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Movies & TV

Why Spoof Movies Are Getting the Last Laugh

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Maurice DuBois to Exit CBS News Amid Evening News Overhaul

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Rosalía Announces Global ‘Lux’ Tour for 2026, Including 11 Arena Shows in North America

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Vin Diesel to Write and Star in ‘Rock ‘Em Sock ‘Em Robots’ Movie

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Keke Palmer’s ‘The ‘Burbs’ Series Sets Release Date at Peacock, Drops Spooky First Teaser

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Ginnifer Goodwin on ‘Zootopia 3’ Hopes and the Judy-Nick Romance Debate: ‘Without Question, These Characters Are Soulmates’

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Inside NBC’s Push to Win New Ground in TV’s Evening-News Battle

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Sydney Sweeney Stuns in New York City, Ariana Grande and Cynthia Erivo Perform in Los Angeles and More Red Carpet Photos: December 2025

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‘Avatar: Fire and Ash’ Could Burn Out at the Oscars With Franchise Fatigue Among Voters

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Blake Lively Claims Justin Baldoni Trying to ‘Avoid Accountability’ for ‘Hostile Environment’ on ‘It Ends With Us’ in Latest Filing

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Sean Baker Directs Michelle Yeoh in Short Film ‘Sandiwara’ for Fashion House Self-Portrait (EXCLUSIVE)

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Inside the ‘KPop Demon Hunters’ Soundtrack: Turning Huntr/x Into a Real-World Phenomenon and Why EJAE Cried Recording ‘Golden’

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Danielle Fishel Signs Seven-Figure iHeartMedia Deal, Sets New ‘Teen Beat’ Podcast and More ‘Pod Meets World’ After Recaps Finish (EXCLUSIVE)

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Boots Riley’s ‘I Love Boosters’ to Open SXSW Fest

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Boots Riley’s ‘I Love Boosters’ Set as SXSW Opening Night Film

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Tara Reid Stands by Drugged Drink Claims Despite Police Finding No Video Evidence

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‘Sinners’ Sisterhood on How Their Bond Helped Build a Blockbuster and Why Ryan Coogler ‘Leaves No Character Unfinished’

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Lance Armstrong to Narrate Doc About Schwinn Bikes From Unfeatured Films, Which Uses AI To Utilize Old Photos and Footage

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Paramount Skydance Alleges Warner Bros. Discovery Sales Process ‘Has Been Tainted by Management Conflicts’ That Favor Netflix Bid

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Israeli Drama ‘Tehran’ Gets Season 3 Release Date and Season 4 Renewal Following Oct. 7 Delays at Apple

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Sibling Rivalry-Focused ‘Baking Championship’ Spinoff ‘Next Gen’ Set at Food Network With Hosts Duff Goldman, Kardea Brown (EXCLUSIVE)

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Nicholas Galitzine on Filming Indie Fantasy ‘100 Nights of Hero’ While Bulking to Play He-Man: ‘I Think I Was Going Out of My Mind’

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China Sweeps Top Scripted Categories at Asian Academy Creative Awards

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Aishwarya Rai Bachchan Recalls 1994 Miss World Pageant and Dealing With ‘Less Informed’ Questions About India’s ‘Tigers and Snake Charmers’

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Bari Weiss to Host Erika Kirk Discussion for CBS News; Audience Will Include ‘Young Evangelicals,’ Religious and Political Leaders

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Paul Dano Defended: ‘The Batman 2’ Writer, Simu Liu and More Share Praise After Quentin Tarantino Slams Him as the ‘Worst F—ing Actor in SAG’

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Jafar Panahi on His Iran Prison Sentence: ‘I Know My Films Don’t Please the Government’ but ‘I Will Go Back’

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‘The Night Agent’ Season 3 Sets February Release Date

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Kim Kardashian Launches MasterClass Business Course ‘The Ten Kimmandments’

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‘Chasing Red,’ Starring Madelaine Petsch and Gavin Casalegno, to Film at Saudi Arabia’s New AlUla Studios

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AI Creator Says She Made Tilly Norwood ‘as Realistic as Possible’ to ‘Provoke More of a Reaction’

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Carmen Maura on Tackling Her Most Demanding Role Yet in ‘Calle Malaga,’ Including Her First Nude Scene: ‘Now I’m Free! I Have Nothing to Prove’

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Guadalajara Winning Project ‘Dreadful Mother,’ a Horror-Thriller From Alicia Albares, Picked up by Latido Films  (EXCLUSIVE)

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Ibermedia Next: 5 Takes On How the New-Tech Program Has Changed Animation and Animators in Latin America, Spain and Portugal

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AMC Theatres CEO Adam Aron Had a Minor Stroke, Expects ‘Speedy and Full Recovery,’ Company Says

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Director Leonel Vieira on Hit HBO Max Thriller ‘The Scream,’ on Building Suspense and Finance and Working the Portugal-Spain Axis (EXCLUSIVE)

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Shah Rukh Khan, Kajol Unveil Bronze Statue in London’s Leicester Square to Mark ‘DDLJ’ 30th Anniversary (EXCLUSIVE)

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Kirsten Dunst Discusses #MeToo Progress at Saudi Arabia’s Red Sea Film Festival: ‘I Think We Have Put a Lot of People Away’

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Queen Latifah Remembers ‘Chicago’ Success, Talks Studio Notes: ‘The Difficulty Is When It’s From Someone Who Has No Creativity and Way Too Much Power’

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Tahar Rahim Dives Into ‘Les Misérables’ With a ‘Fugitive’-Tinged New Take on Javert and His ‘Face-Off’ With Valjean

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Pathé Names Ben Browning Co-CEO of U.K. Arm for “Re-Launch” of English-Language Film Business

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‘Giant’ Director Rowan Athale on Landing Pierce Brosnan for Boxing Film, Getting Sylvester Stallone’s ‘Seal of Approval’ and Their Next Film Together

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BAFTA Says It Has Achieved Nearly All Membership Diversity Targets Since 2020, Though Women Still Short of 50% Goal

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‘A Sad and Beautiful World’ Review: Evocative Romance Spans Three Decades Against the Backdrop of a Country in Constant Crisis

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Netflix’s ‘The Abandons’ Stars Gillian Anderson and Lena Headey in a Half-Hearted, Oddly Thin Revisionist Western: TV Review

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‘Man Finds Tape’ Review: A Found-Footage Angle Both Complicates and Hobbles Intriguing Horror Debut

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‘Demon Slayer,’ ‘Cyberpunk: Edgerunners’ Lead Data Showing Anime Is Asia Pacific’s Most Underused Growth Engine

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‘Five Nights at Freddy’s 2’ Review: The Animatronic Killers Are Back, and So Is the Slapdash Filmmaking, in the Lousy Sequel to 2023’s Monster Hit

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Jon M. Chu Inks First-Look Deal With Paramount

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