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Movies & TV

Producer David Kaplan Talks Risking It All on ‘Josephine’ and Developing ‘It Follows’ Sequel: ‘It Takes a Village of People Who Believe’

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‘Pulp Fiction’ Writer Says It Was ‘Impossible’ to Get His Movies Made Until He Started an AI Production Company: ‘Just Put AI in Front of It and All of a Sudden You’re in Production on Three Features’

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The Epstein Files Have Become The Ultimate Disturbing Horror Movie. No Wonder We Can’t Look Away

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How to Watch NBA All-Star Game 2026 Live Online Without Cable for Free

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‘Josephine’ Producer David Kaplan Sets Gabriel Nussbaum’s ‘Triumph of the Will’ With ‘Unorthodox’ Star Shira Haas (EXCLUSIVE)

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Box Office: ‘Wuthering Heights’ Predicts $82M Global Bow But ‘GOAT’ Poses Surprise Threat in U.S.

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Why the Sidelining of Politics in Berlin Is Causing a Stir: ‘If an Artist Is Afraid to Speak Up’ About ‘Fascism, They Shouldn’t Be Coming’

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‘Wuthering Heights’ Dominates Global Box Office With $82 Million, ‘GOAT’ Scores $47.6 Million Worldwide

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Chile’s ‘The House of the Spirits,’ ‘Raza Brava’ and ’Hidden Island’ Lead TV Series Contingent at Berlinale

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‘Rose’ Review: Sandra Hüller Amazes, Again, in Markus Schleinzer’s Immaculately Controlled Tale of Gender Privilege

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Locarno Pro to Spotlight Uruguay in First Look WIP Initiative

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‘Dark Winds’ Goes Hollywood: How Season 4 Pays Tribute to Robert Redford and Rekindles Hope for Joe and Emma as It Travels to L.A.

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Berlin Hidden Gem: Indonesian Auteur Edwin Takes a Cue from Jordan Peele for Anti-Capitalist Horror-Comedy ‘Sleep No More’

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‘Tutu’ Offers a Joyous Inside Look at a Nobel Prize Winner (Exclusive Video)

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Tom Morello on Co-Directing ‘The Ballad of Judas Priest’: ‘What a Time to Be Alive Where You Can Both Make a Documentary About Your Favorite Band and Fight Fascism’

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Box Office: ‘Wuthering Heights’ Leads With $40 Million Over Holiday Weekend, ‘Crime 101’ Stumbles With $17.7 Million Against $90 Million Budget

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‘Salvation’ Review: The Roots of Violence Are Explored in Emin Alper’s Tense, Atmosphere Study of a Massacre

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Berlin’s Teddy Award, the First Queer Cinema Honor, at 40: Still Fighting, Still Fabulous

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Projeto Paradiso to Host National Talent Network Meeting in Burgeoning Brazilian Film Capital of Recife, Celebrates Strong Berlin Presence (EXCLUSIVE)

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Emin Alper on Berlin Drama ‘Salvation,’ Which References the Dynamics of Contemporary ‘Mass Murders, Massacres, Genocides and Wars’

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Gore Verbinski on His AI Comedy Comeback: “It’s 2026. Good Luck. Have Fun. Don’t Die.”

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‘The Idiot(s),’ Starring Aimee Lou Wood, Johnny Flynn, Releases First Look Image

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Johnny Knoxville, Jason Flemyng Toplining Thrillers From Vienna-Based Pont Pictures (EXCLUSIVE)

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Historic Sites, Iconic Cities, Diverse Landscapes, Top Facilities Continue to Make Austria a Hot Location Destination Despite Funding Cuts

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Gael Garcia Bernal, Diego Luna, Alice Diop and More Set for Doha Film Institute Qumra Masters Lineup

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Berlin Selection ‘Light Pillar’ Unveils New Clip (EXCLUSIVE)

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Taiwan Prison Drama ‘Sunshine Women’s Choir’ Becomes Highest-Grossing Local Film Ever

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German Animation Showcase at EFM Pitch Sessions Celebrates Kids Fare, Teases Bovine-Pantherine Love, New Struwwelpeter, Life as a Kalashnikov

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Madrid Launches Berlin Networking Event, Aims to Strengthen International Positioning as Production Hub

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Director Hanna Bergholm and Star Seidi Haarla Talk Berlinale Shocker ‘Nightborn’: ‘We Were Dead Serious While Making It’

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Welcoming a New Life: ‘Papaya’ Debuts Trailer as Director Priscilla Kellen Talks Crafting Non-Dialogue Hope-Filled Narratives (EXCLUSIVE)

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In ‘London,’ Debuting at Berlin, Car-Sharing Is Caring. But How Did Its Director Pull Off the Genre-Bender?

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Emma Laird on Going From ‘The Brutalist’ to ‘The Bone Temple’ and Picking Bold, Bonkers Roles: ‘I Don’t Want to Do Shakespeare, I Want to Play a Fish’

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‘Iron Sky’ Producers Prepping Communists-on-Mars Trilogy ‘Deep Red’ (Exclusive)

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Berlinale Issues Statement Following Political Backlash at Festival, Says Artists Should Not Be ‘Expected to Speak on Every Political Issue’

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Midi Z’s Taiwan-Set Crime Thriller ‘The Exiles’ Reveals First Look, Additional Cast

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‘Shanghai Daughter’ Director Agnis Shen Zhongmin on Blurring Fiction and Documentary in Berlin Panorama Debut

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‘Rocky the Troll,’ Produced by Team Behind Netflix Hit ‘Troll,’ Travels to Several Territories (EXCLUSIVE)

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Berlin Flashback: Jamie Bell’s First Fest Foray Was ‘Hallam Foe’

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‘Crouching Tiger’ Producer Bill Kong Brings Four Titles to Berlin’s EFM as ‘Panda’ Enters Forum

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Jackie Chan’s ‘Unexpected Family,’ Anthony Chen Competition Entry Lead Chinese Presence at Berlinale, EFM

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Make-Up Artists and Hair Stylists Guild Awards: ‘One Battle After Another,’ ‘Sinners’ Top Film Winners

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‘Sinners,’ ‘Frankenstein’ and ‘One Battle After Another’ Lead Make-Up Artists and Hair Stylists Awards Winners

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Horror Thriller ‘Hellcat’ Sells to Shudder for North America (EXCLUSIVE)

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Turkish Cinema’s Milestone Berlin Presence Bodes Well for Global Breakthrough Going Forward

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‘Moana’ Star Catherine Laga’aia to Lead Australian Thriller ‘Crashout’ (EXCLUSIVE)

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Mahamat-Saleh Haroun on Berlin Golden Bear Contender ‘Soumsoum’ and Why It’s His ‘Duty’ to Bring His Native Chad to the Big Screen

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Paramount Sends ByteDance Cease-and-Desist Letter Over Seedance AI Videos, Alleging Intellectual Property Infringement

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‘Filipinana’ Director Rafael Manuel on ‘White Lotus’ Comparisons, Jia Zhangke’s Influence and Making Violence Relatable

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French Romantic Comedy ‘The Doll’ About a Life-Sized Doll Coming to Life Sells to Major Markets

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