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Movies & TV

James Earl Jones’ Darth Vader Returns to ‘Fortnite’ Using AI Technology

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Comedian Matteo Lane on His ‘Al Dente’ Stand-Up Special, Gayle King Using the F-Slur and Why He Thinks ‘There’s Nothing Gayer Than the Catholic Church’

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Kristen Stewart Says It’s a ‘Bulls— Fallacy’ That You Need ‘Experience’ to Direct: ‘It’s a Real Male Perspective’ and ‘Anyone Can Make a Movie if They Have Something to Say’

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Tom Hollander Joins Jean Reno in Tom Edmunds’ Action-Thriller ‘The Butler’ (EXCLUSIVE)

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‘Tomb Raider’ Producer Story Kitchen Renews First-Look TV Deal at Amazon MGM Studios (EXCLUSIVE)

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‘Sons of the Neon Night’ Director Juno Mak Breaks Down His Hong Kong Crime Thriller: ‘There’s a Nightmarish Poetry to It’

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‘Mountainhead’ Trailer Sees Tech Moguls Scheme as AI Causes ‘Ethnic Tension’ Worldwide: ‘We Literally Have the Resoures to Take Over the World’

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NWA and Women of Wrestling Head to Streaming with Roku FAST Channel (EXCLUSIVE)

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Cassie Threatened Man in 2014 Over Fears of Leaked ‘Freak-Off’ Video: ‘I Will Kill You and Hide You’

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‘A Man Called Ove’ Producer Nicklas Wikström Nicastro Preps Swedish Cycling Biopic ‘SteelGrandpa’ (EXCLUSIVE)

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Box Office: ‘Final Destination Bloodlines’ Makes $5.5 Million in Previews

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Indie Sausage Comedy ‘Denominación de Origen’ Cooks Up Historic Chilean Box Office Run

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‘The Day of the Jackal’ Star Eddie Redmayne on Tackling Iconic Characters, Loving ‘The White Lotus’ and the How Acting Is the Perfect Front for a Spy

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Documentarian Marianna Brennand to Receive Kering’s Women in Motion Emerging Talent Award at Cannes

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‘Mickey 17’ Gets Max Streaming Release Date

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Does Being a Morgan Wallen Fan Make You MAGA? Why the Country Bad Boy’s Music Is Trump-Coded

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‘All Quiet on the Western Front’ Writer Lesley Paterson Penning Bertha Benz Film (Exclusive)

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‘The Little Sister’ Review: Hafsia Herzi Directs a Modest but Empathetic Coming-Out Tale

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Georgia Maintains Status as Top Production Hub in the Face of Industry Slowdowns

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Sarah Silverman on Being ‘SNL’ Cast Member: ‘You Feel Like a Piece of Sh-t’

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Lady Gaga Set to Perform at Netflix Tudum 2025: The Live Event

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‘Adolescence’s’ Stephen Graham Joins Penelope Cruz and Javier Bardem in Florian Zeller’s ‘Bunker’ (EXCLUSIVE)

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‘Queen of the South’s’ Alice Braga to Star in New Carolina Jabor Film, Based on Novel by Cannes Jury Member Leila Slimani (EXCLUSIVE)

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Eli Roth’s ‘Ice Cream Man’ Sells Distribution Rights in France, U.K., and Other Key Territories to StudioCanal’s Sixth Dimension (EXCLUSIVE)

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Biopic of Turkish-Armenian Photojournalist Ara Güler Becomes First Film to Be Jointly Produced by Historically Hostile Turkey and Armenia (EXCLUSIVE)

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Storyboard Media Re-Teams With ‘Maybe It’s True What They Say About Us’ Director Camilo Becerra on Coming-of-Age Drama ‘The Sky That We Paint’ (EXCLUSIVE)

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Emile Hirsch, Justin Long and Kevin Connolly Teaming for Parasite Horror ‘Lice,’ Highland Film Group Selling in Cannes (EXCLUSIVE)

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Trump Claims Taylor Swift Is ‘No Longer Hot’ After He Posted ‘I Hate Taylor Swift!’

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Studiocanal Drops Teaser for Cedric Jimenez’s Dystopian Thriller ‘Chien 51’ Starring Adèle Exarchopoulos, Gilles Lellouche (EXCLUSIVE)

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With Charter-Cox Megadeal, John Malone’s Liberty Broadband Will Lose Ownership Stake in Charter

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‘Reedland’ Review: Outstanding Slow-Burn Thriller Announces Potentially Major New Dutch Director Sven Bresser

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Alexander Skarsgård’s Wry Robot Can’t Redeem Apple TV+’s Oddly Paced ‘Murderbot’: TV Review

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‘Bring Her Back’ Review: Sally Hawkins Is Chillingly Creepy as a Foster Mother From Hell in the Philippous’ Terrifying Follow-Up to ‘Talk to Me’

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India’s Indie Film Scene Is in Crisis

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Michael J. Fox Will Return to Acting With Guest Role on ‘Shrinking’ Season 3

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Scarlett Johansson Says Filming ‘The Avengers’ Felt ‘Like a Big Mess’ and ‘Didn’t Feel Cool’: ‘We All Looked Insane. What Are We Doing?’

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Rupert Friend Readying for Close-Up in ‘Photo Booth’ Opposite Lily James and Raffey Cassidy

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Beta Reveals Sales for ‘Let It Rain,’ ‘The Physician II,’ ‘The Light’

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Do Standing Ovations Signal the Decline of Cinema?

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Cannes: Japan’s Imagica Group Selects Tomoka Terada’s ‘Maria’ to Launch First Original Film Slate

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Tilda Swinton to Star in David Lowery’s ‘Death in Her Hands’ From See-Saw Films

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Tilda Swinton to Breathe Life Into See-Saw’s ‘Death in Her Hands’ for Filmmaker David Lowery

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Cannes: ‘Frank & Lewis’ Inks European Deals

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‘Lord, Give Me Patience’ Director Álvaro Díaz Lorenzo’s Nostalgic ’60s Comedy ‘Vírgenes’ Gets First Trailer (EXCLUSIVE)

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Charter, Cox Strike $34.5 Billion Merger Deal to Create Cable Behemoth

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‘Case 137’ Director Dominik Moll on Exploring the Gilets Jaunes Riots in His Cannes-Premiering Political Drama: ‘These Divisions Still Exist’ in French Society

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Sarah Silverman Says Working at ‘SNL’ Makes ‘You Feel Like a Piece of S— and You’re Terrified’; Conan O’Brien Saved Her Career After ‘SNL’ Firing

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Breaking Through the Lens Co-Founder Daphne Schmon on What Has to Change for Gender Equity in Film: ‘We Need Actions to Speak Louder Than Words’

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Legendary Entertainment Names Di Mu CEO of China Division

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Christopher Nolan’s ‘The Odyssey’ to Be the First Movie Shot Entirely With Imax Cameras

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