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Movies & TV

2024 Creative Arts Emmys Night 2: ‘Shōgun’ Dominates With 15 Wins

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How IVF and Fertility Struggles Inspired Elizabeth Olsen and Alicia Vikander’s Offbeat Psychological Thriller ‘The Assessment’

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‘The Wild Robot’ Review: It’s No ‘Iron Giant,’ Though DreamWorks’ Tale of a Wayward Droid Is a Keeper

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Blackpink’s Jennie Signs Solo Deal With Columbia Records

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Lupita Nyong’o, Catherine O’Hara Suggest Audiences Bring Tissues to Tear-Jerker ‘The Wild Robot’

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Alfonso Cuarón Was “Terrified” Making New TV Series ‘Disclaimer’: “I’m Not Very Fast”

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‘Anora’ Director Sean Baker Knew Mikey Madison Was His Lead Star After Watching ‘Scream’: ‘We’re Calling Mikey’s Reps the Minute We Leave the Theater’

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‘Emilia Pérez’ Cast on Why the Musical Film Is a ‘Gift’: We Had the Opportunity to ‘Showcase Everything We Consider Art’

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Cate Blanchett Says ‘Carol’ Was ‘So Hard to Get Funded’ Because ‘No One Wanted to See’ a Film With ‘Two Women Falling in Love’

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Angelina Jolie Says ‘Maria’ Biopic Reflects “Darker Times” in Opera Legend’s Life

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Selena Gomez Pitched ‘Only Murders’ Creators for Mabel to Be the Killer: ‘You Never Know’

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Ray Fisher Says ‘The Piano Lesson’ Was a ‘Palette Cleanser’ After ‘Career Hardships’ Due to DC Studios Controversy

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TIFF According to Sky Original Film’s Julia Stuart

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Andrew Garfield, Elizabeth Olsen, Barry Keoghan and More Toast Female Filmmakers at the Variety and Chanel Dinner at TIFF

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Herbie Flowers, Bassist on Lou Reed’s ‘Walk on the Wild Side’ and Songs by David Bowie, Elton John and Paul McCartney, Dies at 86

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The Best Travel Headphones and Earbuds to Buy in 2024

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Angela Bassett Wins First Emmy Award for Outstanding Narrator: ‘I’m Just a Girl Who Wanted to Act’

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Watermelon Takes Mahdi Fleifel’s Cannes Directors’ Fortnight Hit ‘To a Land Unknown’ for North America (EXCLUSIVE)

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‘My Old Ass’ Director Megan Park on Capturing the ‘Sadness’ and ‘Sweetness’ of Adolescence in Her Trippy Sophomore Feature

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DirecTV Files FCC Complaint Accusing Disney of Negotiating in Bad Faith as Blackout of ESPN, ABC Drags On

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Nicole Scherzinger’s ‘Sunset Boulevard’ Revival Opens on Broadway Next Month: Here’s the Best Way to Find Affordable Tickets Online

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How Elton John Saved ‘Lion King’s’ Oscar-Winning Song ‘Can You Feel the Love Tonight’ From Disney’s Cutting Room Floor

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Elisabeth Moss on Playing Opposite Kate Hudson in ‘Shell’ and the Stress of Auditions

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Film Academy, BAFTA, Grammys Heads on Diversity Progress, AI, and Modernizing Awards Shows

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Kendrick Lamar to Perform at 2025 Super Bowl Halftime Show

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‘40 Acres’ Review: Danielle Deadwyler Leads With Strength in Subversive Siege Thriller

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‘Universal Basic Guys’ Is Moronic and Dated: TV Review

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‘Blue Road: The Edna O’Brien Story’ Review: Well-Timed Doc Reads Between the Lines of the Late Novelist’s Life

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‘Saturday Night’ Director Jason Reitman Recalls Real Life ‘SNL’ Writing Gig: “You Sit Around Shaking”

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‘Beetlejuice Beetlejuice’ Scares Up $110 Million in Second-Biggest September Debut in History

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First Look at TIFF Sales Drama ‘Really Happy Someday’ (EXCLUSIVE)

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Toronto Hidden Gem: ‘Universal Language’ Is An Absurdist Homage to Iranian Cinema Via Winnipeg

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Tony Hale Tackles Parental Angst and Sharing the Screen With Kids in Toronto Pic ‘Sketch’: ‘These Kids Just Had Such a Natural Gift’

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A24 Nabs Brady Corbet’s Historical Epic ‘The Brutalist’ in Reported $10 Million Sale After Venice Film Festival Premiere

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A24 Buys Brady Corbet’s ‘The Brutalist’ for U.S.

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How Toronto Documentaries Use Innovative Methods to Reach New Audiences: ‘You Need a Different Lens’

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Increased Tax Credit Provides Welcome Relief to U.K. Independent Film Industry

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‘Hana Korea’ Rolls in Seoul, Adds ‘Okja’ Star Ahn Seo-hyun (EXCLUSIVE)

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Toronto First Look at Time Travel Romance ‘Fate’ With Harvey Keitel and Faye Dunaway (Exclusive)

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‘Back to the Future’ Star Lea Thompson, Kevin Pollak, Leanne Melissa Bishop and Aaron Ashmore to Lead Cast of ‘What If’ (EXCLUSIVE)

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Spain Brings Co-Production Market to Toronto’s Industry Program

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‘The Life of Chuck’ Review: Mike Flanagan’s Latest Stephen King Adaptation Fumbles Its Wistful Mysteries

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‘The Cut’ Review: Orlando Bloom Gives an All-Time Great Performance in an Uneven Boxer Drama

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‘Nightbitch’ Review: Amy Adams Ferociously Resists the Changes That Parenthood Imposes in Didactic but Welcome Ode to Moms

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Toronto: Actress-Centric ‘The Room Next Door’ and ‘Nightbitch’ Premiere, Face Different Awards Paths

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Amy Adams Tells ‘Nightbitch’ Premiere in Toronto: “I Freaked the Dogs Out on the Set”

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Juliette Binoche Says She Felt “Brother and Sister” With Ralph Fiennes Reuniting for ‘The Return’

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Selma Blair Admits She’ll “Never” Skip on Rewatching ‘Cruel Intentions’ and ‘Legally Blonde’

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Amy Adams’ ‘Nightbitch’ Weirds Out TIFF With Dog Poop, Cat Killing and Shower Menstruation

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The Weeknd Brings Out Anitta and Playboi Carti, Premieres Several New Songs at Massive Concert in Brazil

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