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Fri Jan 24
Allison Russell on What She’s Learned Playing Persephone in ‘Hadestown,’ How a Hozier Connection Helped Land Her Broadway Debut, and Why the Show Feels More Cathartic This Year
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Maya Hawke Says Some Producers Cast Based on ‘Collective’ Instagram Followers
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Dede Gardner on ‘Nickel Boys,’ ‘Mickey 17’ and Filmmaking During the Trump Administration: ‘Keep Pushing for Story That Counteracts the Erasure of History’
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Jacob Elordi Heats Up Berlin — and Debuts New Sideburns — at Premiere of Prisoner of War Series ‘Narrow Road to the Deep North’
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Isabella Rossellini Joins Ryan Murphy’s ‘The Beauty’ (EXCLUSIVE)
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Berlin Goes Bananas for Robert Pattinson and His Clones in Bong Joon Ho’s ‘Mickey 17’
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Berlin Goes Bananas for Robert Pattinson and His Clones in Bong Jong Ho’s ‘Mickey 17’
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‘Dreams’ Review: A Stone-Cold Jessica Chastain Reunites With Director Michel Franco for a Thorny Moral Drama
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Biff Wiff, ‘I Think You Should Leave’ Actor, Dies
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Pete Davidson Wants Ex-Fiancée Ariana Grande to Win ‘Wicked’ Oscar: “It’s All Love”
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Maya Hawke Says Some Producers Cast Based on Actors’ ‘Collective’ Instagram Following: ‘If You Have Over This Many Followers, You Can Get the Movie Funded’
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Charles Burnett on His Soaring Romance ‘The Annihilation of Fish,’ Finally Released After 25 Years in Distribution Hell
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Rose Byrne, Mary Bronstein on ‘If I Had Legs I’d Kick You’: “This Project Started From a Very Low Place”
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More Than Just Films, Catalonia’s Next-Gen Producers, New Tech Startups and Buzzy TV Series Reach Every Corner of This Year’s Berlinale
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Jacob Elordi on Why Losing Weight to Play a Prisoner of War in ‘Narrow Road to the Deep North’ ‘Wasn’t Torture’: ‘There Was a Peace That Came Over All of Us’
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Why Some Filmmakers Think Oscars Doc Voters Should ‘Suck It’ for Ignoring Celebrity Subjects
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Paramount Settlement With Trump Would Set ‘Dangerous Precedent,’ But Likely Wouldn’t Draw Bribery Charge, Experts Say
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‘Yellowjackets’ Star Jenna Burgess Explains That Shocking Episode 2 Ending: ‘There’s a Brutal Side to Shauna That Melissa Is Very Attracted To’
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‘Mickey 17’ Review: A Dopey Robert Pattinson Is Dying to Make You Laugh in ‘Parasite’ Director’s Disappointing Follow-up
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‘Love Is Blind’ Producers Pay Homage to ‘Dawson’s Creek’ With New High School Reality Series ‘Sweethearts’
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‘Armand’ Director Halfdan Ullmann Tøndel on His ‘Fantastical’ School Drama Starring Renate Reinsve: ‘Everybody’s Starting to Lose Their Sense of Reality’
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Why ’Ari’ Helmer Léonor Serraille Thinks a Low Profile Serves Her Best as Director: ‘You Have to Remain at Eye Level, and You Have to Blend in’
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Leo Woodall on Being Bridget Jones’ New Man in ‘Mad About the Boy,’ Adjusting to Fame and Wanting More Action Roles: ‘I’d Do Bond’
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Ben Whishaw’s Banner Year: The ‘Black Doves’ and ‘Peter Hujar’s Day’ Star on Refusing to Be Pigeonholed and Playing Characters Whose Sexuality Isn’t Their ‘Defining Characteristic’
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Studio Babelsberg Throws Star-Studded Berlinale Bash
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Defying Gravity and Genres: Oscar-Nominated Editors Reflect on Their Creative Journeys
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SNL50 Concert: See Will Ferrell and Ana Gasteyer’s Culps Sing ‘Not Like Us’
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Maya Hawke Says Some Producers Cast Based on Actors’ Amount of Social Media Followers
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Box Office: ‘Captain America: Brave New World’ Inaugurates a $40 Million Opening Day
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Jessica Chastain Says Her Mexico-U.S. Immigration Film ‘Dreams’ Is ‘Incredibly Political,’ but ‘I Am a Hopeful Person’: I’m Not Going to Give Up on My Country’
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Berlin: Bong Joon Ho Says ‘Mickey 17’ Villain Was Modeled on Past Dictators But May Remind Viewers of Present-Day Political Leaders
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‘Ari’ Review: An Intimate, Energizing Character Study of a Teacher With a Lot to Learn
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Berlin Film Festival Day 3: What You Need to Know
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Robert Pattinson Just Realized That He Based His ‘Mickey 17’ Accent Off Steve Buscemi’s ‘Fargo’ Character: ‘I Kind of Did It by Accident’
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In ‘1001 Frames,’ an Iranian-American Director Explores Power Imbalances and #MeToo
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Carla Simón, Oliver Laxe, David Trueba Titles Lead List of Catalan Films Coming in 2025
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‘I’m Still Here’ Producer RT Features Joins Gabe Klinger’s Wine World Dramedy ‘Isabel,’ Urban Sales Brings Film to EFM (EXCLUSIVE)
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‘Fury,’ ‘The Virgin of the Quarry Lake’ and ‘The Goldsmith’s Secret’ Headline Slate of Catalan Films at the Berlinale
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Isaac Hernández on Bringing Ballet to Berlin With ‘Dreams,’ Steamy Scenes With Jessica Chastain and the Film’s Timely Message: ‘Immigrants Are Complex Human Beings’
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Berlin Rising Star Théodore Pellerin Is Making a Lasting Impression in Buzzy ‘Lurker’
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Berlin Flashback: Robert Pattinson Brought ‘Bel Ami’ to the Berlinale
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‘A Letter to David’ Director Tom Shoval and Producer Nancy Spielberg on Transcending ‘Carnage’ in Their Homage to Hamas Hostage David Cunio
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Nike Drops New Air Jordan 1 Retro ‘Black Toe’ Sneakers: Here’s Where to Get A Pair Online
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Timothée Chalamet and Kylie Jenner Share a Kiss in Berlin at Valentine’s Day Premiere of ‘A Complete Unknown’
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Berlin: Amanda Plummer and Barkhard Abdi in Uwe Boll’s Refugee Thriller ‘Run’ (Exclusive Trailer)
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‘Köln 75’ Director Ido Fluk on 18-Year-Old Vera Brandes Who Organized Keith Jarrett’s ‘The Koln Concert’ – Clip (EXCLUSIVE)
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In ‘The Devil Smokes,’ the Line Between Reality and “Something Darker” Is Blurring (Exclusive Trailer)
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‘Bedrock’ Goes Face to Face With People Living on Holocaust Sites in Poland (Exclusive Berlin Trailer)
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Rebecca Lenkiewicz on Moving From Writing to Directing With ‘Hot Milk’: ‘I’d Been Feeling a Sadness in Giving Scripts Away’
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Berlin Competition Entry ‘The Blue Trail’ Reveals First Clip, Gabriel Mascaro Talks Ageism in Cinema: ‘Elderly Bodies Are Tied to a Nostalgia for Life’ (EXCLUSIVE)
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More →