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Movies & TV

Pete Davidson Says the ‘SNL50’ Audience Was ‘Terrible’: ‘It’s Just Famous People, and Famous People Only Like Themselves’

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Byron Allen Sells 10 TV Stations to Gray Media for $171 Million

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Nagarjuna, Ram Gopal Varma’s Indian Cult Classic ‘Siva’ Sets Sights on Theatrical Re-Release (EXCLUSIVE)

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‘Dracula’: Radu Jude Explains How His Film Uses AI, Deconstructs the Myth and Pays Homage to Cinema

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Emma Thompson on Playing a ‘Real Female Heroine’ in ‘Dead of Winter’ and Filming Violent Scenes: ‘Why Start This Action Stuff When You’re 66 Years Old? That’s Just Stupid’

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AMC Networks Streaming Revenue Rises 12% in Q2, U.S. Ad Sales Drop 18%

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Emma Thompson on Pulling “Every Single Muscle” Playing “a Real Heroine” in Action-Thriller ‘Dead of Winter’ — and What “Really Scared” Her

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Tim Blake Nelson Boxing Drama ‘Bang Bang’ Sells to Sunrise for North America After Tribeca, Locarno Bow (EXCLUSIVE)

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Sibling Rivalries, Sci-Fi Prophets and Queer Camboys: 10 Bold Visions Compete for Edinburgh’s $67,000 Sean Connery Prize

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Edinburgh Film Festival’s Paul Ridd on Rebuilding a Legacy, Elevating New Voices and Turning the Fringe Into an Asset

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Parallax Films Boards World Sales on Lee Hong-chi’s Venice-Bound ‘A Dance in Vain’ (EXCLUSIVE)

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Scotland’s DIY Filmmakers Forge Ahead as Public Funding Prioritizes Development

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‘Don’t Let the Sun’ Director on Her “Almost Silent Movie” Exploring Alienation Amid Climate Change

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Celia Imrie’s WWII Novel ‘Meet Me at Rainbow Corner’ Nabbed by Saffron Cherry Productions (EXCLUSIVE)

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Watch Good Charlotte Perform ‘I Don’t Work Here Anymore’ on ‘Fallon’

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Alicia Silverstone Says ‘Clueless’ Sequel Will ‘Honor’ the Original Film

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MPM Premium Nabs World Sales Rights to Locarno’s Piazza Grande Entry ‘Irkalla: Gilgamesh’s Dream,’ by Iraqi Director-Producer Mohamed Al-Daradji (EXCLUSIVE)

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Sex, TikTok and Ed Wood: Radu Jude Uses All the Tricks in Rule-Breaking ‘Dracula,’ but at Least He ‘Didn’t Kill Anybody’

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Benjamin Ree, Baldvin Z, Antti J. Jokinen and Linda Hambäck Bolster New Nordic Films Pitch Slate as Full Program Is Revealed

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Jacqueline Zünd’s ‘Don’t Let the Sun’ Shines a Light on a World of Sweltering Sticky Climate Change

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Locarno’s Match Me! Captures the Sweep of Emerging Producers’ Output, From Tales of Queer Migration to Amazon Injustice and the ‘Nicest Bank Robber in History’

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Oh, Canada: Locarno’s First Look Section Welcomes ‘Queer Love Fantasy,’ Wild Desert Misadventure and Artists in Peril

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Fremantle Revenue Slips in H1 as RTL Group Ramps Up Streaming, Seals Sky Deutschland Deal

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Doc on Healing Trauma of Domestic Violence in the Works From Director of Locarno Opener

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‘Ebony and Ivory’ Review: You Thought the Song Was Rubbish? Wait’ll You See How Two Pop Music Legends Let It Be

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Greg Gutfeld Hugs Jimmy Fallon and Plugs His Game Show in Fox News Host’s First Late-Night Crossover

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‘Kidnapping of the Bride’ Director Sophia Mocorrea Preps ‘Vaca Muerta,’ Capturing a Fractured Society – in ‘Class, Origin and Generation’ (EXCLUSIVE)

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Ice Cube’s ‘War of the Worlds’: What the Critics Are Saying

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Aruba Tops Expedia’s Inaugural ‘Island Hot List’ As Most Popular Island Travel Destination for 2025

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Inside ‘Terrestrial,’ the Twisty Fantasia Crowd Pleaser That May or May Not Be an Alien Fever Dream

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‘My Mother’s Wedding’ Review: Scarlett Johansson and Sienna Miller Play Sisters in a Warm Family Dramedy

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