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Fri Oct 4
Thu Oct 3
‘Los Frikis,’ From Producers Phil Lord and Chris Miller, Lands U.S. Distribution and Christmas Day Release (EXCLUSIVE)
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Jon Steinlauf, Warner Bros. Discovery’s U.S. Ad Sales Chief, to Exit
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Jon Stewart Says Streamers Like Apple and Amazon Are Turning Writers’ Rooms Into ‘Ruthlessly Efficient Content Factories’: ‘I Can’t Function Like That’
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‘Joker: Folie à Deux’ Earns $7M in Box Office Previews, Notably Less Than First Film
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Box Office: ‘Joker 2’ Makes $7 Million in Previews, Down From Original Movie
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Federal Prosecutor Damian Williams Flexes SDNY Power Against Eric Adams and Sean Combs
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Rebel Wilson Escalates Legal Battle With ‘The Deb’ Producers in New Countersuit
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The Koo Koo Roo Reboot Is Finally Returning to L.A.: Everything to Know
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How Sean Baker Made ‘Anora’ — a Twisted Brooklyn Love Story Filled With Sex, Strippers and Russian Oligarchs
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Joni Mitchell’s ‘Archives Vol. 4: 1976-1980’ Unearths Buried Treasure From Her Most Creative and Challenging Era: Album Review
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Allen Media Strikes New Nielsen Alliance After Touting Rival VideoAmp in 10-Year Deal (EXCLUSIVE)
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Meta Unveils ‘Movie Gen,’ Tool That Creates 16-Second AI-Generated HD Videos
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Spooky Animated Feature ‘Night of the Zoopocalypse’ Bought by Viva for U.S. Ahead of Sitges Premiere as Charades, Anton Unveil First Clip (EXCLUSIVE)
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SCAD Savannah Film Festival Lineup: ‘Better Man’ Centerpiece Screening, ‘Maria’ to Close Fest
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Fran Drescher to Play Timothée Chalamet’s Mom in A24’s ‘Marty Supreme’ (EXCLUSIVE)
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The New Yorker Union Votes to Authorize Strike Ahead of Magazine’s Annual Festival; Condé Nast ‘Disappointed to See This Tactic’
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‘Three Women’ Helmer Lisa Brühlmann Talks Acting and Directing in ‘When We Were Sisters’: ‘I’ve Never Felt I Wasn’t Taken Seriously Because I Took Myself Seriously’
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Spain’s Secuoya Studios Aims for English-Language Projects as It Unveils New Content Strategy
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‘Disorder,’ Anthology Film Depicting Turbulent Life in Lebanon, Acquired for World Sales by Front Row Ahead of El Gouna Fest Premiere
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SCAD Savannah Film Fest: Demi Moore, Amy Adams and Natasha Lyonne Among New Wave of Honorees (Exclusive)
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Access Granted: Verizon Unveils MSG Partnership for Exclusive Fan Experiences at Sporting Events and Concerts
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Brazil’s Theatrical Market Gradually Recovers, but Still Way Below 2019
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Cash-Strapped Brazilian Exhibitors Struggle to Upgrade Digital Projectors: Rental Is an Option
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Mubi in Multi-Territory Deal for Daniel Craig Drama ‘Queer’
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Luca Guadagnino’s ‘Queer,’ Starring Daniel Craig, Acquired by Mubi for U.K., Mexico, Germany and More
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Coldplay’s Chris Martin Says Playing With Michael J. Fox at Glastonbury Was ‘So Trippy’: ‘Like Being 7 and Being in Heaven’
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Emma Corrin, Kodi Smit-McPhee and More Join Cate Blanchett in West End’s ‘The Seagull’ as Play Sets March Opening
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Marten Rabarts Returns to Netherlands as Head of Rotterdam Film Festival’s IFFR Pro – Global Bulletin
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Brazilian Environmentalist Chico Mendes Getting Biopic, Documentary and Honorary Green Shooting Guide (EXCLUSIVE)
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Netflix Cancels ‘That ’90s Show’ After Two Seasons
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‘Things Will Be Different’ Review: Time-Traveling Siblings Can’t Escape Their Past in Serviceable Sci-Fi Debut
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Film Finances Scandinavia, Göteborg’s Nordic Film Market Launch Development Award (EXCLUSIVE)
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Spain’s Amore Cine, Txintxua Films Board Quijote Films’ ‘Morir de Pie’ (EXCLUSIVE)
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Oscars: Thailand Picks ‘How to Make Millions Before Grandma Dies’ for International Feature Category
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Indian King of Comedy Kapil Sharma, Star of Busan Film ‘Zwigato,’ Takes On Global Streaming With Hit Netflix Show (EXCLUSIVE)
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Mohammad Rasoulof on ‘Complicated’ Selection of ‘The Seed of the Sacred Fig’ as Germany’s Oscar Entry
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Korea’s CJ ENM Outlines 30-Year Vision, Commits to Increasing Production Spend, Despite Industry Disruption: ‘We Continue to Believe in K-Content’
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‘That ’90s Show’ Canceled After Two Seasons on Netflix, Kurtwood Smith Says: ‘We Will Shop the Show’
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Ryan Murphy Predicts Menendez Brothers Will Be ‘Out of Prison by Christmas’
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Mikey Madison Reveals Lessons Learned From Sean Baker While Filming Palme d’Or Winner ‘Anora’
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