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Movies & TV

Gullane+ Nabs Distribution Rights to Cannes Classic Doc ‘Para Vigo Me Voy’ About Legendary Brazilian Filmmaker Cacá Diegues

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Director of Julian Assange Film ‘The Six Billion Dollar Man’ Wins Golden Globe Prize for Documentary

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Hong Kong Cinema Makes Splash at Cannes With Industry Push

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Soundgarden’s Ben Shepherd Hints at Unreleased Album in Chris Cornell Tribute Post

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Lesley Stahl, Scott Jennings Join PBS Tense News-Panel Series ‘Breaking the Deadlock’

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CAA Signs Breakaway Ahead of Music Festival’s International Expansion (EXCLUSIVE)

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‘Thanksgiving’ Star Nell Verlaque Says Sequel Will Film This Year, Has Asked Eli Roth to Be ‘Tortured’ and ‘Covered in Blood’ in Movie

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Penélope Cruz to Star in Los Javis’ ‘La Bola Negra,’ Acquired for Global Sales by Goodfellas

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Sesame Street Is Relocating to Netflix

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BBC Studios Restructures With Major Unscripted Consolidation

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CBS News Chief Wendy McMahon Steps Down, Citing Conflicts With Paramount

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‘History of Sound’ Director Oliver Hermanus on Paul Mescal and Josh O’Connor’s Deep Romance, Gay Sex Scene Discourse and His Alexander McQueen Biopic

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German Works by Fatih Akin, Mascha Schilinski, Christian Petzold Unspool in Cannes, Animation Set for Major Market Showcase

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Warner Bros. Taps Legendary’s Sirena Liu to Head China Theatrical Ops

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Taiwan YA Content Gets Boost as PTS XS, Third Culture, S11 Launch Drama Lab (EXCLUSIVE)

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‘The Good Life’ Trailer: Mike Birbiglia Muses on Parents and Pancakes in Netflix Special (EXCLUSIVE)

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Netflix Picks Up ‘Sesame Street’ Worldwide Streaming Rights After Max Deal Ends

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MUV Capital, Retrato Filmes Set Trailblazing Partnership for Distribution in Brazil, Latin America (EXCLUSIVE)

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Vicky Krieps Has Yet to Recover From Cannes Custody Drama ‘Love Me Tender’: ‘This Film Pushed Me to My Limit’

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‘Urchin’ Review: Harris Dickinson’s Fine Directorial Debut Bridges Social Realism and Surrealism

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Hallmark’s ‘Holiday Touchdown: A Bills Love Story’ Casts Holland Roden, Matthew Daddario, Tony Danza and More (EXCLUSIVE)

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Norwegian Berlinale Winner Dag Johan Haugerud Named Jury Head for Venice’s Giornate Degli Autori

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‘Slauson Rec’ Review: A Documentary About Shia LaBeouf’s Acting Class — and His Anger Issues — Is More Appalling Than Fascinating

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Cannes: Wes Anderson Teases His Next Film

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Madrid’s ECAM Forum Expands International Scope With 23 Titles for 2025 Edition

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Cannes: Wes Brings The Whimsy in ‘Phoenician Scheme’ Press Conference

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Wes Anderson Mocks Trump’s Movie Tariffs at Cannes: ‘Can You Hold Up the Movie in Customs? It Doesn’t Ship That Way’

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In Cannes, It All Happened at the Carlton

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Gary Lineker Will Depart Sooner Than Planned After Antisemitism Controversy, BBC Confirms

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Wes Anderson Powers Satyajit Ray’s ‘Aranyer Din Ratri’ Rescue for Cannes Classics

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Hong Kong Remake of Richard Linklater’s ‘Tape’ Secures U.K. Distribution, Sets Raindance Bow (EXCLUSIVE)

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BrLab Unveils New Dates, Co-Pro Forum and Regional Spread Ahead of 15th Anniversary Edition (EXCLUSIVE)

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Dakota Johnson Says Studio Bosses Don’t Take Risks and ‘It’s a Constant Fight,’ Recalls Being Shocked at Her Movie Premieres: ‘That Is Not What I Thought We Were Making’

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Female Film Club Launches Global Short-Film Fund at Cannes (EXCLUSIVE)

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Cannes: ‘Corsage’ Director Marie Kreutzer Wins Investors Circle Prize for ‘Gentle Monster’

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Richard Linklater on What He Told Tarantino at the ‘Nouvelle Vague’ Premiere and Why the Indie Film Revolution Faded: ‘Unless It’s Got Money All Over It, Nobody Gives a S—’

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Tom Cruise’s ‘Mission: Impossible – The Final Reckoning’ Rockets to No. 1 at Korea Box Office

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New Jax Film Studios in Ryadh Unveiled at Cannes by Saudi Film Commission

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Eli Roth’s The Horror Section Inks Deal With Veronica Ferres’ Construction Film, Sets German-Language Remake of ‘Knock Knock’ (EXCLUSIVE)

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Boxing Drama ‘Heavyweight’ Opens Raindance, Art School Tale ‘The Academy’ Closes 33rd Edition

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Sundance-Winning ‘Cactus Pears’ Director Rohan Kanawade Signs With Cinetic Media (EXCLUSIVE)

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London’s Raindance Film Festival Unveils Lineup for Its Biggest Post-COVID Pandemic Edition

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Strong Festival, Soft Market at Cannes Enters Final Stretch

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China Box Office: ‘The Dumpling Queen’ Holds No. 1 for Third Straight Weekend, ‘Ne Zha 2’ Going Strong

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Haifaa Al Mansour on How Film Alula Will ‘Invest in the Journey’ of Producers and Saudi Arabia’s Dramatic Film Industry Changes

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Les Studios de Paris, Where ‘Jackie’ and ‘The Walking Dead: Daryl Dixon’ Filmed, Positions Itself as One Stop Shop for International Productions

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Polish Talents Continue to Rise as Industry Eyes Overhaul to Incentive Scheme: ‘We Need a System Equal to the Needs of Poland’

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Toxic Masculinity Soccer Tale ‘The Boot Room’ Acquired by U.K.’s Mutiny Films (EXCLUSIVE)

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‘The President’s Cake’ Review: Hasan Hadi’s Warm and Heart-Tugging Tale Sends Dutiful Kids on an Odyssey in Saddam Hussein’s Iraq

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Tom Cruise’s ‘Mission: Impossible – The Final Reckoning’ Draws Standing Ovation at New York Premiere: ‘It’s a Great Honor and Privilege’

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