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Movies & TV

Warner Bros. Taps Legendary’s Sirena Liu to Head China Theatrical Ops

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Taiwan YA Content Gets Boost as PTS XS, Third Culture, S11 Launch Drama Lab (EXCLUSIVE)

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‘The Good Life’ Trailer: Mike Birbiglia Muses on Parents and Pancakes in Netflix Special (EXCLUSIVE)

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Netflix Picks Up ‘Sesame Street’ Worldwide Streaming Rights After Max Deal Ends

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MUV Capital, Retrato Filmes Set Trailblazing Partnership for Distribution in Brazil, Latin America (EXCLUSIVE)

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Vicky Krieps Has Yet to Recover From Cannes Custody Drama ‘Love Me Tender’: ‘This Film Pushed Me to My Limit’

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‘Urchin’ Review: Harris Dickinson’s Fine Directorial Debut Bridges Social Realism and Surrealism

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Hallmark’s ‘Holiday Touchdown: A Bills Love Story’ Casts Holland Roden, Matthew Daddario, Tony Danza and More (EXCLUSIVE)

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Norwegian Berlinale Winner Dag Johan Haugerud Named Jury Head for Venice’s Giornate Degli Autori

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‘Slauson Rec’ Review: A Documentary About Shia LaBeouf’s Acting Class — and His Anger Issues — Is More Appalling Than Fascinating

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Cannes: Wes Anderson Teases His Next Film

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Madrid’s ECAM Forum Expands International Scope With 23 Titles for 2025 Edition

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Cannes: Wes Brings The Whimsy in ‘Phoenician Scheme’ Press Conference

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Wes Anderson Mocks Trump’s Movie Tariffs at Cannes: ‘Can You Hold Up the Movie in Customs? It Doesn’t Ship That Way’

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In Cannes, It All Happened at the Carlton

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Gary Lineker Will Depart Sooner Than Planned After Antisemitism Controversy, BBC Confirms

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Wes Anderson Powers Satyajit Ray’s ‘Aranyer Din Ratri’ Rescue for Cannes Classics

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Hong Kong Remake of Richard Linklater’s ‘Tape’ Secures U.K. Distribution, Sets Raindance Bow (EXCLUSIVE)

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BrLab Unveils New Dates, Co-Pro Forum and Regional Spread Ahead of 15th Anniversary Edition (EXCLUSIVE)

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Dakota Johnson Says Studio Bosses Don’t Take Risks and ‘It’s a Constant Fight,’ Recalls Being Shocked at Her Movie Premieres: ‘That Is Not What I Thought We Were Making’

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Female Film Club Launches Global Short-Film Fund at Cannes (EXCLUSIVE)

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Cannes: ‘Corsage’ Director Marie Kreutzer Wins Investors Circle Prize for ‘Gentle Monster’

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Richard Linklater on What He Told Tarantino at the ‘Nouvelle Vague’ Premiere and Why the Indie Film Revolution Faded: ‘Unless It’s Got Money All Over It, Nobody Gives a S—’

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Tom Cruise’s ‘Mission: Impossible – The Final Reckoning’ Rockets to No. 1 at Korea Box Office

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New Jax Film Studios in Ryadh Unveiled at Cannes by Saudi Film Commission

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Eli Roth’s The Horror Section Inks Deal With Veronica Ferres’ Construction Film, Sets German-Language Remake of ‘Knock Knock’ (EXCLUSIVE)

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Boxing Drama ‘Heavyweight’ Opens Raindance, Art School Tale ‘The Academy’ Closes 33rd Edition

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Sundance-Winning ‘Cactus Pears’ Director Rohan Kanawade Signs With Cinetic Media (EXCLUSIVE)

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London’s Raindance Film Festival Unveils Lineup for Its Biggest Post-COVID Pandemic Edition

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Strong Festival, Soft Market at Cannes Enters Final Stretch

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China Box Office: ‘The Dumpling Queen’ Holds No. 1 for Third Straight Weekend, ‘Ne Zha 2’ Going Strong

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Haifaa Al Mansour on How Film Alula Will ‘Invest in the Journey’ of Producers and Saudi Arabia’s Dramatic Film Industry Changes

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Les Studios de Paris, Where ‘Jackie’ and ‘The Walking Dead: Daryl Dixon’ Filmed, Positions Itself as One Stop Shop for International Productions

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Polish Talents Continue to Rise as Industry Eyes Overhaul to Incentive Scheme: ‘We Need a System Equal to the Needs of Poland’

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Toxic Masculinity Soccer Tale ‘The Boot Room’ Acquired by U.K.’s Mutiny Films (EXCLUSIVE)

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‘The President’s Cake’ Review: Hasan Hadi’s Warm and Heart-Tugging Tale Sends Dutiful Kids on an Odyssey in Saddam Hussein’s Iraq

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Tom Cruise’s ‘Mission: Impossible – The Final Reckoning’ Draws Standing Ovation at New York Premiere: ‘It’s a Great Honor and Privilege’

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John Oliver Compares HBO Max/Max Branding Fiasco to Trump’s Renaming the Gulf of Mexico

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‘The Last of Us’ Guest Star Joe Pantoliano on Filming That Heartbreaking Final Scene and Forgetting Pedro Pascal

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‘The Last of Us’ Creator Neil Druckmann on Directing Pedro Pascal’s Last Episode, That Pearl Jam Song and Catherine O’Hara’s ‘Beautiful’ Improvisation

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‘S.W.A.T.’ Lives: Shemar Moore to Star in Spinoff ‘S.W.A.T. Exiles,’ Ordered to Series by Sony With Showrunner Jason Ning

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Tom Cruise Intends to Keep Making Movies Into His 100s: “I Will Never Stop”

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Maren Morris on Addressing Divorce, Religion and a Single Woman’s Freedom in Pop-Leaning ‘Dreamsicle’ Album: ‘It’s Taken Me Years to Live Up to the Boldness of My Own Music’

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Spike Lee Toasts ‘Highest 2 Lowest’ With The Hollywood Reporter and Threads at Cannes Bash

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Ruben Östlund’s ‘The Entertainment System Is Down’ Sells to Memento for France

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SNL Film Lines Up Cast for Soccer Comedy ‘Olde Boys’ as Screenbound Launches Sales (EXCLUSIVE)

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Guillermo del Toro Teases ‘Incredibly Emotional’ ‘Frankenstein’ at Cannes: ‘I’m Not Doing a Horror Movie’

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Shia LaBeouf’s Theater Company From Hell: Cannes Doc Reveals Actor’s Misconduct With Students and Hopes for Redemption

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Joe Biden Diagnosed With Prostate Cancer

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Tom Cruise Says He’s ‘Working On’ Potential Sequels for ‘Top Gun: Maverick’ and ‘Days of Thunder’: ‘We’re Thinking and Talking About Many Different Stories’

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