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Movies & TV

Shudder Buys Gothic Thriller ‘Honey Bunch’ Ahead of Toronto Film Festival Premiere (EXCLUSIVE)

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Gerard Depardieu to Face New Rape and Sexual Assault Trial in France

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Channing Tatum Reveals ‘Avengers: Doomsday’ Injury, Says Gambit Is ‘Not Gonna Go Full Cajun’ Accent: Russo Bros. ‘Want to Keep the Drama’ and Not Be Fully ‘Deadpool’

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‘Scrubs’ Reboot at ABC Brings Back Judy Reyes as Carla

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‘Call of Duty’ Coming to Theaters as Paramount, Activision Strike Major Film Deal

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‘Megadoc’ Trailer: Mike Figgis Goes Behind-the-Scenes of Francis Ford Coppola’s Epic ‘Megalopolis’ in Making-Of Doc (EXCLUSIVE)

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‘Chainsaw Man’ Manga Creator Tatsuki Fujimoto’s Early Works Get Prime Video Anime Anthology

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‘Call of Duty’ Movie in the Works Under Major Paramount Skydance, Microsoft’s Activision Pact

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Variety’s Venice Digital Daily, Day 5: ‘Smashing’ Star Dwayne Johnson Shows His Dramatic Side

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Nielsen Will Need More Time to Disclose Full Audience Ratings in Streaming Era

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Jimmy Stewart Biopic Casts ‘Hacks’ Actor Christopher McDonald as Lionel Barrymore (EXCLUSIVE)

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Channing Tatum’s ‘Roofman’ Reinvention: Why He Wanted to Play a Real-Life Criminal for Derek Cianfrance’s Surprising Film and How He’s Reviving Gambit for ‘Avengers: Doomsday’

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Cuba Gooding Jr., Reggie Lee, Sidhartha Mallya and Gabriel Bateman Star in Chase Korzep’s Directorial Debut ‘Above the Break’ (EXCLUSIVE)

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Cable Trade Group NCTA Names Former GOP U.S. Senator and Representative Cory Gardner CEO

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‘The Stranger’ Review: François Ozon Adapts the Camus Classic into a Sharply Cinematic Enigma

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Paolo Sorrentino’s Buzzy Drama ‘La Grazia’ Gets U.S. Release Date

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Robin Wright Says ‘America Is a S—show’ and ‘Everything’s Rush, Competition and Speed’; She Calls Leaving for England ‘Liberating’

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Seth Rogen’s Surprise Appearance at Venice Film Festival Confirmed as Research for ‘The Studio’

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Vogue’s New U.S. Editor, Chloe Malle, Says She’s a ‘Proud Nepo Baby’

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Colman Domingo on the Relevance of Gus Van Sant’s Hostage Thriller ‘Dead Man’s Wire’: ‘This Is What Happens When People Are Up Against the Wall’ and ‘We Can Prevent’ It

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Seth Rogen Hits the Venice Film Festival for ‘The Studio’ Season 2 Research

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‘Wake Up Dead Man: A Knives Out Mystery’ Sets Two-Week Theatrical Release Before Netflix Rollout

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Corporation for Public Broadcasting to Receive TV Academy’s Governors Award After Being Defunded by Congress

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Chile Sends ‘The Mysterious Gaze of the Flamingo’ to the Oscars (EXCLUSIVE)

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Kathryn Bigelow Made Political Thriller ‘A House of Dynamite’ to Warn the World About Nuclear Annihilation

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‘Backyard Football ’99’ Re-Release Set for September

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French TV Exports Hit Second Highest Revenues in Last 30 Years, Despite Tough Climate

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‘A House of Dynamite’ Director Kathryn Bigelow on the Urgency of Her Nuclear War Thriller: ‘How Is Annihilating the World a Good Defense Measure?’

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Gerard Depardieu to Stand Criminal Trial Over Rape and Sexual Assault Charges

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Sheinelle Jones Set to Return to NBC’s ‘Today’

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San Sebastian’s Creative Investors’ Conference Panelists Take in CAA Media Finance, Annapurna Pictures, Amazon Studios, Fremantle, Legendary Entertainment and Mediawan

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Sofia Coppola Prepares to Premiere Her Intimate Portrait of Friend Marc Jacobs in Venice, But “I Didn’t Want It to Be About Me”

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Deportation Drama ‘Nomad Shadow’ Unveils First Clip Ahead of Toronto World Premiere (EXCLUSIVE)

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Film4 Appoints Farhana Bhula as Director

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Farhana Bhula Named Director of Film4

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Ecuador’s Ana Cristina Barragán on Her Venice Horizons Pic, ‘The Ivy’: ‘I’m Once Again Drawn to Exploring Childhood Wounds’

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Kim Novak’s Longtime Confidante Reveals Surprising Reason ’Vertigo’ Star Fled Hollywood: Sour Pickles

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Mediawan Rights’ Eco Thriller ‘After Us,’ Bowing at Unifrance Rendez-Vous, Examines Fine Line Between Activism, Extremism

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Chile Bets on Strong Presence in Venice Following Major Awards in Cannes and Berlin, as Producers Focus on Creative Co-Productions, Retaining Autonomy

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‘The Ivy’ Tells of an Unexpected Bond, Unresolved Desire, and Trauma (Exclusive Venice Clip)

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‘Narcos: Mexico’ Star Mayra Hermosillo on Her Feature Directorial Debut ‘Vanilla’ at the Venice Film Festival: ‘It Has Healed So Many Wounds in Me’

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Francois Ozon on Adapting Albert Camus’ ‘The Stranger’: ‘I Wanted to Make It With Today’s Perspective of French Algeria and Colonization’ (EXCLUSIVE)

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Federation International Sells Yann Arthus-Bertrand’s ‘Nature’ to ZDF, Ceska TV and Sets Prestige Screening at Unifrance Le Havre Showcase (EXCLUSIVE)

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Venice: Kaouther Ben Hania on Gaza Drama ‘The Voice of Hind Rajab’: “At Least, With This Film, I Wasn’t Silenced”

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Benedict Cumberbatch, Olivia Colman’s ‘The Roses’ Tops U.K. and Ireland Box Office as ‘Jaws’ Resurfaces in Second

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Graham Greene, Oscar-Nominated ‘Dances With Wolves’ Actor, Dead at 73

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India’s Anuparna Roy on Venice Debut ‘Songs of Forgotten Trees’: ‘There’s Space for Our Stories, Told on Our Own Terms’

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Netflix Unveils Star-Studded K-Unscripted Slate at Seoul Festival Event

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AI Drama ‘Humans in the Loop’ Adds Kiran Rao, Biju Toppo as Executive Producers (EXCLUSIVE)

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‘Scarlet’ Director Mamoru Hosoda Bridges East and West With His Most Ambitious Anime Feature to Date

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