks’

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Fasten Films Revs Up Catalan Cinema (EXCLUSIVE)

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‘In the Grey’ Review: Jake Gyllenhaal, Henry Cavill and Eiza Gonzalez Magazine-Cover Their Way Through Guy Ritchie’s Attractive Time-Killer

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India’s Indie Filmmakers Form Collective to Fight Theatrical and Streaming Barriers (EXCLUSIVE)

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Bill Maher Mocks Trump for Getting Played by China’s Xi Jinping: ‘He Holds the Cards Now’

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Fifth Season and HarbourView Equity Partners Set Multi-Picture Financing Pact

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‘Colony’ Director Yeon Sang-ho on AI, Individuality and Why Zombies Still Matter

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Cannes: ‘Gentle Monster’ Cheered at Premiere, Catapults Léa Seydoux Into Race for Fest’s Best Actress Prize and Oscar

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‘Sonic 4’ Wraps Shooting; First Look at Metal Sonic Revealed

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‘Propeller One-Way Night Coach’ Review: John Travolta’s Slim and Winning Boyhood Reverie of Air Travel in the Lost-Paradise Age of TWA

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Tony Seiniger, Poster Designer and Movie Marketer, Dies at 87

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Drake Becomes Most-Streamed Artist in a Single Day in 2026 on Spotify

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‘Sonic 4’ Director Reveals First Look at Metal Sonic as Shoot Wraps

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‘Dutton Ranch’ Series Premiere Episodes: Craziest Moments and Burning Questions, From A Cold-Blooded Murder to Beth and Rip’s Steamy Shower Scene

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‘Gentle Monster’ Review: Léa Seydoux Brings Gravity to a Harrowing End-of-Family Drama

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Drake’s Best ‘Iceman’ Lyrics, From ‘Make Them Cry’ to ‘Make Them Know’

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Guillaume Canet and Marion Cotillard’s Cult Thriller ‘Karma’ Earns 6-Minute Cannes Ovation

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Nicolas Cage on Returning for New ‘Longlegs’ Project: “I Have the Pride of Ownership of That Character”

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Drake’s ‘Iceman’ Is Exactly the Fun and Vindictive Comeback Record He Needed: Album Review

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‘Chad Powers’ Star Glen Powell Is Everywhere, But He Promises He’s Not Burnt Out: ‘I Think People Are Worried About Me’

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