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Movies & TV

Son Heung-min Makes L.A. Home Debut: How to Watch Los Angeles FC vs. San Diego FC Live Online

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Chris Columbus Says ‘Harry Potter’ Reunion Is “Never Going to Happen” Due to J.K. Rowling’s Transphobia

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‘Ballad of a Small Player’ Review: A Fully Committed Colin Farrell Bets the House in a Too-Flashy Portrait of Addiction

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Jim Jarmusch’s ‘Father Mother Sister Brother’ Gets Warm Embrace During Venice Film Festival Debut

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Cate Blanchett Beams as Jim Jarmusch’s Family Tale ‘Father Mother Sister Brother’ Scores 5-Minute Venice Ovation

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Snoop Dogg’s Rep Says Comments Addressing Backlash Over His Criticism of LGBTQ Representation Are “Fake”

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Bruce Springsteen Tells Telluride Why He Gave the Go-Ahead to Exploring His Darker Side in ‘Deliver Me From Nowhere’: ‘Because I’m Old and I Don’t Give a F— Now’

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‘SNL’ Bloodbath? Hardly. Lorne Michaels’ Annual Cast Exits Occur as Regularly as ‘Weekend Update’

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How To Watch Leagues Cup Final 2025 Online

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Telluride Awards Analysis: ‘Hamnet,’ Chloé Zhao’s Pic About the Shakespeares’ Love and Loss, Is Talk of Fest

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Paul Dano and Jude Law’s Chilling Thriller ‘Wizard of the Kremlin’ Earns Warm Reception at Venice World Premiere

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Jude Law Commands Venice as Putin in ‘The Wizard of the Kremlin,’ Earning 10-Minute Ovation

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‘Father Mother Sister Brother’ Review: A Starry Cast Excels in Jim Jarmusch’s Charming Triplicate Portrait of Familial (Mis)Understanding

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Summer Box Office Clobbered by Kryptonite: Domestic Revenue Barely Matches Last Year

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Telluride Awards Analysis: For Yorgos Lanthimos’ Haunting ‘Bugonia,’ Emma Stone and Jesse Plemons Are Likely Headed Back to the Oscars

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Venice Hidden Gem: African Sci-Fi Mockumentary ‘Memory of Princess Mumbi’ Was Shaped by Personal Loss

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Box Office: ‘Weapons’ Wins Quiet Labor Day With $12.8M, ‘Jaws’ Beats ‘Caught Stealing,’ ‘The Roses’

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Box Office: ‘Weapons’ Returns to No. 1 as ‘Jaws’ 50th Anniversary Re-Release Beats ‘Caught Stealing’ and ‘The Roses’

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‘Jujutsu Kaisen’ Season 3 Sets Premiere Date, Unveils First Teaser

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Variety’s Venice Digital Daily, Day 3: Del Toro & Co. Dissect ‘Frankenstein’

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How to Watch WWE Clash in Paris Live Online

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See Glen Powell Do ‘Mrs. Doubtfire, But With Football’ in ‘Chad Powers’ Trailer

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‘The Wizard of the Kremlin’ Review: Jude Law, as Vladimir Putin, and Paul Dano, as His Right-Hand Shadow, Give Ace Performances in What Is Basically a Glorified TV-Movie

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Amanda Seyfried on ‘The Testament of Ann Lee’ and Singing on Screen for the First Time Since ‘Mamma Mia 2’: ‘I Had to Release My S—’

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Sean Penn to Be Guest of Honor at Thierry Fremaux’s Lumiere Festival

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‘Rose of Nevada’ Review: George MacKay and Callum Turner Set Sail on a Bewitching, Time-Surfing Voyage

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The Members of Spinal Tap on Getting the World’s Loudest Band Back Together

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African Union of Broadcasters to Air Pan-African Docuseries ‘Road to LA ’28,’ Ahead of L.A. 2028 Olympics (EXCLUSIVE)

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Jim Jarmusch “Disappointed and Quite Disconcerted” About His Distributor Mubi’s Ties to Israeli Military

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Jim Jarmusch Responds to Mubi Taking on Investor With Israeli Military Ties: ‘I’m Disappointed and Disconcerted’ but ‘All Corporate Money Is Dirty’

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Jude Law “Learned Judo” But “Didn’t Fear Repercussions” for Playing Vladimir Putin in Venice Thriller ‘The Wizard of the Kremlin’

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Jude Law Doesn’t Fear Repercussions for Playing Putin in Venice Thriller ‘Wizard of the Kremlin’: ‘We Weren’t Looking for Controversy for Controversy’s Sake’

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‘The Holy Boy’ Review: A Valley of Smiles Is Really a Vale of Tears in a Clever, Creepy Italian Chiller

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Doha Film Institute CEO Fatma Hassan Alremaihi Receives Variety’s 2025 Achievement in International Film Award: ‘It’s Not Just About What We Have Achieved, It’s About What We Aspire To’

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Jia Zhangke Talks Distribution, AI and the Future of Cinema in Venice Masterclass

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‘Preparation for the Next Life’ Review: A Bittersweet Immigrant Love Story Thrives on Two Terrific Performances

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‘Do Bigha Zamin’ Preservationist Shivendra Singh Dungarpur Details Venice-Bound Restoration of Bimal Roy Classic

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Venice Premiere ‘One Woman One Bra’ Takes Aim at ‘Message-Based’ Films Shaping African Narrative

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Female Filmmakers Lead Large Contingent of Arab Features Unspooling at the Venice Festival

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Willem Dafoe’s Venice Movie ‘The Souffleur’ Finds Distribution in Italy Ahead of World Premiere (EXCLUSIVE)

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Venice Days Selections Explore Russia’s ‘Willing Blindness’ During Chechen Wars, Silence Over Ukraine

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‘Tuner’ Review: Dustin Hoffman and Leo Woodall Fix Pianos in an Offbeat Indie That’s Far Better Than It Sounds

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Telluride Awards Analysis: ‘Jay Kelly,’ Movie About People Who Make Movies, Feels Very Much Like Academy’s Cup of Tea

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‘Ask E. Jean’ Review: Urgent Documentary Sharply Follows the Pioneering Media Personality Who Sued Trump With Sexual Assault and Defamation Allegations — and Won Twice

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‘Sentimental Value’ Pushes Renate Reinsve and Stellan Skarsgård Into Oscar Spotlight

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Mark Knoller, Longtime CBS News White House Correspondent, Dies at 73

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Jeremy Strong’s Meme-Bait Monologue Cut From Springsteen Biopic ‘Deliver Me from Nowhere’: No More ‘Hole in the Floor’

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