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Movies & TV

‘Howl’s Moving Castle’ Turns 20: Supervising Animator Akihiko Yamashita Reflects on His Relationship With Hayao Miyazaki and Bringing the Studio Ghibli Classic to Life

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Songs by Adele, Bob Dylan, Green Day, Many More Blocked by YouTube in Legal Dispute

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Global Citizen to Produce Halftime Show for FIFA World Cup Final, Starting in 2026

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Idles Brings Urgent Post-Punk and Dynamic Energy to Ruckus New York Show: Concert Review

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‘Superman’ Star David Corenswet Bulked Up to 230 Pounds to Play Man of Steel: ‘I Didn’t Fit Into Any of My Pants’

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Albert Serra’s Bullfighting Doc ‘Afternoons of Solitude’ Wins San Sebastian’s Golden Shell

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Andrew Garfield Charms San Sebastian as ‘We Live in Time’ Wraps Up Film Festival

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Netflix’s Motion to Dismiss ‘Baby Reindeer’ Lawsuit Denied by Judge

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‘Strictly Business’ Live on Streaming’s Changing Economics, the Future of Moviegoing, M&A on Ice and More

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Arab Filmmakers Focus on Young Audiences, Lament ‘Unfair Fight’ With U.S. Films, Having to Westernize Stories to Reach Hyper-Connected Teens

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Albert Serra’s Bullfighting Doc ‘Afternoons of Solitude’ Wins Golden Shell at San Sebastián, as Pamela Anderson and ‘The Last Showgirl’ Take Jury Prize

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Jungle Keeps Fans Moving — and Wanting More — at Sold-Out Hollywood Bowl Show: Concert Review

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Sharjah Film Festival Celebrates Growth, Introduces Palestine as Guest of Honor Country: ‘The Interest in Young Audiences in the Arab World Is Growing’

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Bright Eyes Cancels Remaining 2024 Concert Dates After Alarming Tour Kickoff, Says Conor Oberst Will Be Treated for ‘Vocal Problems’

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Sharjah Film Festival Heads on Inaugural Film Market, Plans of Film Fund Dedicated to Filmmaking for Children and Youth

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Warren Wilson, KTLA Reporter and Broadcaster, Dies at 90

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‘Afternoons of Solitude’ Review: Albert Serra Observes the Matador Life In All Its Absurd Beauty and Obscene Bloodshed

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Kanye West Announces New Album ‘Bully,’ Debuts Song ‘Beauty and the Beast’ at Listening Event in China

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‘Sopranos’ Star Lorraine Bracco Thought Divisive Ending Was ‘Bad and Wrong’: ‘How Do You Invest 5 Years Into Someone’s Life and Just Walk Away?’

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Box Office: ‘Megalopolis’ Bombs With D+ CinemaScore, ‘Wild Robot’ Soars to No. 1

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‘Monsters’ Stars Break Down Erik Menendez’s ‘Powerful,’ 33-Minute Single Take in Episode 5: ‘You Couldn’t Look Away’

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Will Ferrell and Harper Steele Insisted Netflix Release ‘Will & Harper’ Before Election Day So People Could ‘Start Having Important Discussions in Their Living Rooms’

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Box Office: ‘The Wild Robot’ Powering Up to $35 Million Opening, ‘Megalopolis’ on Track for Less Than $5 Million

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Sophie Turner on Playing a Glamorous Diamond Thief Fighting for Custody of Her Child in British Crime Drama ‘Joan’: ‘I Had That Maternal Ferocity in Me’

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Amazon in Talks With Brian Williams to Host Election-Night Special (EXCLUSIVE)

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Finland’s Fireframe Studios Boards Arctic Thriller ‘The Ice’ in Collaboration With Nordisk Film Production (EXCLUSIVE)

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Andrew Garfield Says ‘We Live in Time’ Helped Him Through a ‘Kind of Mid-Life Crisis’

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Norwegian Director Eirik Svensson’s Africa-Set Drama ‘Safe House’ Tells Pulled-From-Headlines Story of Aid Worker’s Harrowing Plight

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Antti J. Jokinen Puts Emotion Over Violence in Nordic Epic ‘Kalevala’: ‘These Are Men Who Feel’

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Dakota Johnson “100 Percent Had Preconceived Notions” About Justin Timberlake Before Starring in ‘Social Network’ Together

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Judge Rules ‘Baby Reindeer’ Was Not a ‘True Story,’ Allows Real Martha to Sue Netflix

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‘Randy Newman’s Faust,’ the Songwriter’s Brilliant but Rarely Produced Stage Musical, Rises Again for a Weekend in L.A. at the Soraya

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Jeff Bridges Wasn’t “Fond of” His CGI Appearance in ‘Tron: Legacy’: “I Looked More Like Bill Maher”

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‘Nickel Boys’ Opens New York Film Festival, Marking RaMell Ross’s Fictional Film Debut: ‘Hopefully This Film Can Be a Proxy For the Real Dozier Boys’

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Casting Directors Reach Tentative Deal on New Contract

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‘Killer Heat’ Review: Okay Greek-Island Noir, With Joseph Gordon-Levitt and Shailene Woodley in the Tale of a Murderous Love Triangle

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Anna Sawai on Her ‘Surreal’ Emmy Win for ‘Shogun,’ Playing Heartbreak on ‘Pachinko’ — and Whether She’d Ever Sing On Screen

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