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Movies & TV

‘Heated Rivalry’ Showrunner Jacob Tierney and His Music Team on Scoring Sex Scenes, and Why Including T.A.T.u’s ‘All the Things She Said’ Was a ‘F— You to Russia’

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Julia Louis-Dreyfus, Seth Rogen, Bryan Cranston Tackle Alzheimer’s in Cannes-Bound Animation ‘Tangles’ (Exclusive Clip)

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Vixens, Backer of ‘Paper Tiger’ and ‘Full Phil,’ Launches Ambitious Slate With Films From Kim Chapiron, Nima Nourizadeh, Jessy Moussallem, Eva Vik and Yann Demange (EXCLUSIVE)

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Katseye Announces ‘Wildworld’ 2026 Tour Dates

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‘Butterfly Jam’ Review: Barry Keoghan and Riley Keough Are Circassian Siblings in Kantemir Balagov’s Vibrant but Unruly Community Portrait

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How Hayden Panettiere’s Turbulent Real Life Was Written Into ‘Nashville’ Scripts

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Broadway’s ‘Giant,’ Starring John Lithgow, to Debut on Big Screen This Fall (EXCLUSIVE)

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Broadway’s ‘Fallen Angels,’ Starring Rose Byrne and Kelli O’Hara, to Livestream in June (EXCLUSIVE)

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Laika Unveils ‘Wildwood’ Teaser Trailer in Cannes

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How ‘Remarkably Bright Creatures’ Went From Bestseller to Netflix With Sally Field, Lewis Pullman

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Olive Nwosu’s Sundance-Winning Debut Feature ‘Lady’ Acquired by Cohen for U.S. (EXCLUSIVE)

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YouTube Sees Growing Share of Consumers Eager to Watch Its Videos

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Nine Major TV Companies in Partnership to Tie Commercials to Business Results

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Hannah Einbinder and Gillian Anderson on ‘Embracing Desire,’ Sex and a Ton of Blood for Cannes’ Queer Horror Slasher ‘Camp Miasma’

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Peter Jackson Talks Upcoming Projects, AI’s Role in Filmmaking: “It’s Just a Tool Like Any Other”

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Pentagon, Do Better. Your UFO Videos Look Terrible

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‘Dua’ Review: A Conflicted Kosovan Coming-of-Age Drama Beset by War

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Berlin-Based Data-Driven Submission Platform Miralot Aims to Better Connect Filmmakers and Festivals (EXCLUSIVE)

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Peter Jackson Says ‘I Don’t Dislike’ AI in Film, Explains Not Directing Next ‘Lord of the Rings’ Movie and Claims AI Debate Is Why Andy Serkis Won’t Win an Oscar for Gollum

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‘Pirates of the Caribbean’ Immersive Experience Set to Sail Into U.K. With Secret Cinema, Disney Theatrical Group

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My Cannes Moment: Anaïs Demoustier

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Macaulay Culkin ‘Had Unfinished Business’ With ‘Home Alone’ Mom Catherine O’Hara When She Died: ‘I Owed Her a Favor. I Don’t Like Having Outstanding Debt’

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Australia’s Screen Sector Is Booming. Now Comes the Harder Work

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‘Mutt’ Star Lío Mehiel, ‘House of the Dragon’s’ Emily Carey to Lead Neo-Western ‘Camino,’ Beso and Pucci Productions Launching at Cannes Market (EXCLUSIVE)

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Secret Cinema Unveils Its Next Large-Scale Immersive Theatrical Experience: ‘Pirates of the Caribbean’ (Exclusive)

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Clémence Poésy Directorial Debut Among 18 Projects Pitched by Participants of Producers on the Move Program in Cannes (EXCLUSIVE)

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Julia Louis-Dreyfus Roasts Stephen Colbert as Selina Meyer From ‘Veep’ Before ‘Late Show’ Ends: ‘Your Cancellation Gave Trump Such Pleasure,’ You’re the ‘Stormy Daniels of Late Night’

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Indonesian Horror Slate Heads to Cannes Film Market as Producer Intan Kieflie Launches ‘Ibu’ (EXCLUSIVE)

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‘In Waves’ Review: Elegantly Animated Adaptation of AJ Dungo’s Bestseller Is an Unapologetically Conventional Tearjerker

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‘Zero Meets Hero’ Leads Mockingbird Pictures’ Cannes Film Market Slate of Vietnamese Commercial Titles (EXCLUSIVE)

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Thai-Chinese Thriller ‘Someone Special’ Lands at Fearfolks for Global Sales (EXCLUSIVE)

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Why France Is Making ‘Les Mis’ Again — and Why This Time Feels Different

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Cannes Un Certain Regard Title ‘Elephants in the Fog’ Lands First Deals, Debuts Trailer (EXCLUSIVE)

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Saudi Arabia’s Shattered Hollywood Dreams: Will the Warner Bros. and Paramount Merger and a Shift in Strategy Help the Kingdom Rebound?

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French Deal for Cannes-Selected U.S.-Set ‘I’ll Be Gone in June’ Sealed by Luxbox, Trailer Released (EXCLUSIVE)

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Bryan Cranston Teases Crazy Madonna Appearance in ‘The Studio’ Season 2: ‘You Will Not Believe It’

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‘Jim Queen’ Stars a Gay Influencer Facing a Virus That’s His Worst Nightmare (Exclusive Cannes Clip)

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Together Films Boards Queer Romeo and Juliet Pic ‘Lisa & Lilly’ From ‘Young Royals’ Helmer Julia Lindström (EXCLUSIVE)

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From the Psychological to the Ancestral, Blood Window Showcase Is Set to Scare Audiences at Cannes’ 2026 Marché du Film (EXCLUSIVE)

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‘A Woman’s Life’ Stars Léa Drucker as a Surgeon in Her 50s Whose Life Threatens to Unravel (Exclusive Cannes Clip)

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Marion Cotillard on Choosing Family Over Hollywood, ‘Contagion’ in the Time of Hantavirus and Brutal Cannes Premiere ‘Karma’

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Watch Julia Louis-Dreyfus Channel ‘Veep’ Character Selina Meyer to Roast Stephen Colbert

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New AI Disclosure Standard for Film Launched at Cannes Film Market (EXCLUSIVE)

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Free(d) Turkeys? Wild Boars? In ‘Too Many Beasts,’ It’s Farmers Versus Hunters (Exclusive Cannes Clip)

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‘Rush Hour 4’ Director Brett Ratner Reportedly Heading to China With Trump to Scout Locations

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Japan Is Everywhere at Cannes This Year

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David Jonsson Joins Gracie Abrams, Connor Storrie and Tom Burke in A24’s ‘Please’ From ‘Babygirl’ Director Halina Reijn (EXCLUSIVE)

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Dennis To Returns for New ‘Ip Man’ Spinoff ‘Kung Fu Legacy’ (EXCLUSIVE)

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Myriad Pictures Nabs North American Rights to Sebastian Schindel’s ‘A Silent Death’ (EXCLUSIVE)

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‘Sheep in the Box’ Expands Kore-eda Hirokazu’s Empathy to Humanoid Androids and the Architecture They Inhabit

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