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Movies & TV

Doha Film Institute CEO Fatma Hassan Alremaihi Receives Variety’s 2025 Achievement in International Film Award: ‘It’s Not Just About What We Have Achieved, It’s About What We Aspire To’

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Jia Zhangke Talks Distribution, AI and the Future of Cinema in Venice Masterclass

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‘Preparation for the Next Life’ Review: A Bittersweet Immigrant Love Story Thrives on Two Terrific Performances

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‘Do Bigha Zamin’ Preservationist Shivendra Singh Dungarpur Details Venice-Bound Restoration of Bimal Roy Classic

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Venice Premiere ‘One Woman One Bra’ Takes Aim at ‘Message-Based’ Films Shaping African Narrative

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Female Filmmakers Lead Large Contingent of Arab Features Unspooling at the Venice Festival

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Willem Dafoe’s Venice Movie ‘The Souffleur’ Finds Distribution in Italy Ahead of World Premiere (EXCLUSIVE)

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Venice Days Selections Explore Russia’s ‘Willing Blindness’ During Chechen Wars, Silence Over Ukraine

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‘Tuner’ Review: Dustin Hoffman and Leo Woodall Fix Pianos in an Offbeat Indie That’s Far Better Than It Sounds

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Telluride Awards Analysis: ‘Jay Kelly,’ Movie About People Who Make Movies, Feels Very Much Like Academy’s Cup of Tea

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‘Ask E. Jean’ Review: Urgent Documentary Sharply Follows the Pioneering Media Personality Who Sued Trump With Sexual Assault and Defamation Allegations — and Won Twice

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‘Sentimental Value’ Pushes Renate Reinsve and Stellan Skarsgård Into Oscar Spotlight

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Mark Knoller, Longtime CBS News White House Correspondent, Dies at 73

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Jeremy Strong’s Meme-Bait Monologue Cut From Springsteen Biopic ‘Deliver Me from Nowhere’: No More ‘Hole in the Floor’

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Benedict Cumberbatch Calls ‘The Roses’ a “Date Night Film” Despite Its Dark Themes

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Emma Stone Is Becoming Our Modern-Day Katharine Hepburn and ‘Bugonia’ Proves It

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Snoop Dogg Says ‘My Bad’ For Comments About Gay Couple in Pixar’s ‘Lightyear’: ‘Teach Me How to Learn’

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Emma Stone Finds ‘Terrifying’ Parallels Between ‘Bugonia’ and Alleged CEO Killer Luigi Mangione

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‘Ice Age 6’ Titled ‘Ice Age: Boiling Point,’ Sets 2027 Release

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Disney Unveils New Animated Film ‘Hexed,’ Sets 2026 Release Date

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Guillermo Del Toro and Jacob Elordi Break Down in Tears as ‘Frankenstein’ Wows Venice Film Festival With 14-Minute Standing Ovation

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Oscar Isaac and Jacob Elordi Shed Tears as Guillermo del Toro’s ‘Frankenstein’ Brings Venice to Life With Monstrous 13-Minute Ovation

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‘Ice Age 6’ Now Titled ‘Boiling Point,’ Sets 2027 Release Date

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Julia Roberts Delivers Her Best Performance Since ‘Erin Brockovich’ in ‘After the Hunt’

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E. Jean Carroll Hopes Her Explosive Telluride Doc Will ‘Finish Off’ Donald Trump – and That Potential Buyers Won’t Fear President’s Wrath

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Original Director Chris Columbus Says It’s ‘Impossible’ to Return to ‘Harry Potter’ Because ‘It’s Gotten So Complicated With All the Political Stuff’: ‘Never Going to Happen’

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‘Caught Stealing’: How Darren Aronofsky Pulled Off the Film’s Epic Car Chase Through Flushing Meadows

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Disney Animation Unveils Next Original Film ‘Hexed,’ Arrives in Theaters Fall 2026

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‘Hamlet’ Review: Riz Ahmed Can’t Save a London-Set Take on Shakespeare’s Tragedy With No Reason to Be

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‘Run’ Star Marques Houston on His Character’s Sacrifice, Possible Sequel and What His New Thriller ‘Leave’ Will Uncover

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Telluride Awards Analysis: For ‘Ballad of a Small Player,’ Colin Farrell Is Back in Oscar Mix for Second Time in Four Years

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Venice: Mass Protest Against Gaza War Hits Festival

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Lady Gaga to Perform at MTV Video Music Awards 2025

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‘Frankenstein’ Review: Guillermo del Toro’s Dream Project Has Been Gestating So Long, the Master’s Creation Arrives Overstuffed and Unwieldy

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Telluride Awards Analysis: ‘Springsteen’ Propels Jeremy Allen White and Jeremy Strong Into Oscar Contention

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Huge Gaza Protest Marches Toward Venice Film Festival as Thousands Attend Rally

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Devon Walker on ‘SNL’ Exit: ‘We Both Felt Like It Was Time’

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Telluride Awards Analysis: Toni Servillo’s Standout Turn in Paolo Sorrentino’s ‘La Grazia’ Could Find Traction

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‘Frankenstein’ Star Christoph Waltz on Guillermo del Toro’s Practical Filmmaking: “CGI is For Losers”

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Guillermo Del Toro Isn’t Afraid of AI But Fears “Natural Stupidity, Which is Much More Abundant”

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‘Broken English’ Review: An Adoring Hybrid Ode to Marianne Faithfull That Gives Her the Last Salty Word

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Gianfranco Rosi on His Naples-Set ‘Below the Clouds’: ‘There Is a Spirit of Civil Resistance’

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Imagine’s Film Chief Jeb Brody on Buzzy Venice Drama ‘After the Hunt’ and Why Making Movies That Resonate Has Never Been Harder

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Venice’s Final Cut Boosts Emerging African, Arab Talents and Offers ‘Window’ Into Underrepresented Regions

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Venice: ‘Inside Amir’ Follows a Man in Tehran on the Verge of Emigrating (Exclusive Trailer)

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How to Watch ‘College GameDay’ Live Online

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‘Highway 99: A Double Album’ Review: Ethan Hawke Goes to the Tender, Conflicted Heart of Merle Haggard in the Rich Documentary He’s Deserved

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‘Elvira Notari: Beyond Silence’ About Italy’s First Female Film Director Acquired by First Hand Films Ahead of Venice Premiere (EXCLUSIVE)

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Kamila Andini’s Venice Gap-Financing Market Project ‘Four Seasons in Java’ Tackles Power, Trauma in Indonesia

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‘Hamnet’ Sets the Oscar Bar High at Telluride With Jessie Buckley and Paul Mescal’s Heartbreaking Turns

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