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Movies & TV

Chilean Mystery Drama ‘The Meltdown’ From ‘1976’ Director Manuela Martelli Lands on Losange Films Slate (EXCLUSIVE)

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Disappearance of Savannah Guthrie’s Mother Is Being Treated as a Crime, Sheriff Confirms

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’68th Annual Grammy Awards’ Review: Music’s Biggest Stars Found Their Own Ways to Recognize a National Crisis… In-Between the Delights of a Sabrina Carpenter and a Cher

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‘The Odyssey’ Director Christopher Nolan Takes on the Industry’s Troubles as DGA President

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‘Industry’ Costume Designer on Mastering Henry’s ‘Everyman’ Tech Bro Style In Season 4: ‘It’s Meant to Be Casual But It’s Very, Very Stage-Managed’

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Film Forum Names Former Sundance Chief Tabitha Jackson as Director

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Local TV Veteran Brittany Noble Finally Feels ‘Free’ in Journalism With ‘The Breakdown’ Newscast on Black Star Network

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Super Bowl Trailers: ‘Mandalorian & Grogu,’ Spielberg’s ‘Disclosure Day,’ ‘Minions 3’ Lined Up for Game Day

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Ricky Gervais Reminds Celebrities Not to Make Political Speeches After Grammys Sees Bad Bunny, Billie Eilish Slam ICE: ‘They’re Still Not Listening’

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Rotterdam’s ‘First Light’ Director James J. Robinson on Faith, Doubt and Decolonization, Clip Unveiled (EXCLUSIVE)

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Helena Bonham Carter, Caitriona Balfe and Emma Laird Join Anthony Hopkins in Richard Eyre’s Daphne du Maurier-Inspired Romance ‘The Housekeeper’

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Jessica Chastain and Chris Pine to Lead Drama ‘This Is Pleasure’ for ‘American Splendor’ Directors, Adapted From Mary Gaitskill’s #MeToo Novella (EXCLUSIVE)

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Rotterdam Competition Title ‘Roid’ Boarded by Awedacious Originals (EXCLUSIVE)

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‘Iron Lung’ Director Markiplier Cries After Self-Financed Movie Debuts to $21 Million Globally: ‘A Hero’s Moment to Show Indie Filmmaking Is Possible’

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Savannah Guthrie’s Mom’s Home Is ‘Crime Scene,’ Says Police: ‘She Did Not Leave on Her Own’

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Concourse Media Nabs Costa Rican Drama ‘April’ Ahead of Its Santa Barbara Film Festival World Premiere (EXCLUSIVE)

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Detective Tale ‘Extraordinary’ Added to Pluto Film’s Slate at European Film Market (EXCLUSIVE)

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‘All About the Money’ Review: Capitalism and Communism Are Strange Bedfellows in a Compelling but Elusive Doc Portrait

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‘Love Story’ Trailer: John F. Kennedy Jr. and Carolyn Bessette’s Tragic Romance Brought to Life in Ryan Murphy’s Anthology

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Original ‘Jurassic Park’ Stars Sam Neil, Laura Dern and Jeff Goldblum Reunite for Xfinity Super Bowl Commercial

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Jon Hamm’s ‘Your Friends & Neighbors’ Renewed for Season 3 as Apple TV Drops Season 2 Teaser

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HiddenLight, Universal Pictures Content Group Partner on Sam Pollard’s Berlin-Bound Documentary ‘Tutu’

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Donald Trump Is Crashing Out Over Trevor Noah’s Jeffrey Epstein Joke

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‘Charlie Chaplin: A Man of the World’ Producer Kwanon Films Boards Bangladesh Political Thriller ‘Master’ Ahead of Rotterdam Premiere (EXCLUSIVE)

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‘Michael’ Biopic Trailer Features Father Joe Jackson: “You’re Either a Winner Or You’re a Loser”

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Bob Iger, as He Readies Exit as Disney CEO, Says There’s ‘Healthy Competition’ Between Parks and Entertainment Divisions to Be No. 1 Profit Center

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Tony Award-Winning Producers Hal Luftig, Cathy Dantchik and Kevin Connor Launch Halcyon Theatricals (EXCLUSIVE)

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Arab Cinema in Focus at Rotterdam: Filmmakers Talk Funding Hurdles, Streaming Benefits and Downsides

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‘Michael’ Trailer: Michael Jackson Biopic Chronicles Rise From Child Star to King of Pop

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Alamo Drafthouse Faces Backlash After Ditching No-Phones Policy: “Just an Overpriced AMC Now”

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‘Stranger Things: Tales From ’85’ Trailer Reveals April Release Date, New Monsters and Steve Harrington Voiced by Jeremy Jordan

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‘Scream 7’ Gets Super Bowl Trailer and First Imax Release in Franchise History

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Steven Soderbergh Launching Weekly Film and Cocktail Series With Nitehawk and Singani 63 (EXCLUSIVE)

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Ryan Coogler Named Creative of the Year by the Creative Collective (EXCLUSIVE)

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Anthropic’s Claude AI Strikes F1 Partnership With Atlassian Williams

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Savannah Guthrie Not on ‘Today’ Amid Search for Missing Mother, Gives Statement to Co-Hosts: ‘Our Focus Remains on the Safe Return of Our Dear Mom’

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Jackson Yee, Zhu Yilong, Zhang Yimou Spy Thriller ‘Scare Out’ Heading to U.K., Ireland

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ESPN Took $110 Million Hit From YouTube TV Blackout Last Fall

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Disney Gets Bump From ‘Zootopia 2,’ ‘Avatar: Fire and Ash’ and Parks in Year-End 2025 Quarter, Streaming Income Jumps 72% as Company Stops Disclosing Disney+, Hulu Subscriber Numbers

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Clio Barnard’s ‘I See Buildings Fall Like Lightning’ Boarded by Charades Ahead of EFM as First Look Unveiled (EXCLUSIVE)

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Kelli Garner, Jake Connelly’s ‘Blood on the Ice,’ Mbrella Films’ First U.S. Production, Commences Illinois Shoot (EXCLUSIVE)

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Carpet Chemicals Catastrophe Brings Band of Media Outlets Together to Investigate

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French Director Quentin Dupieux on ‘Full Phil’ Starring Kristen Stewart, Woody Harrelson: ‘It’s Like “Emily in Paris” in Hell — a Fever Dream, a Nightmare Version of It’ (EXCLUSIVE)

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‘Maxima,’ Now Gearing Up for Season 2, Sold by Beta Film to 85 Territories Worldwide, Drops New Trailer (EXCLUSIVE)

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CJ Enm Partners With JYP, Tencent Music to Launch Greater China-Focused Onecead Venture

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‘Truly Naked’ Boarded by M-Appeal Ahead of Berlinale Premiere (EXCLUSIVE)

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Sci-Fi Doc ‘Hungry’ Promises an “Immersive” Exploration of How to Avoid “Extinction Events” (Exclusive Rotterdam Clip)

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Hostage Thriller ‘Last Call’ Picked Up by Picture Tree Ahead of EFM Launch as Teaser Debuts (EXCLUSIVE)

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North American Rights for ‘Broken Voices’ Acquired by Sumerian (EXCLUSIVE)

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Korea Box Office: ‘Once We Were Us’ Stays No. 1 as ‘Send Help’ and ‘Sister’ Debut

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