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Movies & TV

‘Conjuring: Last Rites’ Jolts Box Office Back to Life With Colossal $83M U.S. Bow, $187M Globally

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Matthew McConaughey on ‘The Lost Bus,’ Nicolas Cage in ‘True Detective’ and What It Will Take to Play Rust Cohle Again: ‘Fire and Originality’

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Mark Ruffalo Hasn’t Seen a ‘Spider-Man: Brand New Day’ Script Yet but “Can’t Wait to Work With” Jon Bernthal’s Punisher

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Diapers and Football? Pampers Joins Swelling Ad Crowd Making Rush for NFL

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‘New Years Rev’ Trailer: Green Day Fans Take a Rock ‘n’ Roll Road Trip in Coming-of-Age Comedy (EXCLUSIVE)

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Bleecker Street Taps Christine Manna as EVP, Home Entertainment (EXCLUSIVE)

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David Byrne Goes Deep About ‘Who Is the Sky?,’ How to Be a Non-Star, and Why a Talking Heads Reunion Shouldn’t Happen: ‘Be Careful What You Long for’

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Darth Vader’s Lightsaber Sells for a Record $3.6 Million at Propstore Auction

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Venice Film Festival Takeaways: Politics Take Spotlight, Oscar Buzz and Apocalyptic Weather

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Box Office: ‘The Conjuring: Last Rites’ Makes Franchise-Best $8.5 Million in Previews, Biggest for a Horror Movie This Year

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Venice Days’ Top Prize Goes to Iranian Director Amir Azizi’s Love Letter to Tehran ‘Inside Amir’

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Venice Days Top Prize Awarded to Amir Azizi’s ‘Inside Amir’

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James McAvoy on the Pills, Thrills and Bellyaches Behind Directorial Debut ‘California Schemin’: ‘Definitely One of the Most Stressful Things I’ve Ever Done’

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Macaulay Culkin Says John Candy Noticed His Dad Was a ‘Monster’ During ‘Uncle Buck’ Filming, So Candy Kept Checking In: ‘You Doing Good? Everything’s Alright?’

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Indigenous Canadian Filmmakers Tap Into Community Lore, Talent in a Record Eight Features at Toronto’s 50th Edition

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Theo James and Aaron Taylor-Johnson Ignite David Mackenzie’s Thriller ‘Fuze’: ‘It’s Like a Heist Film Made by the Ramones’

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Mary-Louise Parker, Mia Rodgers and ‘Better Man’ Star Jonno Davies Join ‘Young Washington’ Biopic as First Look Revealed (EXCLUSIVE)

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Hamptons Film Fest Sets Sydney Sweeney Honor, World Premiere of ‘Merrily We Roll Along’ as Closing Night Film (Exclusive)

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Variety Alum Gary Levin to Retire After 28 Years With USA Today Steering TV Coverage

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John Malone, Major Shareholder in CNN Parent Company, Reiterates Complaint Network Has ‘Embedded’ Liberal Bias: ‘Like How an Awful Lot of Us White Folks Say We’re Not Biased About Blacks’

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‘Bravo Bene!’ Review: An Over-Extended Italian Industry In-Joke

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TIFF: 15 Buzzy Films From Chris Evans, Angelina Jolie, Michaela Coel and More That Have Buyers Circling

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Spain’s Latido Films Snaps Up Dominican Family Drama ‘Pérez Rodríguez,’ Market Debuts at Toronto (EXCLUSIVE)

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‘Ida’ Star Agata Trzebuchowska Talks Directing Incest Horror ‘Ties’ and ‘This Is No Place for You,’ Debuts First-Look Clip (EXCLUSIVE)

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Toronto: Tiffany Haddish, Isla Fisher to Star in Action-Comedy ‘Double Crossed’ (Exclusive)

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Leo Woodall on Finding His Inner Musician and Working With Dustin Hoffman in Thriller ‘Tuner’: ‘You Don’t Want to Be S— for Someone Like Him’

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Filmax Boards Bruno Martín’s Debut Thriller ‘Luger’(EXCLUSIVE)

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‘Die My Love’ Trailer: Jennifer Lawrence and Robert Pattinson Play a Couple Falling Into Psychosis in Lynne Ramsay’s Cannes Favorite

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Tim Burton’s ‘Nightmare Before Christmas’ Gets Playfully Sleek Gap Collection Ahead of Halloween

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Jennifer Lawrence, Robert Pattinson Lose Their Cool in Lynne Ramsay’s ‘Die My Love’ Trailer

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‘There’s Something About Mary’ Director Bobby Farrelly Hopes to Revive the R-Rated Comedy With ‘Driver’s Ed’: ‘People Need a Good Laugh’

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Korea’s Yoon Ga-eun Talks Third-Person Storytelling Shift in Toronto Film ‘The World of Love’: ‘I Feel More Like a Part of the Audience’

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Alejandro Amenábar Unpacks Historical Adventure ‘The Captive’

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Cato Kusters’ ‘Julian’ Tells the Story of the Global State of Same-Sex Marriage Through the Eyes of One Couple — Watch Trailer

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How the Rhode Island International Film Festival Is Betting on Indie Voices

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How to Watch the 2025 VMAs Live Online

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San Sebastian Festival Slams Benjamin Netanyahu Israeli Government over Genocide in Gaza, as It Announces J.A. Bayona Lead Jury

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Marco Bellocchio Sets Biopic of Charismatic Auto Executive Sergio Marchionne Who Saved Fiat and Chrysler (EXCLUSIVE)

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Lee Hong-chi’s Venice Title ‘A Dance in Vain’ Acquired by Minerva Pictures for Italy (EXCLUSIVE)

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True Crime Gets Fresh Angles as FilmRise Expands Portfolio With International Co-Productions

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Piers Morgan Returns to TV for ‘Uncensored’ Highlights Show on Paramount U.K.’s Channel 5

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Balkan Cinema Surges Into Fall Festivals After Banner Year for Filmmakers From Southeast Europe

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Vanessa Paradis, M83 Reteam With ‘Knife + Heart’ Director Yann Gonzalez for Macabre Thriller ‘I’ll Forget Your Name’

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Ajay Devgn Unveils Lens Vault Studios With Danish Devgn (EXCLUSIVE)

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Unifrance Rendez-Vous Le Havre Takeaways From Its Big Series, U.S. Market Implosion and How Measuring Streamer Audiences Is Getting Slightly Easier

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Justin Bieber Releases ‘Swag II’ Featuring Tems, Bakar and Hurricane Chris

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Warner Music India Partners With Renzu Music to Amplify Kashmir’s Musical Voices (EXCLUSIVE)

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Cambodia Submits Horror Thriller ‘Tenement’ as Oscar Entry

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‘Maddie’s Secret’ Review: John Early Tests the Limits of Good Taste as a Food Influencer With an Eating Disorder

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‘Dexter: Resurrection’ Finale Recap: Who Is the New York Ripper?

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