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Movies & TV

Cannes Film Festival President Iris Knobloch Awarded Commander of the Order of Arts and Letters by the French Culture Minister

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Wes Anderson Delights Cannes as ‘Phoenician Scheme’ Lands 6.5-Minute Standing Ovation, Leading Lady Mia Threapleton Overcome With Tears

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Wes Anderson, Benicio Del Toro’s ‘The Phoenician Scheme’ Cannes Premiere Draws Polite Ovation

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Jennifer Lawrence and Robert Pattinson’s ‘Die, My Love’ Sells to Mubi for North America, U.K., Latin America

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Sissy Spacek Shares ‘Carrie’ Audition Doubts at Spirited ‘Awards Chatter’ Podcast Taping in Cannes

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The Who Sacks Zak Starkey for a Second Time, in Advance of Farewell Tour: ‘I Was Fired Two Weeks After Reinstatement,’ Drummer Says

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‘The Phoenician Scheme’ Review: Wes Anderson Weighs In on the Art of the Deal and Assorted Other Funny Business

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Mubi Buys Jennifer Lawrence and Robert Pattinson’s ‘Die My Love’ in $24 Million Cannes Deal

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‘Peak Everything’ Review: Absurdist Quebecois Comedy Tries to Do Too Many Things At Once

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‘Peak Everything’ Director on Getting Personal With Dark Romantic Comedy to “Save Myself”

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‘Lilo & Stitch’ Star Courtney B. Vance Teases Box Office Opponent ‘Mission: Impossible’: “I Don’t Think You Can Compete With Stitch, Tom”

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Sarah Silverman Says She Was ‘F–ing Ignorant’ to Think She Could ‘Say the N-Word’ During Stand-Up Because She Was ‘Liberal’: ‘Looking Back, My Intentions Were Always Good’

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Wes Anderson Says Gene Hackman Was ‘Furious’ Over ‘Royal Tenenbaums’ Pay and ‘Left Without Saying Goodbye’; They Never Spoke After Film’s Release: ‘We Had Friction’

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‘Final Destination Bloodlines’ Surpasses $100 Million Globally in Opening Weekend

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‘The Secret Agent’ Review: Wagner Moura Is Marked for Death in Kleber Mendonça Filho’s Terrific ’70s Thriller

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Box Office: ‘Final Destination Bloodlines’ Scares Up $51 Million Debut, The Weeknd’s ‘Hurry Up Tomorrow’ Misfires With $3.3 Million

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‘Overcompensating’ Stars on the Show’s ‘Nostalgic World of Americana College Hell’ and Plans for Potential Season 2: ‘More Unhinged and Insane’

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Ten Years After ‘Kung Fury’ Rocked Cannes, Director David Sandberg Unwraps ‘Heartbreaking’ Legal Chaos That Left Feature-Length Sequel in Limbo

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Nicole Kidman Gives Update on ‘Practical Magic’ Sequel With Sandra Bullock: “It’s Fun and Witchy”

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Nicole Kidman Has Now Worked With 27 Women Directors in 8 Years; She Urges ‘Financial Mentors’ to Invest in Unknown Female Filmmakers and ‘Take a Risk’

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HBO Max Snags Rights to Horror Hit ‘1978’ as Black Mandala Closes Multiple Territory Deals (EXCLUSIVE)

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Michael Cera on Finally Working With Wes Anderson and His ‘Phoenician Scheme’ Character’s ‘Very Silly’ Accent: ‘It Took All of Us a Minute to Feel Normal About It’

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Alexander Skarsgard Kisses Pedro Pascal on Cheek During Ravenous Standing Ovation for ‘Pillion’

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Lav Diaz Opens Up About Rare Acting Role in Psychological Horror ‘The Sacrifice,’ First Look Unveiled (EXCLUSIVE)

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Paul Mescal, Diane Kruger and More Toast to Rising Talent at Variety and Golden Globes’ Cannes Breakthrough Artist Party

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‘Death Does Not Exist’ Director on His Animated Cannes Film and the “Impossibility of Violence”

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‘Anatomy of a Fall’ Producer Marie-Ange Luciani Sets Next Projects by Alain Guiraudie, Monia Chokri, Hélène Rosselet-Ruiz, Jean-Gabriel Periot (EXCLUSIVE)

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Alec Baldwin, Heather Graham, Simon Baker Among Hollywood Stars Heading to Filming Italy Sardegna

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Carla Simón Uncovers a Galician Family’s Skeletons in the Semi-Autobiographical ‘Romería’

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Kinky Sex, BDSM Alexander Skarsgard and Gimp Masks: ‘Pillion’ Seduces Cannes With 7-Minute Standing Ovation

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Cannes According to… Super Agent Jeremy Barber

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‘Pillion’ Review: Edgy Queer Romance Stars Alexander Skarsgård as a Sexy Biker and Harry Melling as His Budding Submissive

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Richard Linklater on ‘Nouvelle Vague,’ Trump Tariffs and the French Government’s Support of Film: “The U.S. Could Use a Little Bit of That”

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Richard Linklater on Trump’s Film Tariff Threat: ‘That’s Not Going to Happen, Right? That Guy Changes His Mind Like 50 Times in One Day’

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Even Kristen Stewart Had Trouble Getting Her First Feature Financed

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Jennifer Lawrence Gets Honest About Motherhood and Postpartum at Cannes: ‘It’s Extremely Isolating’ and ‘You Feel Like an Alien’

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Jennifer Lawrence, Robert Pattinson and ‘Die, My Love’ Cast Get Vulnerable About Parenthood: “I Didn’t Know I Could Feel So Much”

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Lee Sang-il, Stars Detail Grueling Kabuki Journey on Cannes Film ‘Kokuho’: ‘I Could Not Hear Anything Except My Own Heartbeats and Breath’

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Italy’s Cinecittà Studios Veers Towards Digital Age With Large LED Wall as New Soundstage Prepares to Host Mel Gibson’s ‘Passion of the Christ’ Sequel

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1989 Chile World Cup Qualifier Scandal Spotlighted in ‘Simulacro’ (EXCLUSIVE)

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“I Turned Into An Animal”: Shia LaBeouf Talks Cannes Doc ‘Slauson Rec’ About Theater Collective (Exclusive)

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Kevin Spacey’s Comeback Bid Continues in Cannes With Honor From Better World Fund

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Next Gen World Sales Prize at Iberseries Platino Industria Renewed by Egeda, FilmSharks (EXCLUSIVE)

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New Production Banner Veloche Launches With Horror Film, Fund for Indian Subcontinent Talent (EXCLUSIVE)

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Indonesian Cinema Legend Garin Nugroho and Director Razka Robby Ertanto Launch ‘Spirit of the Kantil’ at Cannes Market (EXCLUSIVE)

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Cannes Caméra d’Or Winner Anthony Chen Begins Production on ‘We Are All Strangers,’ Completing His ‘Growing Up’ Trilogy (EXCLUSIVE)

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Twin Directors Tarzan and Arab Nasser on Spaghetti Western ‘Once Upon a Time in Gaza’: ‘With What Is Happening, the Title Is Even More Appropriate’

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India Cine Hub Drives Film Production Growth, International Collaboration

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Venice Prizewinner Valentyn Vasyanovych, Rising Talent Antonio Lukich Headline Cannes Slate From Ukraine’s ForeFilms (EXCLUSIVE)

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Kirill Serebrennikov on Cannes Premiere ‘The Disappearance of Josef Mengele,’ a Portrait of Fugitive Nazi Doctor

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