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Movies & TV

How Regina King Found Support in ‘Caught Stealing’ Co-Star Austin Butler: ‘I Was Grateful to Have Someone Understand the Depth of Grief‘

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Metallica Shreds Tiny Hamptons Show for David Zaslav, Sylvester Stallone and Dozens of Die-Hard Fans: Concert Review

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Could Gen Alpha Save Movie Theaters? New Survey Shows Why ‘Minecraft’ and ‘KPop Demon Hunters’ Had Huge Success With Kids

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‘Yellowjackets’ Star Simone Kessell Among Cast Additions to Chris Hemsworth’s Amazon MGM Film ‘Subversion’ (Exclusive)

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Tom Waits Plays a Weird Reclusive Dad in Teaser for Jim Jarmusch’s ‘Father Mother Sister Brother’

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‘La Vie en Rose’ Producer Alain Goldman on His Venice Film ‘At Work’ and Next Projects With Lazslo Nemes’ and ‘Shtisel’ Creative Team

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Sabrina Carpenter on Her Favorite ‘Man’s Best Friend’ Songs and Overcoming Self Doubt: ‘B—-es Wish They Were You’

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Moroccan Director Maryam Touzani Wanted to Challenge ‘Society’s View on Aging’ and Sexuality With ‘Calle Málaga’ — Watch Exclusive Clip

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Devon Walker Responds to Fan Support After ‘SNL’ Exit: ‘Y’all Acting Like We Died’

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‘At Work’ Review: A Writer Is Both Inspired and Exploited by the Gig Economy in Valérie Donzelli’s Perceptive Character Study

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‘After the Hunt’ Review: Luca Guadagnino’s Sexual-Accusation Drama Plays Like a Muddled ‘Tár,’ With Julia Roberts as a Scheming Professor

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As ‘My Life With the Walter Boys’ Returns for Season 2, Wattpad Boss Reveals How the Writing Platform Became a Hollywood Hit Maker

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AI-Themed Animated Anthology ‘AI: Love & Hate’ Gets Three-Studio Team (EXCLUSIVE)

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Au Revoir Conrad and Jeremiah: Belly Starts a New Life in Paris in ‘The Summer I Turned Pretty’ Finale Trailer

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Venice: Werner Herzog Doc ‘Ghost Elephants’ Sells to National Geographic (Exclusive)

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Venice Documentary ‘Do You Love Me,’ a ‘Love Letter’ to Beirut, Picked Up by Light Dox as Clip Debuts (EXCLUSIVE)

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‘The Summer I Turned Pretty’ Final Episodes Trailer: Belly Makes Some New Friends in Paris — And Gets a Letter From Conrad

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Kristen Stewart’s Directorial Debut ‘The Chronology of Water’ to Close Oldenburg

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The Trade Desk’s Matthew Henick Talks Ventura, the OS Looking to Change the Smart TV Game

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Variety’s Venice Digital Daily, Day 1: Lido Market Lines Up Big Names

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Cédric Jimenez on ‘Dog 51,’ French Sci-Fi, and Pitting Real Actors Against AI

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Blood Orange’s Dev Hynes Creates a Chill Masterpiece With ‘Essex Honey’: Album Review

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Alan Ritchson on His ‘Super-Unique’ Dialogue-Free Revenge Thriller ‘Motor City,’ Making ‘Action Better Than Anybody’ and the Conversation He Had With James Gunn About Playing Batman

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Watch College Football This Weekend with Sling TV’s New Pass Plans — Prices Start at $4.99

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Ridley Scott Is ‘Proud’ He Turned Down $20 Million to Direct ‘Terminator 3’: ‘I Thought “F— Me.” But I Couldn’t Do It. It’s Not My Thing’

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Lilly Wachowski-Produced Trans Identity Film ‘Dolls,’ by Geena Rocero, Unveils Trailer (EXCLUSIVE)

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‘How to Shoot a Ghost’ Trailer: Charlie Kaufman’s Short Film Starring Jessie Buckley Follows Two Newly Dead People Wandering Athens (EXCLUSIVE)

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‘No Other Choice’ Director Park Chan-wook on Why It Took 20 Years to Make the Twisted Black Comedy: ‘One Word: Money’

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‘Abbott Elementary’ Reveals Season 5 Episode With the Philadelphia Phillies

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Sabrina Carpenter’s ‘Man’s Best Friend’ Is One of the Year’s Best Pop Records — and Almost Certainly the Funniest: Album Review

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‘Cover-Up’ Review: Laura Poitras’s Enthralling Portrait of Seymour Hersh Makes You Ask: Where Have All the Investigative Reporters Gone?

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Telluride: Richard Linklater on ‘Nouvelle Vague,’ Selling It to Netflix and France’s Oscar Choice

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‘Heidi’ Fuels 3Doubles’ Pan-Regional Expansion in Spain

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Luca Guadagnino Reveals Why He Used Woody Allen-Style Credits for #MeToo Film ’After the Hunt’

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Disney’s Bob Iger Praises JioStar Partnership at Reliance Annual Meet as Chair Mukesh Ambani Unveils AI Alliances With Google and Meta

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Seymour Hersh Issues Grave Warning in Venice: “Trump Wants to Be Commander of America — He Wants to Not Have Another Election”

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Oscar Predictions via Feinberg Forecast: Scott’s First Read of the 2025-2026 Race

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Marianne Faithfull Doc ‘Broken English’ Acquired by Italy’s I Wonder Pictures Ahead of Venice World Premiere (EXCLUSIVE)

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Julia Roberts Defends Luca Guadagnino’s ‘After the Hunt’ While Fielding Questions About #MeToo in Venice: ‘We’re Kind of Losing the Art of Conversation in Humanity Right Now’

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Luca Guadagnino Explains How Woody Allen Inspired Opening Credits of #MeToo-Themed ‘After the Hunt’

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Italian Helmer Enrico Maria Artale Honors Jacques Audiard’s Legacy in ‘A Prophet’: ‘Many French Directors Refused to Do the Series’

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Bong Joon Ho to Preside Over Marrakech Film Festival Jury

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Charli xcx Shot Pete Ohs’ ‘Erupcja’ in the Middle of Brat Summer: ‘She’s in a Transitional Period’

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Poland’s American Film Festival Welcomes U.S. Indie Filmmakers as Completing Films Internationally Becomes ‘One of the Few Viable Paths Forward’

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There’s Magic in Reliving ‘The Wizard of Oz’ at Sphere, but the AI Technology Saps Dorothy and Friends of Their Humanity

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Joachim Trier, Jafar Panahi Films to Bookend Jakarta World Cinema Festival (EXCLUSIVE)

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Linkin Park, Playboi Carti to Headline Lollapalooza India 2026 in Mumbai

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‘Franco: Spain’s Scorned Memory,’ ‘Achille Lauro’ Among New Docs Presented by Java Films at France’s TV Rendez-Vous (EXCLUSIVE)

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‘Rose of Nevada’ Director Mark Jenkin on Navigating Shifting Time in a Ghostly Fishing Tale (EXCLUSIVE)

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