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Movies & TV

‘Killing Satoshi’ Bitcoin Biopic Starring Pete Davidson and Casey Affleck Set to Use AI for Locations and to ‘Adjust’ Performances (EXCLUSIVE)

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Little Spark Films to Expand Into Full Genre Studio With New Investment; Execs Named and Slate Announced (EXCLUSIVE)

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Donna Langley on BAFTA Fellowship, Why ‘The Odyssey’ Was ‘Not a Difficult Yes,’ Shooting The Next ‘Fast & Furious’ in L.A. and Future ‘Wicked’ Plans (EXCLUSIVE)

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Chile Touts Outsized Presence at Berlinale

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Box Office: ‘Wuthering Heights’ Makes $3 Million in Previews

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New Funko CEO on Cornering ‘Kidult’ Collectibles Market in a Rough Economy: ‘There’s Almost More Value for Something That’s Physical and Tangible’

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Foo Fighters Use Website to Release 10 New… Riffs

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Lukas Gage on Playing Pamela Anderson’s Son in ‘Rosebush Pruning’: ‘She Stayed in Character the Whole Time Giving Me Gifts as My Mom’

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Spain’s ISII Group Debuts at Berlin’s EFM With a Focus on Ambitious Cinema That Can Travel and Perform Commercially

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Brent Faiyaz Uncorks an Instant-Vintage Serving of Sultry R&B With ‘Icon’: Album Review

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Anthony Chen’s Berlinale Competition Entry ‘We Are All Strangers’ Sells to France With ‘Nouvelle Vague’ Distributor ARP (EXCLUSIVE)

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‘Terminator Zero’ Canceled After One Season at Netflix, Creator Reveals

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‘Bridgerton’ Season 4 Part 2 Trailer: Benedict and Sophie Decide the Fate of Their Relationship in Romantic Ending

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Nexo Digital Launches Sales at EFM on Doc About First Millennial Saint Carlo Acutis, Dubbed ‘God’s Influencer’

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As Johnny Blue Skies, Sturgill Simpson Returns to Atlantic With a Physical-Release-Only, Non-Streaming ‘Dance Record,’ ‘Mutiny After Midnight,’ Led by New Song ‘Make America F— Again’

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OWN Greenlights Two New Iyanla Vanzant Specials (EXCLUSIVE)

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Lykke Li Inks With Neon Gold Records, New Album ‘The Afterparty’ Due in May

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Jill Scott Pulls From All Directions Yet Centers the Sound on Triumphant ‘To Whom This May Concern’: Album Review

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