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Fri Sep 11
Thu Sep 10
Sebastian Stan Says “Invitation to Be Negative” in Society “Starts at the Top”: “It’s Just So Lazy”
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Pink Explains Slamming Macklemore’s Pro-Palestine Performances, Acknowledges Heavy Backlash: ‘I’m Standing Up for My Own People, and I Thought I Knew How Lonely That Would Be. It’s Lonelier Than That’
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Sebastian Stan on Why ‘Fjord’ Is Being Called a ‘MAGA Movie’ and How Making ‘The Batman 2’ Feels Like ‘F—ing Godfather Part 2’
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‘Onwards and Sideways’ Director John Madden on Returning to TIFF After 16 Years With His Parkinson’s Romantic Drama Starring Laura Linney and Rhys Ifans
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‘Obsession’ One Year Later: Inde Navarrette and Curry Barker Dish on Memes, How Nikki Became More ‘Flirty’ and Their Wild Ride at TIFF
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HBO Buys Megan Rapinoe Doc, Betting on the Outspoken Soccer Legend (Exclusive)
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Watch Brandi Carlile and Bonnie Raitt Duet on ‘Love Me Like a Man’ for ‘Austin City Limits’ Premiere, Plus a Web-Only Bonus, ‘Angel From Montgomery’ (EXCLUSIVE)
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‘It: Welcome to Derry’ Creators Andy and Barbara Muschietti on Late Tim Curry: ‘His Legacy Is Incredible’
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Russell Crowe Wipes Away Tears at Venice Premiere of Music Documentary ‘What Love Builds’ as Fans Yell ‘We Love You!’
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‘Let Us Through, Dear Ancestors’ Review: Lav Diaz Delivers an Immaculate, Slow-Burn Period Drama of Rare and Restless Insight
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No, Tom Cruise’s ‘Digger’ Isn’t a Musical
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Toronto: Anti-Trumpists Are Suddenly Big Progressive Documentary Funders
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‘Beef’ Creator Lee Sung Jin Pitched Charles Melton on the Show Over Dinner: ‘By the Third Appetizer He Said Yes’
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Sandra Bullock Rejected ‘Every Pervert’ in Auditions ‘Asking Me to Drop My Pants’ and Stopped Acting in Rom-Coms When ‘I Was Getting So Much S— For Them’
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Court to Hold Paramount-Warner Bros. Settlement Conference in Late October
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TIFF Flashback: Naomi Watts Cruised Into Toronto via ‘Mulholland’
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‘Back to Buenos Aires’ Review: Marco Bechis’ Return to the Screen Covers Similar Ground to Earlier Works but is Only Fitfully Effective
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After Taylor Frankie Paul’s ‘Bachelorette’ Scandal, ‘The Secret Lives of Mormon Wives’ Just Isn’t Fun Anymore
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‘Le Faux Soir’ Review: Fake News Tells the Truth in an Earnest, Slow-Paced Period Piece
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Streaming Prices Continue to Balloon: Is ‘Streamflation’ at a Breaking Point?
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‘Like ‘Amores Perros,’ I Hope My Film Will Also Transcend Time in Some Way,’ Says Gael García Bernal of His Third Directorial Outing, ‘Hombre al Agua’
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Stephanie Ahn’s Seven-Year Road to ‘Bedford Park’: ‘You Never Know What Can Make Your Film Better’
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Jimmy Kimmel in Talks to Renew Late-Night Show at ABC
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‘Point Break’ TV Series Greenlit at AMC, Canal+
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‘Sheriff Country’ Sets Backdoor Pilot for Medical Spinoff Starring ‘Schitt’s Creek’ Actor Noah Reid
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‘Dolly Parton International Airport’ Moves Closer to Becoming a Reality, as Nashville Airport Board Votes Unanimously for Name Change
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Bill Kerby, Screenwriter on ‘The Rose,’ ‘The Last American Hero’ and ‘Hooper,’ Dies at 88
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Maria Bartiromo Says ‘More to Come’ in First Comments After Shock Fox News Exit: ‘I Am So Grateful for the Outpouring of Love’
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‘Long Day’s Journey Into Night’ Film With Jessica Lange and Ed Harris Lands Quiver Distribution Deal
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Warner Bros. Chiefs Double Down On Film Strategy: “We Really Believe In An Eclectic Slate”
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Robert Pattinson Is Having His Best Year Ever With ‘Primetime,’ ‘The Drama,’ ‘The Odyssey’ and ‘Dune 3.’ Will the Oscars Recognize Him?
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‘Hombre al Agua’ Review: Gael García Bernal Directs and Stars in a Sputtering, Screwball-y Dramedy About One Man’s Identity Crisis
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Venice Critics’ Week Awards: Tommaso Usberti’s ‘Before the War’ Crowned Best Film
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Italian Director Tommaso Usberti’s Toxic Masculinity Drama ‘Before the War’ Scores Top Venice Critics’ Week Prize
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Ella Rubin, Sarah Sherman, Marcello Hernandez and More Rock Out at Chanel’s NYFW Party
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New James Bond Movie: First Draft of the Script Is Done, Says Steven Knight
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François Arnaud Boards Mike Birbiglia’s Focus Features Comedy ‘Old Friends New Friends’ (Exclusive)
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How Stunt Expert and ‘Runner’ Director Scott Waugh Pulled Off Explosive Set Pieces With Alan Ritchson: ‘Find the Heart’ and Create ‘A Beautiful Spectacle’
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‘Practical Magic 2’ Whips Up $4.7M in Box Office Previews
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Never Mind the IP, Here’s How Original Ideas Dominated This Year’s Emmy Races
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Jonathan Majors Delivers Anti-Islam Speech in Sequel to Daily Wire Thriller ‘Run Hide Fight’
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‘One Minute to Midnight’ Review: A Stellar Cast Deliver Interesting but Overly Preachy Disquisitions on the Changing Nature of Male-Female Relations
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Alexandra Pechman‘s TIFF Drama ‘Magazine’ Takes a Nostalgic Look at New York’s Last Gasp Before the Digital Age
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‘SNL U.K.’ Cast on Wanting ‘Bigger Swings and Some Sex Sketches’ in Season 2, Bloody Backstage Mishaps and if Jack Shep’s Princess Diana Will Return
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‘A Bit of Light’ Review: A Life-Affirming Drama About a Suicidal Iranian Doctor
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Venice Days: María Aparicio’s ‘Sometimes Sadness, Sometimes Rebellion’ Wins GdA Director’s Award
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Venice Days Winners: Argentinian Director Maria Aparicio’s ‘Sadness Sometimes, Sometimes Rebellion’ Claims Top Prize
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How Variety Covered 9/11 Attack and Its Aftermath 25 Years Ago
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‘Uptown Prep and Downtown Weirdness’ Meld in J. Crew and Ekhaus Latta’s New Limited-Edition Collection
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