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Movies & TV

Saudi Arabia Raises Film and TV Production Rebate to a Whopping 60% and Streamlines Red Tape

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Jordan Firstman’s Cannes Title ‘Club Kid’ Already Has Approval From Rihanna

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LISTEN: Did OpenAI Kill What Disney’s ‘Super App’ Needs Most?

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‘Good Night and Good Luck, Motherf–kers’: Letterman and Colbert Toss CBS Property Off the Roof

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European Commission EVP Henna Virkkunen on Film Funding Overhaul and Paramount-WBD Merger: It ‘Might Have to Be Reviewed Under Several EU Regulatory Frameworks’ (EXCLUSIVE)

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Jordan Firstman Sobs and Kisses Co-Star Diego Calva ‘Club Kid’ Becomes Cannes’ First Breakout Hit of 2026 and Earns a 6-Minute Standing Ovation

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Jordan Firstman’s ‘Club Kid’ Dances to Rave Ovation at Cannes World Premiere

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Maria Doyle Kennedy Nabs Lead in South Africa-Set Transgender Drama (Exclusive)

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Prime Video’s Faith-Based Family Drama ‘It’s Not Like That’ Is Refreshingly Raw: TV Review

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Bong Joon Ho Says First Animated Movie ‘Ally’ Will ‘Unleash’ the ‘Control Freak in Me’ and Takes Blame for Any ‘Mickey 17’ Criticism: ‘S— on Me,’ Not the Studio

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Soccer Superstar Erling Haaland to Play Animated Viking in Film Debut (Exclusive)

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Donald Trump Discloses at Least $220 Million in Q1 Financial Transactions, Including Purchases of Paramount, WBD, Netflix, Disney and Comcast Securities

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Harry Styles Launches Limited-Edition Loop Earplugs

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‘Rivals,’ Hulu’s British Dark Comedy, Is Pitch-Perfect in Season 2: TV Review

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Canex Creations Boss Talks Global Ambitions for African Film as Neon Drops First Look for Buzzy Cannes Premiere ‘Clarissa’ (EXCLUSIVE)

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‘To Hold a Mountain,’ a Meditation on Sisterhood, Grief and Perseverance, Wins Top Prize at Millennium Docs Against Gravity

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Matthew McConaughey Exiled Himself From Hollywood and Lived in Peru as Mateo for 22 Days Without Electricity When Fame Became Too Much

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Valeska Grisebach on ‘The Dreamed Adventure’ and Playing the Long Game

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The Nomadic Film Space Launches at Cannes to Connect African Producers and Capital

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‘Momo,’ Starring Martin Freeman, Claes Bang, Sells to Several Additional Territories at Cannes (EXCLUSIVE)

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Marie Kreutzer, Director of Cannes Competition Film ‘Gentle Monster,’ on Exposing Evildoers: ‘It’s Not the Creepy Guy Behind the Bush … It Could Be Someone You Trust’

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‘The Napa Boys’ Heads to Cannes Film Market as Mise-En-Scène Company Launches International Sales (EXCLUSIVE)

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Ukrainian War Thriller ‘Honeymoon’ Wins Mediawan, BYD Backed Build Your Dream Prize in Cannes

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‘The Expendabelles,’ All-Female Action Spinoff of ‘The Expendables,’ Firing Up Again

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Jordana Brewster Wants More Practical Action Scenes and ‘Agency’ in Last ‘Fast and Furious’ Movie, Says Mia Became ‘More Passive’ as Franchise Went On

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Fantastic Lab Central America & Caribbean Unveils Winners at Cannes Fantastic Pavilion (EXCLUSIVE)

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Paris Outfit Pavo Films Launches With Gurvinder Singh’s ‘Rehmat,’ Starring Naseeruddin Shah (EXCLUSIVE)

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Isabelle Huppert on the Mystery of Asghar Farhadi’s ‘Parallel Tales,’ Cannes and Why ‘Hollywood Remains Hollywood’

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Eric Cantona on His Lifelong Passion for Cinema, Being an Actor for 30 Years and Love for Ken Loach

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Asghar Farhadi Says ‘Any Murder Is a Crime’ When Asked About Iran War at Cannes: ‘It’s Extremely Cruel and Tragic’

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Saudi Arabia Jacks Up Film Incentives to 60 Percent

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How Indonesia’s New Film Agency Chief Plans to Turn Local Box Office Dominance Into Global Presence

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‘The Mandalorian and Grogu’: First Reactions

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African Producers Accelerator Announces New Partnerships, Participants of 2026 Edition (EXCLUSIVE)

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Uwe Boll Directing ’23 Years Later,’ an ‘Unofficial Sequel’ to ‘House of the Dead’ (Exclusive)

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Wild Bunch Takes Hit Survival Thriller ‘Balandrau’ (EXCLUSIVE)

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‘Mandalorian and Grogu’ Is First ‘Star Wars’ Movie to Be Shot Entirely in Los Angeles Thanks to California Tax Incentive, Says Director Jon Favreau

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Cate Blanchett’s Dirty Films Boards Doc ‘Fashionopolis’ Directed by Reiner Holzemer (Exclusive)

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‘The Mandalorian and Grogu’ Gets Divided First Reactions, From a ‘Thrilling Adventure’ to ‘One of the Weakest Star Wars Movies’ and a ‘Snooze Fest’

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And the Inaugural Gold Rush Pictures Berlinale Talents Lab Awards Winners Are…

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TrustNordisk Adds Niels Arden Oplev’s ’Shadow & Light,’ Starring Esben Smed (EXCLUSIVE)

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Amazon MGM Studios Confirms the Search for the Next James Bond is ‘Underway’

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Cannes Competition Title ‘Moulin’s’ ‘Truly Extraordinary’ Look Testament to Post-Production Specialists at Budapest’s NFI Filmlab

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‘Decorado’ Review: This Bleak Existential Fable From Spain Is the Year’s Most Mind-Bending Animated Film

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Oscar-Nominated Inga Ibsdotter Lilleaas to Star in ‘The Outsider,’ With Wagner Moura (EXCLUSIVE)

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‘Nagi Notes’ Producer Ohno Atsuko and Pan Nalin Reunite for Love Epic ‘The Man Who Walks’ (EXCLUSIVE)

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‘Promised Spaces’ Explores “How Architecture Embodies Social Segregation” (Exclusive Cannes Trailer)

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Berlinale-Winning Jazz Biopic ‘Everybody Digs Bill Evans’ Bought by Cohen for U.S. (EXCLUSIVE)

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